Rikka Zine is a new exhilarating Science Fiction and Fantasy anthology. This very first issue is a collection of stories about “shipping” that explores delivery work, the human relationship, and migration to other worlds. We encourage SFF in translation, new and emerging writers from non-Anglophone countries and diaspora writers. English is not the first language of most of our contributing writers, with two thirds of them from Asia and the other third from Brazil. Table of Contents Chapter 1: Delivery “Flightless” by Shu Chiba (JP-EN Tr. by Matt Treyvaud) “The Time Traveler’s Delivery” by Renan Bernardo (Reprint) “Enclosure” by Mu Hai (CN-EN Tr. by Judith Huang) Chapter 2: Weird “A Flawless Cicada Skin” by Hitokoe Inada (JP-EN Tr. by Kalau Almony) “How Much Does an Evil Spirit Weigh?” by Hayane Neya (JP-EN Tr. by Macha Spoehrle) Chapter 3: Chosen Family “Our Lives on Tides” by Soham Guha (Reprint) “Elysium: A Tale of Homecoming” by Toori Haito (JP-EN Tr. by Brian Bergstrom) “For Those Who Stay” by Vitória Vozniak “Happiness Comes Three Nights Later” by Sasaboushi (JP-EN Tr. by Burntends and Terrie Hashimoto​​) Chapter 4: Immigration to New Worlds ​​ “The People of the Missing Recipient” by Rodrigo Ortiz Vinholo “What the Sea Made Me Leave Behind” by Giu Yukari Murakami “Swifter Than the Cucumber, Slower Than the Eggplant” by Motoimoto (JP-EN Tr. by Sylvia Gallagher) 10 of 12 stories have never been published before. ---------------------------------- About Editor Terrie Hashimoto, Editor, has been working on the publication of science fiction and fantasy in Japan for over fourteen years as a book reviewer, critic and anthologist.

Cardcaptor Sakura brought a generation of readers to manga, and now it's back in a definitive collector's edition! Cardcaptor Sakura is one of the all-time classics of the magical girl genre, and the Collector's Edition will be the definitive version of the story, for both long-time fans and readers new to the story. The adventures of the plucky Sakura Kinomoto are as adorably thrilling as ever, as she tracks down the magical Clow Cards and plunges headlong into a world of sorcery beyond anything she could've imagined.

From 1838 until 1917, Indians arrived to work as indentured labourers in Guyana. The majority never returned to India and today over 50% of the Guyanese population is of Indian origin. This anthology of prose and poetry shows how the Indians changed the character of Guyana and the Caribbean and how, over 150 years of settlement, Indians became Indo-Guyanese. Ranging from the earliest attempts at cultural self-definition in the 19th century (and early narrative images of the Indian presence in non-Indian writing), to the creative writing of the 1990s, this anthology provides a fascinating insight into the transformation of an ancient culture in the New World. Extracts from novels, short stories, essays and poems explore the experience of plantation life, of relationships with other ethnic groups, issues of gender within Indo-Guyanese culture and the adjustments in cultural practices which separation from India and involvement with the new environment required. Brief introductory essays by Jeremy Poynting set historical contexts, and there is an invaluable bibliography of Indo-Guyanese writing. This is the only anthology of its kind.

Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein's seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Record as a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama's own text as it appeared in the magazines. It used to be assumed that Moriyama's peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan.

After Makoto’s confession, Souta finds himself having to balance a delicate three-way relationship. Trying to keep both lust-crazed girls satisfied while also keeping his cheating a secret from Rikka is hard enough, but Zepar isn’t through with him yet…as the next to fall victim to her curse is none other than their homeroom teacher, Tateaki-sensei! Faced with the domineering charms of a lonely adult woman, will Souta be sucked into yet another immoral affair?

"Y youth age 10+"--Vol. 1, p. [4] of cover.