This volume considers the African Diaspora through the underexplored Afro-Latino experience in the Caribbean and South America. Utilizing both established and emerging approaches such as feminism and Atlantic studies, the authors explore the production of historical and contemporary identities and cultural practices within and beyond the boundaries of the nation-state. Rewriting the African Diaspora in the Caribbean and Latin America illustrates how far the fields of Afro-Latino and African Diaspora studies have advanced beyond the Herskovits and Frazier debates of the 1940s. The book’s arguments complicate Herskovits’ insistence on Black culture being an exclusive reflection of African survivals, as well as Frazier’s counter-claim of African American culture being a result of slavery and colonialism. This collection of thought-provoking essays extends the concepts of diaspora and transnationalism, forcing the reader to reassess their present limitations as interpretive tools. In the process, Afro-Latinos are rendered visible as national actors and transnational citizens. This book was originally published as a special issue of African and Black Diaspora.

Scholars of the African Americas are sometimes segregated from one another by region or period, by language, or by discipline. Bringing together essays on fashion, the visual arts, film, literature, and history, this volume shows how our understanding of the African diaspora in the Americas can be enriched by crossing disciplinary boundaries to recontextualize images, words, and thoughts as part of a much greater whole. Diaspora describes dispersion, but also the seeding, sowing, or scattering of spores that take root and grow, maturing and adapting within new environments. The examples of diasporic cultural production explored in this volume reflect on loss and dispersal, but they also constitute expansive and dynamic intellectual and artistic production, neither wholly African nor wholly American (in the hemispheric sense), whose resonance deeply inflects all of the Americas. African Diaspora in the Cultures of Latin America, the Caribbean, and the United States represents a call for multidisciplinary, collaborative, and complex approaches to the subject of the African diaspora.

This volume considers the African Diaspora through the underexplored Afro-Latino experience in the Caribbean and South America. Utilizing both established and emerging approaches such as feminism and Atlantic studies, the authors explore the production of historical and contemporary identities and cultural practices within and beyond the boundaries of the nation-state. Rewriting the African Diaspora in the Caribbean and Latin America illustrates how far the fields of Afro-Latino and African Diaspora studies have advanced beyond the Herskovits and Frazier debates of the 1940s. The book’s arguments complicate Herskovits’ insistence on Black culture being an exclusive reflection of African survivals, as well as Frazier’s counter-claim of African American culture being a result of slavery and colonialism. This collection of thought-provoking essays extends the concepts of diaspora and transnationalism, forcing the reader to reassess their present limitations as interpretive tools. In the process, Afro-Latinos are rendered visible as national actors and transnational citizens. This book was originally published as a special issue of African and Black Diaspora.

This anthology presents a new study of the worldwide African diaspora by bringing together diverse, multidisciplinary scholarship to address the connectedness of Black subject identities, experiences, issues, themes, and topics, applying them dynamically to diverse locations of the Blackworld—Latin America, the Caribbean, Africa, and the United States. The book underscores three dimensions of African diaspora study. First is a global approach to the African diaspora, showing how globalism underscores the distinctive role that Africa plays in contributing to world history. Second is the extension of African diaspora study in a geographical scope to more robust inclusions of not only the African continent but also to uncharted paths and discoveries of lesser-known diaspora experiences and identities in Latin America and the Caribbean. Third is the illustration of universal unwritten cultural representations of humanities in the African diasporas that show the distinctive humanities’ disciplinary representations of Black diaspora imaginaries and subjectivities. The contributing authors inductively apply these themes to focus the reader’s attention on contemporary localized issues and historical arenas of the African diaspora. They engage their findings to critically analyze the broader norms and dimensions that characterize a given set of interrelated criteria that have come to establish parameters that increasingly standardize African diaspora studies.

In Changing the Subject: Writing Women across the African Diaspora, K. Merinda Simmons argues that, in first-person narratives about women of color, contexts of migration illuminate constructions of gender and labor. These constructions and migrations suggest that the oft-employed notion of "authenticity" is not as useful a classification as many feminist and postcolonial scholars have assumed. Instead of relying on so-called authentic feminist journeys and heroines for her analysis, Simmons calls for a self-reflexive scholarship that takes seriously the scholar's own role in constructing the subject. The starting point for this study is the nineteenth-century Caribbean narrative The History of Mary Prince (1831). Simmons puts Prince's narrative in conversation with three twentieth-century novels: Zora Neale Hurston's Their Eyes Were Watching God, Gloria Naylor's Mama Day, and Maryse Condé's I, Tituba, Black Witch of Salem. She incorporates autobiography theory to shift the critical focus from the object of study--slave histories--to the ways people talk about those histories and to the guiding interests of such discourses. In its reframing of women's migration narratives, Simmons's study unsettles theoretical certainties and disturbs the very notion of a cohesive diaspora.

Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Condé, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the its masculinist version by Négritude male writers from the 1930s to 1960s. Négritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Négritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure. This study argues that these women writers' subversion of the metaphorical figure of Africa and its transformation is tied to their gender. The women novelists are indeed critical of a female allegorization of the land that is reminiscent of a colonial or nationalist project and a simplistic representation of motherhood that does not reflect the complexities of the Diaspora's relation to origins and identity. Unlike the primary male writers of the Négritude movement, theycarefully "gendered" the notion of return by choosing female protagonists who made their way back to the Motherland in search of identity. I argue that writing is a more suitable space for the female subject seeking identity because it allows her to havea voice and become subject rather than object as that was the case with the Négritude writers. The women writers' shattering of the image of Mother Africa and subsequently that of Father Africa highlights the complex relationship between Africa and the Diaspora from a female point of view. It shifts the identity quest of the characters towards the Caribbean, which emerges as the real problematic mother: a multi-faceted, fragmented figure that reflects the constitutive clash that occurred in the archipelago between Europe, Africa, and the Americas where the issues of race, gender, class, culture, ethnicity, history, and language are very complex.

This is an ambitious and brilliant book by one of Africa''s leading diaspora intellectuals. A combination of a researcher''s field notes, a travelogue and personal memoir, it is unusual in African writing. It is the first book by an African scholar to take us on such an amazing analytical and narrative journey in search of African diasporas around the world from Latin America to the Caribbean, Europe and Asia. It is filled with analytical insights, captivating stories, and intriguing observations on the complex histories and experiences of African diasporas, their triumphs and tragedies, perils and possibilities, and their enduring struggles for belonging, for their humanity. Its inimitable passions are leavened by engaging humor, its scholarly analyses by a novelist''s eye for local context and color. The author seeks to address the perplexing question of what it means to be a person of African descent living outside of the African continent. He offers the reader fascinating and richly textured portraits and surveys of the diversity of diasporic lives as well as the abiding connections of the diaspora condition. What makes this book particularly gripping are the multilayered narratives, the braided stories and explorations of African diasporic lives across many contexts and places as well as the author''s own life during the period of his travels from 2006 to 2009. Also skillfully interwoven are the author''s daily encounters and observations, information and reflections from interviewees from all walks of life, and the larger structural contexts of diaspora struggles for enfranchisement and empowerment. For all the gruesome exclusions, vulnerabilities, and marginalities African diasporas have suffered in their various abodes, this is a remarkable tale of diasporic agency, a celebration of their lasting contributions to the construction of the modern world in all its manifestations. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "Paul Tiyambe Zeleza has been thinking about and living with pan-Africanism and Diaspora before its second wave of popularity and has done the experiential and intellectual work. In Search of African Diasporas: Testimonies and Encounters takes us with him as he documents the existence of our various journeys and arrivals, and the ways we re-create and redefine an African world wherever we are. As we read this book, we are able to travel with Zeleza from Venezuela to Oman, across the Caribbean and throughout Europe, getting the flavors and colors of the African Diaspora in myriad locations." -- Carole Boyce Davies, Professor of English and Africana Studies, Cornell University, General Editor, Encyclopedia of the African Diaspora "For over a century, we have been flooded with Black American narratives of returning to Africa. Paul Tiyambe Zeleza, a distinguished African scholar, reverses the poles and seeks to discover the global diaspora--the descendants of slaves, migrant laborers, refugees, fortune seekers. Part memoir, part travelogue, part history, part critical interrogation, Zeleza has given us a brilliant compendium of richly detailed and astute insights into how contemporary black intellectuals and activists understand racism and blackness, and how the black world sees itself, its relationship to Africa, and the future. From Latin America to the Arab world, Europe to the sub-continent, Zeleza''s fascinating journey takes place against a backdrop of globalization, growing divisions between rich and poor, ever greater displacement, heightened nationalism, and a genuine debate over the effectiveness of global black unity. Yet, as with Richard Wrights traveling observations a half-century earlier, Zeleza never avoids the hard questions or the difficult truths. A stunning achievement." -- Robin D. G. Kelley, Professor of American Studies and Ethnicity, University of Southern California "In Search of African Diasporas offers a landmark contribution to the growing scholarly inquest into the African Diaspora. Based on years of travel, discussion and reading, Paul Tiyambe Zeleza presents a veritable tour-de-force, generating an utterly unique account that fuses his travelogue of a modern Diasporic odyssey with a penetrating analysis that both interprets the Diaspora''s larger meaning, while also inhabiting its migratory flows. Highly readable, perceptively written, geographically broad, and refreshingly critical, Zeleza''s 21st century rendition of the timeless''travel diary'' is sure to set the bar for those who are attempting to grapple with questions of identity, culture, and society in a fast-paced world of global change. Yet, anchored in history, this book is as much an artifact of the African Diaspora, as it is a current reflection on this persistently enduring modern phenomenon." -- Ben Vinson III, Herbert Baxter Adams Professor of Latin American History, Johns Hopkins University, Author of Flight: A Tuskegee Airman in Mexico, and African Slavery in Latin America and the Caribbean "A groundbreaking and powerful look at the African Diaspora in the world. Paul Tiyambe Zeleza''s existentialist commentary on multiple African Diasporas reminds the reader of Richard Wright''s Black Power in reverse: sincere, intimate and controversial. The novelistic descriptions of people and places also recalls some of the best travel narratives of Ryszard Kapuściński." -- Manthia Diawara, Professor of Comparative Literature and Africana Studies, New York University, author of African Film: New Forms of Aesthetics and Politics "Africa''s memory and relationship with its diaspora is a troubled one, a mixture of ignorance, stereotype, sentimentality, alienation, admiration and distortions. All this is compounded by the fact that Africans have themselves not sought direct knowledge of its Diasporas. Paul Tiyambe Zeleza''s book is an authoritative contribution to the initiation of Africa''s own exploration of whatever happened to its descendants outside the continent and how they are faring today. It is a tour de force that combines the aesthetic sensibilities and descriptive force of a novelist and essayist that Zeleza is and the scholarly authority of a renowned African historian. The result is a fascinating encounter with Africa''s Diaspora in the many places he visited. It is a gripping distillation of anecdote, personal reflections and analysis. Zeleza is an erudite traveler and thoroughly reliable guide whose account opens new vistas to the lives of Africa''s dispersed descendants. The book is a must-read for anyone who seeks to understand the complex outcomes of the Presence Africaine in the world." -- Professor Thandika Mkandawire, former Director of the United Nations Research Institute for Social Development, Chair in African Development at the London School of Economics, University of London "...an engaging global history of African diasporas...A fine read for lower-level undergraduates first encountering diaspora studies...Summing Up: Highly recommended" -- CHOICE Magazine "...Zeleza writes with admirable clarity...in choosing to share the interactions of his fieldwork in this travel diary, Zeleza has produced a bold, challenging work..." -- Studies in Travel Writing