Now with an introduction from celebrated poet James Tate, Riding the Earthboy 40 is the only volume of poetry written by acclaimed Native American novelist James Welch. The title of the book refers to the forty acres of Montana land Welch's father once leased from a Blackfeet family called Earthboy. This land and its surroundings shaped the writer's worldview as a youth, its rawness resonates in the vitality of his elegant poetry, and his verse shows a great awareness of a moment in time, of a place in nature, and of the human being in context. Deeply evoking the specific Native American experience in Montana, Welch's poems nonetheless speak profoundly to all readers. With its new introduction, this vital work that has influenced so many American writers is certain to capture a new generation of readers.

The 25th-anniversary edition of "a novel that in the sweep and inevitability of its events...is a major contribution to Native American literature." (Wallace Stegner) In the Two Medicine Territory of Montana, the Lone Eaters, a small band of Blackfeet Indians, are living their immemorial life. The men hunt and mount the occasional horse-taking raid or war party against the enemy Crow. The women tan the hides, sew the beadwork, and raise the children. But the year is 1870, and the whites are moving into their land. Fools Crow, a young warrior and medicine man, has seen the future and knows that the newcomers will punish resistance with swift retribution. First published to broad acclaim in 1986, Fools Crow is James Welch's stunningly evocative portrait of his people's bygone way of life. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

James Welch never shied away from depicting the lives of Native Americans damned by destiny and temperament to the margins of society. The Death of Jim Loney is no exception. Jim Loney is a mixed-blood, of white and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement and self-destruction. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Celebrates Pacific Northwest literature through interviews in which 22 authors discuss their work and the region's influence on it. Authors include Ursula Le Guin, Raymond Carver, Tess Gallagher, Tom Robbins, Gary Snyder, and Denise Levertov. Two interviews have been added since the publication of

Speak Like Singing honors talk-song visions for all relatives and seeks to plumb, if not to reconcile, Native and American poetics, tribal chorus, and solitary vision.

In Understanding James Welch, Ron McFarland offers analysis and critical commentary on the works of the renowned Blackfoot-Gros Ventre writer whose first novel, Winter in the Blood has become a classic in Native American fiction and who book of poems, Riding the Earthboy 40, has remained in print since its initial publication in 1971. McFarland offers close readings of Welch's poems, four novels and recent book, Killing Custer, which tells the story of the Battle of the Little Bighorn from a Native American perspective.

The classic account of Custer\'s Last Stand that shattered themyth of the Little Bighorn and rewrote history books. This historic and personal work tells the Native American sideof Custer\'s fabled attack, poignantly revealing how disastrous theencounter was for the "victors," the last great gathering of PlainsIndians under the leadership of Sitting Bull.