Retroland is an illustrative look back at the lifestyle and popular culture of the 1970s and 1980s Britain with a humorous twist. From fashion to music, television, toys, computer games and more - dive in, have a laugh and roll back the years with this collection of cartoons.

"The Roswell Report: Case Closed" by James McAndrew. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

THE STORY: Now an aspiring young architect in Terre Haute, Indiana, Willum Cubbert has often told his friends about the debt he owes to Rick Steadman, a fellow ex-GI whom he has never met but who saved his life after he was seriously wounded in Vie

Although the end of the Cold War was greeted with great enthusiasm by people in the East and the West, the ensuing social and especially economic changes did not always result in the hoped-for improvements in people's lives. This led to widespread disillusionment that can be observed today all across Eastern Europe. Not simply a longing for security, stability, and prosperity, this nostalgia is also a sense of loss regarding a specific form of sociability. Even some of those who opposed communism express a desire to invest their new lives with renewed meaning and dignity. Among the younger generation, it surfaces as a tentative yet growing curiosity about the recent past. In this volume scholars from multiple disciplines explore the various fascinating aspects of this nostalgic turn by analyzing the impact of generational clusters, the rural-urban divide, gender differences, and political orientation. They argue persuasively that this nostalgia should not be seen as a wish to restore the past, as it has otherwise been understood, but instead it should be recognized as part of a more complex healing process and an attempt to come to terms both with the communist era as well as the new inequalities of the post-communist era.

The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The "History of Computer Art" features examples of early developments in media like cybernetic sculptures, computer graphics and animation (including music videos and demos), video and computer games, reactive installations, virtual reality, evolutionary art and net art. The functions of relevant art works are explained more detailed than usual in such histories.

Spring 2001, and the countryside of the North East of England resembles Fitzgerald's 'valley of ashes': the air is choked with the stench and smoke of the pyres which are burning in an attempt to contain the epidemic of foot and mouth disease. After forty years away, Ray Cruddas, a comedian with a national, considerably faded reputation, has returned to the North East to live. He has a new wife, a new club and a house close to a stand of trees which has haunted him from childhood. But he still believes he is living life at one remove, through the more vibrant, seemingly less complex and conflicted person of Jackie Mabe, the former boxer who, in his capacity as driver, drinking partner and gofer, has always stood between Ray Cruddas and the world. Jackie Mabe performed this role once before: for Jack Solomons, known as 'Jolly Jack' and 'the potentate', who ruled British boxing in the decades before and after the War. Along with the Victorian painter Ralph Hedley, the Geordie comic Bobby Thompson, and Margaret Thatcher's director of communications Gordon Reece, Solomons is among the many real life figures who populate this extraordinary blend of fact and fiction. The North of England Home Service, like Gordon Burn's earlier novels, reanimates and reinvents popular culture, making unexpected connections and salvaging something palpable from the evanescent spectacle of contemporary life.

This book investigates ways of dressing, style and fashion as gendered and embodied, but equally as “religionized” phenomena, particularly focusing on one significant world religion: Islam. Through their clothing, Muslims negotiate concepts and interpretations of Islam and construct their intersectionally interwoven position in the world. Taking the interlinkages between ‘fashionized religion,’ ‘religionized fashion,’ commercialization and processes of feminization as a starting point, this book reshapes our understanding of gendered forms of religiosity and spirituality through the lens of gender and embodiment. Focusing mainly on the agency and creativity of women as they appropriate ways of performing and interpreting various modalities of Muslim clothing and body practices, the book investigates how these social actors deal with empowering conditions as well as restrictive situations. Foregrounding contemporary scholars’ diverse disciplinary, theoretical and methodological approaches, this book problematizes and complicates the discursive and lived interactions and intersections between gender, fashion, spirituality, religion, class, and ethnicity. It will be relevant to a broad audience of researchers across gender, sociology of religion, Islamic and fashion studies.