This book brings together key writings by major revolutionary activists and thinkers. As such, it is very different from the usual collections of articles by academics who themselves have no experience of revolutionary struggles. This book is a mirror of Marxist thinking which has come out of such struggles - in a century that has experienced an unparalled upsurge of people's war against repressive regimes. It brings together pieces by Marx and Lenin.

This book presents a comprehensive analysis of the political thought of Joseph Stalin. Making full use of the documentation that has recently become available, including Stalin's private library with his handwritten margin notes, the book provides many insights on Stalin, and also on western and Russian Marxist intellectual traditions. Overall, the book argues that Stalin's political thought is not primarily indebted to the Russian autocratic tradition, but belongs to a tradition of revolutionary patriotism that stretches back through revolutionary Marxism to Jacobin thought in the French Revolution. It makes interesting comparisons between Stalin, Lenin, Bukharin and Trotsky, and explains a great deal about the mindset of those brought up in the Stalinist era, and about the era's many key problems, including the industrial revolution from above, socialist cultural policy, Soviet treatment of nationalities, pre-war and Cold War foreign policy, and the purges.

War and Revolution identifies and takes to task a reactionary trend among contemporary historians, one that’s grown increasingly apparent in recent years. It’s a revisionist tendency discernible in the work of authors such as Ernst Nolte, who traces the impetus behind the Holocaust to the excesses of the Russian Revolution; or François Furet, who links the Stalinist purges to an “illness” originating with the French Revolution. The intention of these revisionists is to eradicate the revolutionary tradition. Their true motives have little to do with the quest for a greater understanding of the past, but lie in the climate of the present day and the ideological needs of the political classes, as is most clearly seen now in the work of the Anglophone imperial revivalists Paul Johnson and Niall Ferguson. In this vigorous riposte to those who would denigrate the history of emancipatory struggle, Losurdo captivates the reader with a tour de force account of modern revolt, providing a new perspective on the English, American, French and twentieth-century revolutions.

"This book provides a concise and instructive review of the revolutions of the twentieth century, with separate chapters on the Russian, Chinese, Guinea-Bissau, and Vietnamese revolutions, and examines the various currents of Marxism active in the revolutions of our times. A second section is devoted to the United States, and provides a survey of the class forces in American history as well as the authors' ideas on the objects and means of an American Revolution."--Publisher's web-site.

The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution.

What would happen if we could stroll through the revolutionary history of the 20th century and, without any fear of the possible responses, ask the main protagonists - from Lenin to Che Guevara, from Alexandra Kollontai to Ulrike Meinhof - seemingly naïve questions about love? Although all important political and social changes of the 20th century included heated debates on the role of love, it seems that in the 21st century of new technologies of the self (Grindr, Tinder, online dating, etc.) we are faced with a hyperinflation of sex, not love. By going back to the sexual revolution of the October Revolution and its subsequent repression, to Che's dilemma between love and revolutionary commitment and to the period of '68 (from communes to terrorism) and its commodification in late capitalism, the Croatian philosopher Srecko Horvat gives a possible answer to the question of why it is that the most radical revolutionaries like Lenin or Che were scared of the radicality of love. What is so radical about a seemingly conservative notion of love and why is it anything but conservative? This short book is a modest contribution to the current upheavals around the world - from Tahrir to Taksim, from Occupy Wall Street to Hong Kong, from Athens to Sarajevo - in which the question of love is curiously, surprisingly, absent.

From 1776, when Citizen Tom Paine declared, "The birthday of a new world is at hand," America was unique in world history. A nation suffused with the spirit of explorers, constantly replenished by immigrants, and informed by a continual influx of foreign ideas, it was the world's first truly cosmopolitan civilization. In Beyond the Revolution, Pulitzer Prize-winning historian William H. Goetzmann tells the story of America's greatest thinkers and creators, from Paine and Jefferson to Melville and William James, showing how they built upon and battled one another's ideas in the critical years between 1776 and 1900. An unprecedented work of intellectual history by a master historian, this book will be essential reading for anyone interested in the origins of our national culture.