After a stirring e-mail exchange with his father, awardwinning essayist and cultural commentator Ilan Stavans decided to do something bizarre: revisit his hometown, Mexico City, accompanied by a tourist guide. But rather than seeking his roots in the neighborhood where he grew up, he headed to the Centro Histórico, the downtown area at the heart of the world’s largest metropolis. It was there that conversos, the hidden Jews escaping the might of the Holy Office of the Inquisition, were burned at the stake. And, centuries later, it was the same section where Jewish immigrants, both Yiddish-speaking Ashkenazim and Sephardim from the Ottoman Empire, made their homes as peddlers. In a sense, Centro Histórico is to Mexico what the Lower East Side is to the United States: a platform for reinventing one’s self in the New World. With the same linguistic verve and insight that has made him one of the most distinguished voices in American literature today, Ilan Stavans invites readers along for a personal journey that is not only his own, but that of an entire culture. In Return to Centro Histórico he makes it possible to understand the intimate role that Jews have played in the development of Hispanic civilization.

The Cambridge Companion to Latina/o American Literature provides a thorough yet accessible overview of a literary phenomenon that has been rapidly globalizing over the past two decades. It takes an innovative approach that underscores the importance of understanding Latina/o literature not merely as an ethnic phenomenon in the United States, but more broadly as a crucial element of a trans-American literary imagination. Leading scholars in the field present critical analyses of key texts, authors, themes, and contexts, from the early nineteenth century to the present. They engage with the dynamics of migration, linguistic and cultural translation, and the uneven distribution of resources across the Americas that characterize Latina/o literature. This Companion will be an invaluable resource, introducing undergraduate and graduate students to the complexities of the field.

After the closure of Willard Psychiatric Center on New York's Seneca Lake in 1995, more than four hundred abandoned suitcases were discovered in its attic, containing thousands of personal possessions belonging to former patients. Three of the suitcases were owned by Charles F., an eighty-four-year-old Russian Jewish immigrant arrested at a Brooklyn subway station in 1946 and institutionalized at Willard State Hospital (as it was then known). An extraordinary collaboration between image and text, What Remains pairs Jon Crispin's gripping photographs of Charles's belongings with Ilan Stavans's intriguing, speculative portrait of a patient and institution at odds with one another. Anxious, isolated, and senile, Charles strikes an unexpected friendship with a young doctor whose empathy accompanies him through a sudden spiritual awakening. As the narrative unfolds, it becomes clear that Stavans, himself an immigrant from Mexico whose family history is marked by bouts of mental illness, approaches his character as a surrogate of his own personal journey. Crispin's photographs of Charles's possessions—including clothing, household tools, and Jewish ritual objects—are haunting in their ability to compel the reader to imagine a distant man's life. A moving blend of fact and fiction, photography and prose, What Remains reflects on questions of mental health, spirituality, and the Jewish immigrant experience in midcentury America.

Twenty-five years ago, Ilan Stavans published his first book, Imagining Columbus: The Literary Voyage (1993). Since then, Stavans has become a polarizing figure, dismissed and praised in equal measure, a commanding if contested intellectual whose work as a cultural critic has been influential in the fields of Latino and Jewish studies, politics, immigration, religion, language, and identity. He can be credited for bringing attention to Jewish Latin America and issues like Spanglish, he has been instrumental in shaping a certain view of Latino Studies in universities across the United States as well abroad, he has anthologized much of Latino and Latin American Jewish literature and he has engaged in contemporary pop culture via the graphic novel. He was the host of a PBS show called Conversations with Ilan Stavans, and has had his fiction adapted into the stage and the big screen. The man, as one critic stated, clearly has energy to burn and it does not appear to be abating. This collection celebrates twenty-five years of Stavans’s work with essays that describe the good and the bad, the inspired and the pedestrian, the worthwhile and the questionable.

"Anybody who has ever been a 20-something traveler should enjoy this engaging read." - Bookseller and Publisher Set against the vibrant background of one of the world's most dangerous cities, Oh Mexico! is not only a classic travel memoir, but also contains great narrative and stuffed with amazing facts about this country's colourful history, lit up by warmth, wit, wisdom and pizzazz. With an eye for the bizarre and comic, Lucy's engaging account of surviving life and love in a vast, bustling Central American city is irresistible. After graduating from university with an Arts degree, she is faced with a dilemma: find a job or disappear to Latin America, the exotic land of her childhood dreams! Arriving in Mexico City with little money and only basic Spanish, Lucy's To-Do list is simple enough: "Next morning I awoke and began writing a to do list. Not that I am an organised person, but I was feeling overwhelmed and I always find that a to do list gives me a sense that there is a potential to cope with the situation. 1. Find something to eat, 2. Wash undies, 3. Learn Spanish and 4. Get a job" Lucy promptly finds work as an English teacher and scores a room in a sunny apartment. Her new flatmate, the well-connected Octavio, is unnervingly attractive. So begins an adventure of comic challenges as Lucy negotiates Mexico City's stratified worlds, meeting everyone from street hawkers to crazy gringos, academics and socialites. Then, as the two men she accidentally falls in love with discover each other s existence, her extrovert family arrive for a visit! With a curious mind and a knowing eye, Lucy's account of life in this riotous third-world metropolis that is Mexico City is utterly irresistible.

Anthropologists and historians examine how postwar violence in Guatemala City is reconfiguring urban space, transforming the relationship between city and country, and exacerbating structures of inequality and ethnic discrimination.

When young Rolando Perez falls to his death from a cliff outside Santa Fe, New Mexico, the mysteries immediately begin to accumulate. Was he pushed or did he jump? What are the documents that Rolando was willing sacrifice himself to protect from his family, the police, and the Catholic Church? And what does a colorful concha pastry have to do with any of this? In the midst of the investigation, Professor Ilan Stavans arrives in Santa Fe to give a lecture about the area's long-buried Jewish history. He's looking forward to relaxing afterwards with an evening of opera, but his presentation on "crypto-Jews" attracts unexpected attention, and soon Ilan is drawn into a desperate race to find the long-lost documents that might hold the key to Rolando's death. Ilan's detective work leads him to taco joints, desert ranches, soaring cathedrals, and, finally, deep into the region's past, where he encounters another young man: Luis de Carvajal, aka "El Iluminado," a sixteenth-century religious dissenter. In a tale of martyrdom that eerily echoes Rolando's, Carvajal fled Spain for colonial Mexico at the height of the Spanish Inquisition, searching for his religious heritage -- a hunt for which he, like Rolando, would pay the ultimate price. In El Iluminado, esteemed literary critic Ilan Stavans and author and illustrator Steve Sheinkin present a secret history of religion in the Americas, showing how thousands of European refugees have left a trail of ghostly footprints -- and troves of mysteries -- across the American Southwest.