An American Rastafarian “offers a vibrant examination of American and African history with an anti-colonial patina . . . engaging” (Kirkus Reviews). Revolutionary Threads offers an American Rasta’s retelling of episodes in American history with an anticolonial thrust, accented by Bobby Sullivan’s own personal experiences. The book ties together various subjects while returning each time to the culture of Rastafari, social justice movements, and cooperative economics. From how we perceive history in general, America's precolonial past, and global capitalism’s early development and the resistance to it, to political prisoners and a celebration of religious tolerance, the book approaches North America with an African-centric perspective. Sullivan dispels the oversimplification of our perceptions of Rastafari, as well as other cultures, in the age of the Internet, where the loudest voices are often the most extreme and divisive. Revolutionary Threads aims to serve as a unifying agent for our all-too-connected global village, and for the resistance to the consolidation of global capital and all its excesses. “A post-hardcore rock star, community activist, and social justice intellectual offers an alternative look at countercolonial history through the lens of the Rastafari movement.” —Kirkus Reviews “Outlining his philosophical influences and backpacking through history and criss-crossing continental borders, Sullivan puts his enlightenment journey and way of life, which includes activism for social justice, prison outreach, and cooperative economics, on paper.” —The Gleaner (Jamaica) “[Sullivan] meticulously sources his work throughout, whether providing a Howard Zinn-like take on the settlement of America by Africans predating Columbus, or in discussing political prisoners like Marilyn Buck . . . an engaging, lively, well-thought book which provides a picture of Rastafarianism in action, for punks and beyond.” —Razorcake

From journalist, fashionista, and clothing resale expert Elizabeth L. Cline, “the Michael Pollan of fashion,”* comes the definitive guide to building an ethical, sustainable wardrobe you'll love. Clothing is one of the most personal expressions of who we are. In her landmark investigation Overdressed: The Shockingly High Cost of Cheap Fashion, Elizabeth L. Cline first revealed fast fashion’s hidden toll on the environment, garment workers, and even our own satisfaction with our clothes. The Conscious Closet shows exactly what we can do about it. Whether your goal is to build an effortless capsule wardrobe, keep up with trends without harming the environment, buy better quality, seek out ethical brands, or all of the above, The Conscious Closet is packed with the vital tools you need. Elizabeth delves into fresh research on fashion’s impacts and shows how we can leverage our everyday fashion choices to change the world through style. Inspired by her own revelatory journey getting off the fast-fashion treadmill, Elizabeth shares exactly how to build a more ethical wardrobe, starting with a mindful closet clean-out and donating, swapping, or selling the clothes you don't love to make way for the closet of your dreams. The Conscious Closet is not just a style guide. It is a call to action to transform one of the most polluting industries on earth—fashion—into a force for good. Readers will learn where our clothes are made and how they’re made, before connecting to a global and impassioned community of stylish fashion revolutionaries. In The Conscious Closet, Elizabeth shows us how we can start to truly love and understand our clothes again—without sacrificing the environment, our morals, or our style in the process. *Michelle Goldberg, Newsweek/The Daily Beast

This is the first book in more than three decades to offer a complete and chronological history of revolutionary Cuba, including the years of rebellion that led to the revolution. Beginning with Batista’s coup in 1952, which catalyzed the rebels, and bringing the reader to the present-day transformations initiated by Raúl Castro, Luis Martínez-Fernández provides a balanced interpretive synthesis of the major topics of contemporary Cuban history. Expertly weaving the myriad historic, social, and political forces that shaped the island nation during this period, Martínez-Fernández examines the circumstances that allowed the revolution to consolidate in the early 1960s, the Soviet influence throughout the latter part of the Cold War, and the struggle to survive the catastrophic Special Period of the 1990s after the collapse of the U.S.S.R. He tackles the island’s chronic dependence on sugar production, which started with the plantations centuries ago and continues to shape culture and society. He analyzes the revolutionary pendulum that continues to swing between idealism and pragmatism, focusing on its effects on the everyday lives of the Cuban people, and—bucking established trends in Cuban scholarship—Martínez-Fernández systematically integrates the Cuban diaspora into the larger discourse of the revolution. Concise, well written, and accessible, this book is an indispensable survey of the history and themes of the socialist revolution that forever changed Cuba and the world.

"Hidden Threads: A Christian Critique of Sociological Theory, provides a framework for making sense of the social world. Heddendorf finds in sociological theories some "hidden threads" - Christian principles woven into the fabric of society. Early Christian thought was radical in its approach to social life. Jesus provided a different concept of the person, and encouraged his followers to act upon this new understanding. Thus, in the early centuries after Christ, Christian social thought was a dynamic, positive, social force, but today the situation differs. Many Christians readily accept current interpretations of problems as valid. Consequently, in response to these modern explanations, Christians develop a form of secularized thought which supports popular solutions and fails to critically engage with the real issues of the day. Hidden Threads is an examination and Christian critique of sociological theory, demonstrating appreciation for the richness of social life and holding in tension those theories that attempt to explain it." --Book Jacket.

Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were “new abolitionists,” but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through “projects” embedded in Freedom Houses, especially in the South: the setting for most of SNCC’s stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its participatory democracy and emphasis on local people deciding the terms of their battle for social change. Organizers debated their role and grappled with SNCC’s responsibility to communities, to the “walking wounded” damaged by racial terrorism, and to individuals who died pursuing racial justice. SNCC’s Stories examines the organization’s print and publishing culture, uncovering how fundamental self- and group narration is for the undersung heroes of social movements. The organizer may be SNCC’s dramatis persona, but its writers have been overlooked. In the 1960s it was assumed established literary figures would write about civil rights, and until now, critical attention has centered on the Black Arts Movement, neglecting what SNCC’s writers contributed. Sharon Monteith gathers hard-to-find literature where the freedom movement in the civil rights South is analyzed as subjective history and explored imaginatively. SNCC’s print culture consists of field reports, pamphlets, newsletters, fiction, essays, poetry, and plays, which serve as intimate and illuminative sources for understanding political action. SNCC's literary history contributes to the organization's legacy.

Revealing the entangled lives of texts and textiles in the early modern Atlantic world. "Textiles are the books that the colony was not able to burn."—Asociación Femenina para el Desarrollo de Sacatepéquez (AFEDES) A history of the book in the Americas, across deep time, would reveal the origins of a literary tradition woven rather than written. It is in what Danielle Skeehan calls material texts that a people's history and culture is preserved, in their embroidery, their needlework, and their woven cloth. In defining textiles as a form of cultural writing, The Fabric of Empire challenges long-held ideas about authorship, textuality, and the making of books. It is impossible to separate text from textiles in the early modern Atlantic: novels, newspapers, broadsides, and pamphlets were printed on paper made from household rags. Yet the untethering of text from textile served a colonial agenda to define authorship as reflected in ink and paper and the pen as an instrument wielded by learned men and women. Skeehan explains that the colonial definition of the book, and what constituted writing and authorship, left colonial regimes blind to nonalphabetic forms of media that preserved cultural knowledge, history, and lived experience. This book shifts how we look at cultural objects such as books and fabric and provides a material and literary history of resistance among the globally dispossessed. Each chapter examines the manufacture and global circulation of a particular type of cloth alongside the complex print networks that ensured the circulation of these textiles, promoted their production, petitioned for or served to curtail the rights of textile workers, facilitated the exchange of textiles for human lives, and were, in turn, printed and written on surfaces manufactured from broken-down linen and cotton fibers. Bringing together methods and materials traditionally belonging to literary studies, book history, and material culture studies, The Fabric of Empire provides a new model for thinking about the different media, languages, literacies, and textualities in the early Atlantic world.

Table of Contents:Foreword, Tatcho MindiolaIntroduction, Arnoldo De LeónBeyond Borders: Causes and Consequences of the Mexican Revolution, Paul HartThe Mexican Revolution’s Impact on Tejano Communities: The Historiographic Record, Arnoldo De León La Rinchada: Revolution, Revenge, and the Rangers, 1910–1920, Richard RibbThe Mexican Revolution, Revolución de Texas, and Matanza de 1915, Trinidad Gonzales The El Paso Race Riot of 1916, Miguel A. Levario The Mexican Revolution and the Women of El México de Afuera, the Pan American Round Table, and the Cruz Azul Mexicana, Juanita Luna LawhnWomen’s Labor and Activism in the Greater Mexican Borderlands, 1910–1930, Sonia Hernández Salt of the Earth: The Immigrant Experience of Gerónimo Treviño, Roberto R. Treviño Sleuthing Immigrant Origins: Felix Tijerina and His Mexican Revolution Roots, Thomas H. Kreneck “The Population Is Overwhelmingly Mexican; Most of It Is in Sympathy with the Revolution . . . .”: Mexico’s Revolution of 1910 and the Tejano Community in the Big Bend, John Eusebio KlingemannSmuggling in Dangerous Times: Revolution and Communities in the Tejano Borderlands, George T. DíazEureka! The Mexican Revolution in African American Context, 1910–1920, Gerald Horne and Margaret StevensUnderstanding Greater Revolutionary Mexico: The Case for a Transnational Border History, Raúl A. RamosSelected BibliographyAbout the ContributorsIndex