“Laura Bier unpacks the complicated dynamics and legacy of an historical moment in which women were understood to be crucial to modern nation-building.” —Lila Abu-Lughod, author of Do Muslim Women Need Saving? The first major historical account of gender politics during the Nasser era, Revolutionary Womanhood analyzes feminism as a system of ideas and political practices, international in origin but local in iteration. Drawing connections between the secular nationalist projects that emerged in the 1950s and the gender politics of Islamism today, Laura Bier reveals how discussions about education, companionate marriage, and enlightened motherhood, as well as veiling, work, and other means of claiming public space created opportunities to reconsider the relationship between modernity, state feminism, and postcolonial state-building. Bier highlights attempts by political elites under Nasser to transform Egyptian women into national subjects. These attempts to fashion a “new” yet authentically Egyptian woman both enabled and constrained women’s notions of gender, liberation, and agency. Ultimately, Bier challenges the common assumption that these emerging feminisms were somehow not culturally or religiously authentic, and details their lasting impact on Egyptian womanhood today. “Addresses a major void in the historical literature on Egypt. Showing how gendered politics proved central to Nasserist attempts to modernize, the book broadens our understanding of state feminism, secularism, and the postcolonial period. A very welcome addition, the work combines theoretical sophistication with rich evidence and well-crafted arguments.” —Beth Baron, author of Egypt as a Woman “Laura Bier’s well-researched and engaging text skillfully illustrates how Nasser spun ‘the woman question’ to define his Arab socialist agenda.”—Lisa Pollard, author of Nurturing the Nation

The book explores state feminism through a close look at how the Nasser regime took up "the woman question" as part of the attempt to build a modern Egyptian nation-state.

Much ink has been spilled over the men of the Mexican Revolution, but far less has been written about its women. Kathy Sosa, Ellen Riojas Clark, and Jennifer Speed set out to right this wrong in Revolutionary Women of Texas and Mexico, which celebrates the women of early Texas and Mexico who refused to walk a traditional path. The anthology embraces an expansive definition of the word revolutionary by looking at female role models from decades ago and subversives who continue to stand up for their visions and ideals. Eighteen portraits introduce readers to these rebels by providing glimpses into their lives and places in history. At the heart of the portraits are the women of the Mexican Revolution (1910–1920)⁠—women like the soldaderas who shadowed the Mexican armies, tasked with caring for and treating the wounded troops. Filling in the gaps are iconic godmothers⁠ like the Virgin of Guadalupe and La Malinche whose stories are seamlessly woven into the collective history of Texas and Mexico. Portraits of artists Frida Kahlo and Nahui Olin and activists Emma Tenayuca and Genoveva Morales take readers from postrevolutionary Mexico into the present. Portraits include a biography, an original pen-and-ink illustration, and a historical or literary piece by a contemporary writer who was inspired by their subject’s legacy. Sandra Cisneros, Laura Esquivel, Elena Poniatowska, Carmen Tafolla, and other contributors bring their experience to bear in their pieces, and historian Jennifer Speed’s introduction contextualizes each woman in her cultural-historical moment. A foreword by civil rights activist Dolores Huerta and an afterword by scholar Norma Elia Cantú bookend this powerful celebration of women who revolutionized their worlds.

Film critic and food writer Alissa Wilkinson sits down with a hypothetical table of smart, engaging, revolutionary women of the twentieth century to explore the ways food centered each woman's creative work. As we meet these multifaceted women, we learn how to live with courage, smarts, saltiness, and sometimes feasting--even in uncertain times.

Through a series of lively and accessible biographical essays, Red Valkyries explores the history of socialist feminism century Eastern Europe. By examining the revolutionary careers of five prominent socialist women active in the 19th and 20th centuries-the aristocratic Bolshevik, Alexandra Kollontai; the radical pedagogue, Nadezhda Krupskaya; the polyamorous firebrand, Inessa Armand; the deadly sniper, Lyudmila Pavlichenko; and the partisan turned scientist turned global women's activist, Elena Lagadinova-Kristen Ghodsee tells the story of the personal challenges faced by earlier generations of socialist and communist women. None of these women were "perfect" leftists. Their lives were filled with inner conflicts, contradictions, and sometimes outrageous privilege, but they still managed to move forward their own political projects through perseverance and dedication to their cause. Always walking a fine line between the need for class solidarity and the desire to force their sometimes callous male colleagues to take women's issues seriously, these five women pursued novel solutions with lessons for activists of today. In brief conversational chapters-with plenty of concrete examples from the history of the state socialist countries in Eastern Europe and contemporary reflections on the status of women in the world today-Ghodsee renders the big ideas of socialist feminism accessible to those newly inspired by the emancipatory politics of insurgent left feminist movements around the globe.

In the Age of Revolution, how did American women conceive their lives and marital obligations? By examining the attitudes and behaviors surrounding the contentious issues of family, contraception, abortion, sexuality, beauty, and identity, Susan E. Klepp demonstrates that many women--rural and urban, free and enslaved--began to radically redefine motherhood. They asserted, or attempted to assert, control over their bodies, their marriages, and their daughters' opportunities. Late-eighteenth-century American women were among the first in the world to disavow the continual childbearing and large families that had long been considered ideal. Liberty, equality, and heartfelt religion led to new conceptions of virtuous, rational womanhood and responsible parenthood. These changes can be seen in falling birthrates, in advice to friends and kin, in portraits, and in a gradual, even reluctant, shift in men's opinions. Revolutionary-era women redefined femininity, fertility, family, and their futures by limiting births. Women might not have won the vote in the new Republic, they might not have gained formal rights in other spheres, but, Klepp argues, there was a women's revolution nonetheless.

The 25 January 2011 uprising and the unprecedented dissent and discord to which it gave rise shattered the notion of homogeneity that had characterized state representations of Egypt and Egyptians since 1952. It allowed for the eruption of identities along multiple lines, including class, ideology, culture, and religion, long suppressed by state control. Concomitantly a profusion of women's voices arose to further challenge the state-managed feminism that had sought to define and carefully circumscribe women's social and civic roles in Egypt. Women in Revolutionary Egypt takes the uprising as the point of departure for an exploration of how gender in post-Mubarak Egypt came to be rethought, reimagined, and contested. It examines key areas of tension between national and gender identities, including gender empowerment through art and literature, particularly graffiti and poetry, the disciplining of the body, and the politics of history and memory. Shereen Abouelnaga argues that this new cartography of women's struggle has to be read in a context that takes into consideration the micropolitics of everyday life as well as the larger processes that work to separate the personal from the political. She shows how a new generation of women is resisting, both discursively and visually, the notion of a fixed or 'authentic' notion of Egyptian womanhood in spite of prevailing social structures and in face of all gendered politics of imagined nation.