The countryside, towns and cities of Britain are full of churches. They represent some of the most iconic, beautiful and occasionally bizarre buildings in the country. They have a lot to say about our history, our art and our ideas. But how do you read them? Through charming illustrations, Rice's Church Primer reveals the basic grammar and vocabulary of church architecture throughout the United Kingdom. As Matthew Rice says, 'Once you can speak any language, conversations can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it.' Rice's Church Primer explains the language of architecture in churches, from the restrained Norman style of William the Conqueror to the gilded excesses of the Baroque. The primer begins with an explanation of the basic 'Grammar' of churches: elevation, plan, fronts, vaults and towers. This allows the reader to easily understand what follows. Next comes the 'Vocabulary' of styles in chronological order, from ancient Saxon churches to modern cathedrals. Each period covers component parts like doors, windows, towers, pews, panelling and pulpits. Finally, there is a map pinpointing some of the best churches around the country, so you can practise your newfound fluency in real life. With Matthew Rice's elegant and witty illustrations to guide you, suddenly you'll understand why naves are necessary, why towers are built as tall as possible and why sometimes even the most respectable church needs a good flying buttress.

RICE'S ARCHITECTURAL PRIMER covers the grammar and vocabulary of British buildings, explaining the evolution of styles from Norman castles to Norman Foster. Its aim is to enable the reader to recognise, understand and date any British building. As Matthew Rice says, ‘Once you can speak any language, conversation can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it.' RICE'S ARCHITECTURAL PRIMER will explain the language of architecture. With it in your hand, pocket or car, buildings will break down beguilingly into their component parts, ready for inspection and discussion. There will be no more references to that curly bit on top of the thing with the square protrusions. Ungainly and inept descriptions will be a thing of the past and, fluent in the world of volutes, hood moulds, lobed architraves and bucrania, you will be able to leave a cathedral or country house with as much to talk about as a film or play. RICE'S ARCHITECTURAL PRIMER starts with an explanation of the basic ‘Grammar' of buildings: elevation, plan, roof, gable and eave. This will enable the reader to better make use of what is to follow. It will also cover the Orders of Architecture – Doric, Tuscan, Ionic, Corinthian and Composite – so that the vital basics of Classicism are covered. Following this is the ‘Vocabulary'. This will be a chronological reference section covering, period by period, the windows, doors and doorcases, columns, chimneys, arches, balustrades and pediments that make up the built environment.

A beautifully packaged, idiosyncratic introduction to British building styles, by the acclaimed illustrator and architectural enthusiast Matthew Rice. The Language of Buildings covers the grammar and vocabulary of British buildings, explaining the evolution of styles from Norman castles to Norman Foster. Its aim is to enable the reader to recognize, understand and date any British building. As Matthew Rice says, "Once you can speak any language, conversation can begin, but without it communications can only be brief and brutish. The same is the case with Architecture: an inability to describe the component parts of a building leaves one tongue-tied and unable to begin to discuss what is or is not exciting, dull or peculiar about it." The Language of Buildings will explain the language of architecture. With it in your hand, buildings will break down beguilingly into their component parts, ready for inspection and discussion. There will be no more references to that curly bit on top of the thing with the square protrusions. Ungainly and inept descriptions will be a thing of the past and, fluent in the world of volutes, hood moulds, lobed architraves and bucrania, you will be able to leave a cathedral or country house with as much to talk about as a film or play. The Language of Buildings starts with an explanation of the basic "Grammar" of buildings: elevation, plan, roof, gable and eave. This will enable the reader to better make use of what is to follow. It will also cover the Orders of Architecture--Doric, Tuscan, Ionic, Corinthian and Composite--so that the vital basics of Classicism are covered. Following this is the "Vocabulary." This will be a chronological reference section covering, period by period, the windows, doors and doorcases, columns, chimneys, arches, balustrades and pediments that make up the built environment.

Discover Oxford, one of the jewels of European architecture. Much loved and much visited, the city offers an unparalleled collection of the best of English building through the centuries. Matthew Rice's Oxford is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today. While the focus is on architectural detail, Rice describes how the city has been shaped by its history, topography and geology, but most of all by generations of patrons who had the education and the resources to commission work from the greatest architects and builders of their day, an astonishing range of which still stands. Ranging from the medieval to the contemporary, the book covers all the iconic buildings, such as the Radcliffe Camera, the Sheldonian Theatre and the college quads, as well as the distinctive details that you might otherwise miss. More than anywhere else in England, it is possible in Oxford to take in the history of English architecture simply by walking today's streets, lanes, parks and meadows. This book is the perfect guide.

The first memoir from the #1 New York Times bestselling author of Interview with a Vampire—a "very affecting story of a well-known prodigal’s return ... [a] vivid, engaging tale of the journey of a soul into light” (Chicago Sun-Times). Anne Rice was raised in New Orleans as the devout child in a deeply religious Irish Catholic family. Here, she describes how, as she grew up, she lost her belief in God, but not her desire for a meaningful life. She used her novels—beginning with Interview with a Vampire—to wrestle with otherworldly themes while in her own life, she experienced both loss (the death of her daughter and, later, her beloved husband, Stan Rice) and joys (the birth of her son, Christopher). And she writes about how, finally, after years of questioning, she experienced the intense conversion and re-embracing of her faith that lie behind her most recent novels about the life of Christ.

Matthew Rice is a painter, author and architectural enthusiast; obsessive about birds, poultry, the countryside and is fantastic in the kitchen. His passion for nature and the countryside is reflected in this evocative undated yearbook. There is space to write notes or keep track of birthdays, anniversaries or when you planted the broad beans! Recording your 'country' year will keep the memories alive forever.

VILLAGE BUILDINGS OF BRITAIN is an illustrated survey of vernacular building for everyone who believes in the importance of conservation and who wishes to have, in one beautiful volume, examples of village building styles from all over the country. Each of the eleven chapters includes a selection of buildings painted from life in watercolour in a highly original style which combines accuracy with charm. With his painter's eye for detail, Matthew Rice also picks out a variety of local features such as windows, doorways, ironworks and stonework which help to establish the character of each part of the country. In writing and illustrating this book Matthew Rice is not only arming his readers with a superb collection of architectual drawings but, with his heartfelt passion for conservation, trying to ensure that those people lucky enough to own a country cottage have a better idea of how to maintain or convert it in such a way that it continues to stand in harmony with its surroundings.