Collected in this volume are Achsah Guibbory’s most important and frequently cited essays on Donne, which, taken together, present her distinctive and evolving vision of the poet. The book includes an original, substantive introduction as well as new essays on the Devotions upon Emergent Occasions, the Songs and Sonnets, and the subject of Donne and toleration. Over the course of her career, Guibbory has asked different questions about Donne but has always been concerned with recovering multiple historical and cultural contexts and locating Donne’s writing in relation to them. In the essays here, she reads Donne within various contexts: the early modern thinking about time and history; religious attitudes towards sexuality; the politics of early modern England; religious conflicts within the church. While her approach has always been historicist, she has also foregrounded Donne’s distinctiveness, showing how (and why) he continues to speak powerfully to us now. Presented together here, with reflections on the trajectory of her engagement with Donne, Achsah Guibbory illuminates Donne’s understanding that erotic, spiritual, and political issues are often intertwined, and reveals how this understanding resonates in our own times.

Winner of the 2022 Baillie Gifford Prize for Non-Fiction Winner of the 2022 Slightly Foxed Best First Biography Prize Shortlisted for the 2023 Plutarch Award A Wall Street Journal Top 10 Best Book of 2022 A New York Times Notable Book of the Year Named a Best Book of the Year by The New Yorker, Times Literary Supplement, and Literary Hub From the standout scholar Katherine Rundell, Super-Infinite presents a sparkling and very modern biography of John Donne: the poet of love, sex, and death. Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. He was a scholar of law, a sea adventurer, a priest, a member of Parliament—and perhaps the greatest love poet in the history of the English language. He converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year-old girl without her father’s consent, struggled to feed a family of ten children, and was often ill and in pain. He was a man who suffered from surges of misery, yet expressed in his verse many breathtaking impressions of electric joy and love. In Super-Infinite, Katherine Rundell embarks on a fleet-footed act of evangelism, showing us the many sides of Donne’s extraordinary life, his obsessions, his blazing words, and his tempestuous Elizabethan times—unveiling Donne as the most remarkable mind and as a lesson in living.

Collected in this volume are Achsah Guibbory’s most important and frequently cited essays on Donne, which, taken together, present her distinctive and evolving vision of the poet. The book includes an original, substantive introduction as well as new essays on the Devotions upon Emergent Occasions, the Songs and Sonnets, and the subject of Donne and toleration. Over the course of her career, Guibbory has asked different questions about Donne but has always been concerned with recovering multiple historical and cultural contexts and locating Donne’s writing in relation to them. In the essays here, she reads Donne within various contexts: the early modern thinking about time and history; religious attitudes towards sexuality; the politics of early modern England; religious conflicts within the church. While her approach has always been historicist, she has also foregrounded Donne’s distinctiveness, showing how (and why) he continues to speak powerfully to us now. Presented together here, with reflections on the trajectory of her engagement with Donne, Achsah Guibbory illuminates Donne’s understanding that erotic, spiritual, and political issues are often intertwined, and reveals how this understanding resonates in our own times.

In this volume, Joshua Eckhardt examines the religious texts and books that surrounded the poems, sermons, and inscriptions of the early modern poet and preacher John Donne. Focusing on the material realities legible in manuscripts and Sammelbände, bookshops and private libraries, Eckhardt uncovers the myriad ways in which Donne’s writings were received and presented, first by his contemporaries, and later by subsequent readers of his work. Eckhardt sheds light on the religious writings with which Donne’s work was linked during its circulation, using a bibliographic approach that also informs our understanding of his work’s reception during the early modern period. He analyzes the religious implications of the placement of Donne’s poem “A Litany” in a library full of Roman Catholic and English prayer books, the relationship and physical proximity of Donne’s writings to figures such as Sir Thomas Egerton and Izaak Walton, and the movements in later centuries of Donne’s work from private owners to the major libraries that have made this study possible. Eckhardt’s detailed research reveals how Donne’s writings have circulated throughout history—and how religious readers, communities, and movements affected the distribution and reception of his body of work. Centered on a place in time when distinct methods of reproduction, preservation, and circulation were used to negotiate a complex and sometimes dangerous world of confessional division, Religion Around John Donne makes an original contribution to Donne studies, religious history, book history, and reception studies.

For centuries readers have struggled to fuse the seemingly scattered pieces of Donne’s works into a complete image of the poet and priest. In John Donne, Body and Soul, Ramie Targoff offers a way to read Donne as a writer who returned again and again to a single great subject, one that connected to his deepest intellectual and emotional concerns. Reappraising Donne’s oeuvre in pursuit of the struggles and commitments that connect his most disparate works, Targoff convincingly shows that Donne believed throughout his life in the mutual necessity of body and soul. In chapters that range from his earliest letters to his final sermon, Targoff reveals that Donne’s obsessive imagining of both the natural union and the inevitable division between body and soul is the most continuous and abiding subject of his writing. “Ramie Targoff achieves the rare feat of taking early modern theology seriously, and of explaining why it matters. Her book transforms how we think about Donne.”—Helen Cooper, University of Cambridge

In 1906, having been assigned Izaak Walton's Life of Donne to read for his English class, a Harvard freshman heard a lecture on the long disparaged 'metaphysical' poets. Years later, when an appreciation of these poets was considered a consummate mark of a modernist sensibility, T. S. Eliot was routinely credited with having 'discovered' Donne himself. John Donne in the Nineteenth Century tracks the myriad ways in which 'Donne' was lodged in literary culture in the Romantic and Victorian periods. The early chapters document a first revival of interest when Walton's Life was said to be 'in the hands of every reader'; they explore what Wordsworth and Coleridge contributed to the conditions for the 1839 publication of the only edition ever called The Works, which reprinted the sermons of 'Dr Donne'. Later chapters trace a second revival, when admirers of the biography, turning to the prose letters and the poems to supplement Walton, discovered that his hero's writings entail the sorts of controversial issues that are raised by Browning, by the 'fleshly school' of poets, and by self-consciously 'decadent' writers of the fin de siècle. The final chapters treat the spread of the academic study of Donne from Harvard, where already in the 1880s he was the anchor of the seventeenth-century course, to other institutions and beyond the academy, showing that Donne's status as a writer eclipsed his importance as the subject of Walton's narrative, which Leslie Stephen facetiously called 'the masterpiece of English biography'.

The Cambridge Companion to John Donne introduces students (undergraduate and graduate) to the range, brilliance, and complexity of John Donne. Sixteen essays, written by an international array of leading scholars and critics, cover Donne's poetry (erotic, satirical, devotional) and his prose (including his Sermons and occasional letters). Providing readings of his texts and also fully situating them in the historical and cultural context of early modern England, these essays offer the most up-to-date scholarship and introduce students to the current thinking and debates about Donne, while providing tools for students to read Donne with greater understanding and enjoyment. Special features include a chronology; a short biography; essays on political and religious contexts; an essay on the experience of reading his lyrics; a meditation on Donne by the contemporary novelist A. S. Byatt; and an extensive bibliography of editions and criticism.