This collection brings together perspectives on regional and social varieties of British English in fictional dialogue across works spanning various literary genres, showcasing authorial and translation innovation while also reflecting on their impact on the representation of sociolinguistic polarities. The volume explores the ways in which different varieties of British English, including Welsh, Scots, and Received Pronunciation, are portrayed across a range of texts, including novels, films, newspapers, television series, and plays. Building on metadiscourse which highlighted the growing importance of accent as an emblem of social stance in the eighteenth and nineteenth centuries, the chapters in this book examine how popular textual forms create and reinforce links between accent and social persona, and accent and individual idiolect. A look at these themes, as explored through the lens of audiovisual translation and the challenges of dubbing, sheds further light on the creative resources authors and translators draw on in representing sociolinguistic realities through accent. This book will be of particular interest to students and scholars in dialectology, audiovisual translation, literary translation, and media studies.

Authority and accessibility combine to bring the history and the drama of Tudor England to life. Almost 900 engaging entries cover the life and times of Henry VIII, Mary I, Elizabeth I, William Shakespeare, and much, much more. Written for high school students, college undergraduates, and public library patrons—indeed, for anyone interested in this important and colorful period—the three-volume Encyclopedia of Tudor England illuminates the era's most important people, events, ideas, movements, institutions, and publications. Concise, yet in-depth entries offer comprehensive coverage and an engaging mix of accessibility and authority. Chronologically, the encyclopedia spans the period from the accession of Henry VII in 1485 to the death of Elizabeth I in 1603. It also examines pre-Tudor people and topics that shaped the Tudor period, as well as individuals and events whose influence extended into the Jacobean period after 1603. Geographically, the encyclopedia covers England, Scotland, Wales, and Ireland, and also Russia, Asia, America, and important states in continental Europe. Topics include: the English Reformation; the development of Parliament; the expansion of foreign trade; the beginnings of American exploration; the evolution of the nuclear family; and the flowering of English theater and poetry, culminating in the works of William Shakespeare.

Many books have discussed boxing in the ancient world, but this is the first to describe how boxing was reborn in the modern world. Modern boxing began in the Middle Ages in England as a criminal activity. It then became a sport supported by the kings and aristocracy. Later it was again outlawed and only in the 20th century has it become a sport popular around the world. This book describes how modern boxing began in England as an outgrowth of the native English sense of fair play. It demonstrates that boxing was the common man's alternative to the sword duel of honor, and argues that boxing and fair play helped Englishmen avoid the revolutions common to France, Italy and Germany during the eighteenth, nineteenth and twentieth centuries. English enthusiasm for boxing largely drove out the pistol and sword duels from English society. And although boxing remains a brutal sport, it has made England one of the safest countries in the world. It also examines how the rituals of boxing developed: the meaning of the parade to the ring; the meaning of the ring itself; why only two men fight at one time; why the fighters shake hands before each fight; why a boxing match is called a prizefight; and why a knock-down does not end the bout. Its sources include material from medieval manuscripts, and its notes and bibliography are extensive.

Victor Skipp constructs a detailed model of demographic, economic and social change for a sample group of English communities. After examing the effect of the ecological adjustments on social structure, domestic and cultural life, Mr Skipp then turns to the wider implications of his model.

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This is the first modern study of the production and circulation of manuscripts during the English Renaissance. H.R. Woudhuysen examines the relationship between manuscript and print, looks at people who lived by their pens, and surveys authorial and scribal manuscripts, paying particular attention to the copying of verse, plays, and scholarly works by hand. It investigates the professional production of manuscripts for sale by scribes such as Ralph Crane and Richard Robinson. The second part of the book examines Sir Philip Sydney's works in the context of Woudhuysen's research, discussing all Sidney's important manuscripts, and seeking to assess his part in the circulation of his works and his role in the promotion of a scribal culture. A detailed examination of the manuscripts and early prints of his poems, his Arcadias, and of Astrophil and Stella shed new light on their composition, evolution, and dissemination, as well as on Sidney's friends and admirers.

This volume is broadly divided into two main sections. The first part comprises a detailed introduction to the background of "The Dialogue", written in 1594 by George Owen of Henllys, north Pembrokeshire, followed by an updated version of the text with explanatory notes. George Owen was the most observant Welsh historians of the late sixteenth century, and in the "Dialogue" he discusses the main functions of legal institutions of government in Tudor Wales following the Acts of Union (1536-43). The discourse is not merely a description of those institutions but rather, in the form of a dialogue, it provides an analysis of the good and bad aspects of the Tudor legal structure. Emphasis is placed on the administration of the Acts of Union, and comparisons are drawn with the harsh penal legislation which had previously been imposed by Henry IV. Owen reveals the strengths and weaknesses of the Henrician settlement, but heartily praises the Tudor regime, regarding Henry VII and Henry VIII as liberators of the Welsh nation which the author, in the 'prophetic tradition', associated with the nation's historic destiny. In this 'Dialogue' Demetus is described as a native Welsh gentleman and Barthol as the German lawyer from Frankfort travelling through Europe and observing legal practices. The Socratic method applied reveals the Renaissance style of conducting debates, a framework which gives the work much of its appeal. The "Dialogue" is an invaluable Tudor source which places Welsh Tudor government and administration in a broader historical perspective.