This is the second book in the best-selling series CONVERSATIONS WITH DZAR. It contains powerful teachings and practices to help you move into a closer relationship with your Soul so that you can access its wisdom and guidance. DZAR is a group of universal Energies, channelled by Gary and Mary OBrien. They share their compassion and wisdom for humanity to help us create lives filled with joy, a stronger connection to our Soul, to other people and to the Earth itself. It is time for you to remember who you are, Young Ones. Time to move beyond the limits you experience in the physical, and to expand into your true nature as multi-dimensional expressions of Creation. This book is about your purpose for being here, it is about you accepting and understanding yourself. As you read it, you will feel the call of Home that has lived within you forever. So allow yourself to be taken along this journey; allow your eyes and your heart to open to the marvel that is you. You are here to fulfil a magnificent purpose that will become known and available to you as you Reunite Human and Spirit in your life and live as the True Self. Within these pages, you will meet the Realms of Creation and understand the role they play to bring more Compassion and connection to your planet. You will begin to work with the Practice of the Universal Question that has the power to transform your life as you sit within its frequency. The memories of Home that will return through your thoughts and feelings will begin to stimulate a different path. They will give birth to a new sense of Self that will allow an Energy of warmth and Compassion to be a part of your Being again. DZAR

This book provides an overview of the hero journey theme in literature, from antiquity to the present, with a focus on the imagery of the rites of passage in human life (initiation at adolescence, mid-life, and death). This is the only book to focus on the major works of the literary tradition, detailing discussions of the hero journey in major literary texts. Included are chapters on the literature of Antiquity (Sumerian, Egyptian, Biblical, Greek, and Roman), the Middle Ages (with emphasis on the Arthurian Romance), the Renaissance to the Enlightenment (Shakespeare, Milton, Marvell, Pope, Fielding, the Arabian Nights, and Alchemical Illustration), Romanticism and Naturalism (Coleridge, Selected Grimm's Tales, Bront%, Bierce, Whitman, Twain, Hawthorne, E.T.A. Hoffman, Rabindranath Tagore), and Modernism to Contemporary (Joyce, Gilman, Alifa Rifaat, Bellow, Lessing, Pynchon, Eudora Welty).

Between 1906 and 1908, G. R. S. Mead published eleven small books under the series title "Echoes from the Gnosis." These books contain translations and interpretations of the Gnostic writings of the ancients. Long before the discovery of the Nag Hammadi Library, Mead translated these esoteric texts of various origins (Christian, Roman, Greek). He wanted to make this material accessible to the growing number of people at the time eager to encounter this ancient mystical religion based on an intuitive process of knowing oneself and the hidden aspects of life and existence. Upon the publication of the 100-year anniversary edition of the series, the appeal for this same material remains stronger than ever.

This book examines the fundamental importance of eros in Plato's writing, which views the human soul as primordially erotic. Challenging the traditional designation of specific dialogues as the "erotic dialogues," Jill Gordon argues that eros permeates Plato's fictive world, including the metaphysical, epistemological, and cosmological conversations in Timaeus, Cratylus, Parmenides, Theaetetus, and Phaedo.

A brave heroine whose quest involves living her true gender. A genderqueer knight who battles the transphobic court to save their prince. Often fearing discovery, the trans hero embarks on adventure, aided by an accepting mentor and other allies, and challenged by transphobic villains and sometimes uncomprehending family members. Ultimately, the trans hero triumphs, finding love, selfhood, and affirmation. This book adapts Joseph Campbell's classic pattern of comparative mythology and applies it to trans and non-binary heroes in modern popular media who are traversing multiple worlds. Analyzed are works for the screen such as Steven Universe, The Matrix, Sense8, and Sandman; print materials such as DC and Marvel comics; and television, fantasy books, and graphic novels from trans and non-binary creators worldwide.

One of the great intellectual achievements of the 20th century, Joseph Campbell's The Hero with a Thousand Faces is an elaborate articulation of the monomyth: the narrative pattern underlying countless stories from the most ancient myths and legends to the films and television series of today. The monomyth's fundamental storyline, in Campbell's words, sees "the hero venture forth from the world of the common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons to his fellow man." Campbell asserted that the hero is each of us--thus the monomyth's endurance as a compelling plot structure. This study examines the monomyth in the context of Campbell's The Hero and discusses the use of this versatile narrative in 26 films and two television shows produced between 1960 and 2009, including the initial Star Wars trilogy (1977-1983), The Time Machine (1960), Logan's Run (1976), Escape from New York (1981), Tron (1982), The Terminator (1984), The Matrix (1999), the first 11 Star Trek films (1979-2009), and the Sci Fi Channel's miniseries Frank Herbert's Dune (2000) and Frank Herbert's Children of Dune (2003).

Faulkner's final novel, The Reivers, has been gently dismissed by scholars and critics as no more than its subtitle claims, A Reminiscence. Although the new millennium has seen a new appreciation for Faulkner's later novels, The Reivers is still perceived as a slightly fictionalized comic memoir romanticizing the early life of the author in the pre-civil rights American South. This volume takes this dismissal of The Reivers to task for failing to appreciate its employment of the Apuleian narrative of life-altering metamorphosis to offer, as his literary farewell, hope for humanity's self-redemption. Vernon L. Provencal studies the reception of The Golden Ass in The Reivers as comic novels of moral katabasis (wilful descent into the lawless underworld) and providential anabasis (societal and spiritual redemption). As the independent basis of the reception study, The Reivers receives its first ever detailed reading, while The Golden Ass is read anew from the teleological perspective offered by the (undervalued) prophecy that in the end the comic hero would become the book itself.