2004 Silver Award Winner for Best Instructional Materials by Acoustic Guitar Magazine.Correct Practice is what all good players do, whether they know they are doing it or not! That's how they get to be good players. Whether you are a beginner or a player with the usual problems, here is your Foundation book, "The Principles of Correct Practice for Guitar!"- for ALL styles and ALL levels. "The Principles of Correct Practice for Guitar" is composed of three elements:Understandings: Concepts which you must understand in order to begin to practice effectivelyTools: Practice Approaches to be used to solve problems in playing. These approaches are based on certain key Understandings, such as Muscle Memory and Sympathetic Tension, as well as Attention and Awareness.Exercises: Specific routines to be done during practice, that will build technique, (playing ability) in a step by step fashion, each step building on the previous one, and preparing for the next.

These studies constitute an irreplaceable part of the standard study material for classical guitar. They are designed to aid in maximum development of right-hand technique.

The premise of Kitharologus is that Guitar technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible. Covering all grades from novice to expert, this book is certain to be enthusiastically embraced by any classical guitarist wishing to maximize his technique.

Classical Guitar Technique: Essential Exercises, Scales, and Arpeggios (2019 Edition). Notation Only with Fingering, String Numbers, and Positions.122 Pages. Includes: Practice Routines, Tips, YouTube Lessons, 100 Open String Exercises, 120 Giuliani Arpeggios, Selected Scales (Major, Minor, 3rds, 6ths, Octaves, 10ths), Slur Exercises, Shifts, Finger Independence, Alignment, Stretch, Barre, Tremolo, Common Harmonics, Speed and Relaxation, and more. This book focuses on essential exercises for the development of classical guitar technique. All the exercises from the headings of the table of contents progress from easy to advanced in a progressive format. Although this is a book of exercises rather than a method, I have included many helpful tips throughout the book to aid students. As with all my materials, the video lessons are an added educational advantage.Intended for beginner to early-advanced classical guitar students (approximately RCM Toronto Grade 1-9). As a basic prerequisite students would have completed both Volume One and Two of my beginner method book series or an equivalent. There are a number of exercises in upper positions that include accidentals, therefore, additional reading experience is required if you wish to study the entire book. The inclusion of fingering, string numbers, and position marks should make the exercises easy to understand. The 100 open string exercises should be very accessible to beginners and advanced students alike.

This book contains short and concise exercises for use in a warm-up before practice or performance, and for general technical advancement. The book is divided into four sections: I Arpeggios, II Scales, III Tremolo, and IV Slurs. Each section contains a description of the exercises and general instructions on how to play them. The exercises are intended for guitarists who are looking for a simple warm-up that does not require learning many complicated etudes, exercises or routines. In this book, only one etude is used for a variety of arpeggio and tremolo patterns. The scale warm-ups are based on a two-octave, one-position scale that is shifted up and down the fretboard, and a simple one-position chromatic scale. The pull-off and hammer-on slurs are combined into one exercise to save time. This same routine, when practiced with the metronome gradually increasing the tempo, can also double for technical work. With the exception of one chromatic scale exercise, the rest are on closed strings. Besides being able to move the scale up and down the fretboard, the first finger can be barred. This will increase the left hand difficulty and improve the left hand position and strength.There is close to an hour's worth of material if all the exercises are played with all of their variations at different tempos. Not everything needs to be played everyday, so the warm-up session can be as long as desired or as short as time allows.

Not a "method" in the traditional sense, this book explains what happens in the finest classical guitar playing and what in turn the student can do to mold his or her playing to that ideal.

In the tradition of Django Reinhardt, Biréli Lagrène is one of most highly regarded Gypsy jazz, bebop, and fusion guitarists of recent decades. Once regarded as a child prodigy, he has performed with such legendary players as Benny Goodman, Stéphan Grappelli, Al Di Meola, Paco de Lucía, John McLaughlin and countless others. Given that roster, one might assume that Lagrène is quite advanced in years, but this is not the case; the fact is, he was drawn to the guitar as a child of four, and after auditioning at the intermission, was invited onstage with Grapelli for the second half- when he was only ten years old. While Lagrène is primarily an ear player, he has collaborated with TAGA Publishing to produce an exceptional book filled with insightful tips on playing the Gypsy jazz style. Biréli Lagrène: Gypsy Jazz Guitar Artistry introduces the intermediate jazz guitarist to the essential rhythms used in Gypsy jazz accompaniment, as well as to the vocabulary needed to improvise in the Gypsy jazz style. Not for the faint of heart, the book includes online audio recordings of 33 rhythm exercises and licks to incorporate the right feel or panache in your own Gypsy jazz performance style. The musical examples are written in either chord symbols or standard notation and tablature. Includes access to online audio.