"Nina, as part of the treaty negotiations with the Gold Mountain Pack, I have agreed to a marriage alliance. You, Nina Boyton, will marry the Alpha's son, Nolan Pierceson on the next new moon." I felt like someone had punched me, knocked the air out of me. "What? Daddy! How could you??" I whispered in shock. Arranged marriages were an archaic thing of the past. Nobody did that anymore, did they? Daddy looked pained. "I did it for the sake of our pack, Nina. We are a small pack, and since your mother..." he couldn't quite bring himself to say the word "died"..."We are weak and vulnerable. We need the protection of a larger, stronger pack. This political alliance will ensure our safety and our survival." I felt so many emotions whipping through me, I couldn't grab ahold of them. "But... why me?" I had two sisters, one older, and one younger. Janice was smart and strong, one of our best warriors. And the younger, Hannah was the beautiful one. None of us had found our mates, we were all single and available. I was almost sure if the Alpha of Gold Mountain had ever seen the three of us, he would have picked one of them. Not me. I am the most ordinary, non-descript, and insignificant of the Alpha's daughters. --------------------- My father has forced me into an arranged marriage with Nolan Piereson of the Gold Mountain Pack. What could be worse than being forced to marry a complete stranger that you don't love? Turns out, there are a lot of things that are even worse.

"For many, the appearance of Occupy Wall Street seemed so sudden and so surprising it seemed to have come out of nowhere. But Occupy Wall Street was in some sense not unusual: it was part and parcel of a long history of riot, revolt, uprising, and sometimes even revolution that has shaped the city and the larger histories and geographies of which it is part. The history of New York is, in significant part, a history of revolt. Many citizens, activists, and scholars know pieces of that history, but nowhere has it been put together in something close to its entirety. The effect is that each revolt or uprising seems almost sui generis, always surprising, disconnected from both its long- and near-term history and social geography. Revolting New York brings together the historical geography of revolt in New York in its fullness, from the earliest uprisings of the Munsee against Dutch occupation of Manhattan to Occupy. All in a style accessible to a broad as well as academic audience The book will show that there is a continuous, if varied and punctuated, history of rebellion in New York that is at least as vital as the more standard histories of formal politics, planning, economic growth and restructuring that largely define our consciousness of New York's evolution and the structuring of life within it" --

As an assimilationist gay mainstream wields increasing power, the focus of gay struggle has become limited to marriage, military service and adoption. By the twisted priorities of the gay mainstream, it's ok to oppose a queer youth centre because it might interfere with property values, or to fight against the inclusion of transgendered people under hate crime legislation because this might not appeal to straight voters. That's Revolting shows us what the new queer resistance looks like. It also challenges the commercialised, commodified and objectified views of today's gays.

The Masses Are Revolting reconstructs a pivotal era in the history of affect and emotion, delving into an archive of nineteenth-century disgust to show how this negative emotional response came to play an outsized, volatile part in the emergence of modern British society. Attending to the emotion's socially productive role, Zachary Samalin highlights concrete scenes of Victorian disgust, from sewer tunnels and courtrooms to operating tables and alleyways. Samalin focuses on a diverse set of nineteenth-century writers and thinkers—including Charles Darwin, Charles Dickens, Karl Marx, Friedrich Engels, Thomas Hardy, George Gissing, and Charlotte Brontë—whose works reflect on the shifting, unstable meaning of disgust across the period. Samalin elaborates this cultural history of Victorian disgust in specific domains of British society, ranging from the construction of London's sewer system, the birth of modern obscenity law, and the development of the conventions of literary realism to the emergence of urban sociology, the rise of new scientific theories of instinct, and the techniques of colonial administration developed during the Indian Rebellion of 1857. By bringing to light disgust's role as a public passion, The Masses Are Revolting reveals significant new connections among these apparently disconnected forms of social control, knowledge production, and infrastructural development.

The hilarious, take-no-prisoners novel about a cynical, sex-obsessed teenager's pining love for an intelligent girl—the basis for the major motion picture starring Michael Cera. Youth in Revolt is the journals of Nick Twisp, California's most precocious diarist, whose ongoing struggles to make sense out of high school, deal with his divorced parents, and lose his virginity result in his transformation from an unassuming fourteen-year-old to a modern youth in open revolt. As his family splinters, worlds collide, and the police block all routes out of town, Nick must cope with economic deprivation, homelessness, the gulag of the public schools, a competitive type-A father, murderous canines, and an inconvenient hair trigger on his erectile response—all while vying ardently for the affections of the beauteous Sheeni Saunders, teenage goddess, and ultimate intellectual goad.

In this book, Paul Mullins examines a wide variety of material objects and landscapes that induce anxiety, provoke unpleasantness, or simply revolt us. Bringing archaeological insight to subjects that are not usually associated with the discipline, he looks at the way the material world shapes how we imagine, express, and negotiate difficult historical experiences. Revolting Things delves into well-known examples of “dark heritage” ranging from Confederate monuments to the sites of racist violence. Mullins discusses the burials and gravesites of figures who committed abhorrent acts, locations that in many cases have been either effaced or dynamically politicized. The book also considers racial displacement in the wake of post–World War II urban renewal, as well as the uneasiness many contemporary Americans feel about the social and material sameness of suburbia. Mullins shows that these places and things are often repressed in public memory and discourse because they reflect entrenched structural inequalities and injustices we are reluctant to acknowledge. Yet he argues that the richest conversations about the uncomfortable aspects of the past happen because these histories have tangible remains, exerting a persistent hold on our imagination. Mullins not only demonstrates the emotional power of material things but also exposes how these negative feelings reflect deep-seated anxieties about twenty-first-century society.

I bet you think you know this story. You don't. The real one's much more gory. From Jack in the Beanstalk, Goldilocks and the Three Bears to Little Red Riding Hood and the Three Little Pigs, wicked beasts, brazen crooks and a ghastly giant star in these hilarious nursery rhymes with BITE! Magic Light Pictures, producers of the Oscar nominated The Gruffalo and Room On The Broom, will produce two half-hour animated films for BBC 1 based on the Revolting Rhymes for Christmas 2016, Roald Dahl's centenary year.