'Rhetoric in Byzantium' explores the ways in which rhetoric functioned in Byzantine society - as a tool for the effective communication of ideas and ideologies, but at times also a barrier that inhibited the expression of real feelings and everyday realities, and imposed a burden of decoding on outsiders. After an introduction on the practical and textual background to Byzantine rhetoric, the essays are grouped in five sections. The first two deal with the basis of rhetoric in Byzantium and its public uses, principally in imperial and ecclesiastical ceremonial. The next sections look at how rhetoric affects the definition of literature in a Byzantine context and the aesthetic to be used in approaching Byzantine literature, with reference to current critical approaches, and specifically at the role of rhetoric in the writing of history - does it only obscure the facts, or does the rhetorical process itself provide information at other levels? The final essays examine the interaction of the written word and pictorial representation and the question of whether real connections between rhetorical training and artistic production can be demonstrated.

A study of the presence and effects of rhythm in Byzantine rhetoric, its musical qualities, and its function in argumentation.

This book explores Michael Psellos' place in the history of Greek rhetoric and self-representation and his impact on the development of Byzantine literature. Avoiding the modern dilemma that vacillates between Psellos the pompous rhetorician and Psellos the ingenious thinker, Professor Papaioannou unravels the often misunderstood Byzantine rhetoric, its rich discursive tradition and the social fabric of elite Constantinopolitan culture which rhetoric addressed. The book offers close readings of Psellos' personal letters, speeches, lectures and historiographical narratives, and analysis of other early Byzantine and classical models of authorship in Byzantine book culture, such as Gregory of Nazianzos, Synesios of Cyrene, Hermogenes and Plato. It also details Psellos' innovative attention to authorial creativity, performative mimesis and the aesthetics of the self. Simultaneously, it traces within Byzantium complex expressions of emotion and gender, notions of authorship and subjectivity, and theories of fictionality and literature, challenging the common fallacy that these are modern inventions.

The first extant commentaries on Aristotle's Rhetoric come from the 12th century AD, namely the ones written by an anonymous author and by Stephanus. This book examines for the first time the context in which the two commentaries were written, the

This comprehensive study of Michael Psellos unravels the rich history of authorship, literature and self-representation in Byzantium.

Explores a Byzantine emperor's construction of authority with the help of his rhetorical texts Examines the changes in the Byzantine imperial idea by the end of the fourteenth century with a particular focus on the instrumentalization of the intellectual dimension of the imperial ruleIntegrates late Byzantine imperial visions into the bigger picture of Byzantine imperial ideology Provides a fresh understanding of key pieces of Byzantine public rhetoric and introduces analytical concepts from rhetorical, literary, and discursive theoriesOffers translations of key passages from late Byzantine rhetoricManuel II Palaiologos was not only a Byzantine emperor but also a remarkably prolific rhetorician and theologian. His oeuvre included letters, treatises, dialogues, short poems and orations. Florin Leonte deals with several of his texts shaped by a didactic intention to educate the emperor's son and successor, John VIII Palaiologos. He argues that the emperor constructed a rhetorical persona which he used in an attempt to compete with other contemporary power-brokers. While Manuel Palaiologos adhered to many rhetorical conventions of his day, he also reasserted the civic role of rhetoric. With a special focus on the first two decades of Manuel II Palaiologos' rule, 1391-1417, Leonte offers a new understanding of the imperial ethos in Byzantium by combining rhetorical analysis with investigation of social and political phenomena.

Byzantine Military Rhetoric in the Ninth Century is the first English translation of the ninth-century Anonymi Byzantini Rhetorica Militaris. This influential text offers a valuable insight into the warrior ethic of the period, the role of religion in the justification of war, and the view of other military cultures by the Byzantine elite. It also played a crucial role in the compilation of the tenth-century Taktika and Constantine VII’s harangues during a period of intense military activity for the Byzantine Empire on its eastern borders. Including a detailed commentary and critical introduction to the author and the structure of the text, this book will appeal to all those interested in Byzantine political ideology and military history.