Chief of Staff of the IRA, successor to Michael Collins as Commander in Chief of the National Army, founding member of Cumann na nGaedheal and later leader of Fine Gael: Richard Mulcahy was a leading figure in revolutionary Ireland and the new Irish State. But who was the enigmatic man behind the myth? Conspiratorial IRB nationalist; stubborn military tribune; pragmatic, political officeholder; or a fascinating combination of these and other traits? In Richard Mulcahy: From the Politics of War to the Politics of Peace, Pádraig Ó Caoimh expertly explores the awkward, often competitive, relationships Mulcahy had with Brugha, Cosgrave, de Valera, O’Higgins and Stack, and investigates the forging of the Irish national army out of the furnace of change brought about by the rise of militarism, a mismanaged rebellion and two wars, one of liberation, the other of brothers. This long overdue new biography also reveals the ambiguous role of the IRB, and the strategically important military and political executive positions that Mulcahy occupied during the post-rebellion, army-building and state-building phase of 1917–24. This extensively researched new study of Richard Mulcahy and the struggle for supremacy concerning the post-revolutionary government-army relationship is a vital contribution to understanding Ireland’s revolutionary past.

Richard Mulcahy was architect of the guerrilla war that forced the British to grant Dominion status to Ireland and the guiding spirit behind the civil war that ensured the survival of the new state. In this illuminating portrait, Maryann Valiulis uses Mulcahy's career as a focus for reexamining Ireland's transition from colony to nation state between 1916 and 1924. She also views the Irish struggle from Mulcahy's varied perspectives - chief of staff in the Anglo-Irish war and minister for defence and commander-in-chief during the civil war. Contrary to traditional interpretation, she argues, Mulcahy and General Headquarters Staff played a crucial role in setting ethical boundaries for the guerrilla war, in ensuring that the war of independence did not degenerate into wanton violence, sectarian conflict, or personal vengeance. In the civil war, Mulcahy was less successful. In fact, in an attempt to enforce standards and control the actions of the army, he was led into his most controversial policy - execution of prisoners. Valiulis contends that within an atmosphere of terror and counter-terror, Mulcahy and GHQ kept the threads of the revolutionary struggle woven together. Under Mulcahy's direction, GHQ became a focal point for a guerrilla war that the IRA may not have been able to win but, thanks to Mulcahy and GHQ, did not lose. Mulcahy's life reveals much about the diversity of Irish nationalism, the nature of the revolutionary struggle, and the influence of colonialism. He epitomized the political and cultural nationalist whose vision of a free and independent Ireland was a synthesis of traditions: Gaelic and English, constitutional and revolutionary, modern and traditional. From such blendings did Ireland forge an enduring democratic nation state. Portrait of a Revolutionary is an essential contribution to our understanding of modern Irish history.

Tom Barry: IRA Freedom Fighter chronicles the action-packed life of the Commander of the Third West Cork Flying Column, including the decisive Kilmichael ambush and the controversy regarding sectarianism during the 1920–22 period. Author, Meda Ryan, details his involvement on the fringes of the Treaty negotiations; his Republican activities during the Civil War; his engagement in the cease-fire/dump-arms deal of 1923; his term as the IRA's Chief of Staff and his participation in IRA conflicts in the 1930s, 1940s, 1950s and right up to his death in 1980. Includes an extensive body of primary source material, including Tom Barry's papers,

Michael Collins is often thought of as Ireland's lost leader: a man born into a revolutionary environment who became a skilled statesman and military leader. This book looks in at Collins' key role in the Anglo Irish War using primary sources which have not previously been available.

"Constance Markievicz had some advice for women activists: 'Leave your jewels in the bank, and buy a revolver.' Most of the women who became involved in the fight for Ireland's freedom did not have jewels to swap for guns, but the change in their circumstances and lives would be just as radical. Setting aside their roles as dutiful daughters, wives, and mothers, they became dispatch carriers, gunrunners, spies. Guns in hand, they fought alongside their male comrades in arms, displaying a courage and resolution that astonished and sometimes offended public opinion of the time." "What they were doing was considered 'unladylike and disreputable' - a notion that explains why their stories became hidden histories; in many cases families were unaware that their great-aunts and grannies had prison records." "But the evidence is there in their prison diaries and autograph books, in the graffiti that remain on the walls of Kilmainham Gaol, and in the archive lists of women prisoners of 1916, the War of Independence, and the Civil War. From this wealth of material and interviews with survivors, Sinead McCoole has produced a portrait of the girls and women whose indomitable spirit overcame hunger strikes, harsh prison conditions, and the tragedy of huge personal loss."--BOOK JACKET.

Between 1935 and 1970 the Irish Folklore Commission (Coimisiún Béaloideasa Éireann), under-funded and at great personal cost to its staff, assembled one of the world’s largest folklore collections. This study draws on the extensive government files on the Commission in the National Archives of Ireland and on a wide variety of other primary and secondary sources, in order to recount and assess the work and achievement of this world-famous institute. The cultural, linguistic, political and ideological factors that had a bearing on the establishment and making permanent of the Commission and that impinged on many aspects of its work are here elucidated. The genesis of the Commission is traced and the vision and mission of its Honorary Director, Séamus Ó Duilearga (James Hamilton Delargy), is outlined. The negotiations that preceded the setting up of the Commission in 1935 as well as protracted efforts from 1940 to 1970 to place it on a permanent foundation are recounted and examined at length. All the various collecting programmes and other activities of the Commission are described in detail and many aspects of its work are assessed and, in some cases, reassessed. This study also deals with the working methods and conditions of employment of the Commission’s field and Head Office staff as well with Séamus Ó Duilearga’s direction of the Commission.