A CrimeReads Best Noir Fiction of 2019 Pick One of CrimeReads’ Best Crime Books of the Year “Noirish…compelling…innovative.”—New York Times Book Review A debut novel about a young artist, a missing woman, and the tendrils of wealth and power that link the art scene in Brooklyn to Manhattan’s elite, for fans of Jonathan Lethem and Richard Price Reddick, a young, white artist, lives in Bedford-Stuyvesant, a historically black Brooklyn neighborhood besieged by gentrification. He makes rent as an art handler, hanging expensive works for Manhattan’s one percent, and spends his free time playing basketball at the local Y rather than putting energy into his stagnating career. He is also the last person to see Hannah before she disappears. When Hannah’s fiancé, scion to an old-money Upper East Side family, refuses to call the police, Reddick sets out to learn for himself what happened to her. The search gives him a sense of purpose, pulling him through a dramatic cross section of the city he never knew existed. The truth of Hannah’s fate is buried at the heart of a many-layered mystery that, in its unraveling, shakes Reddick’s convictions and lays bare the complicated machinations of money and power that connect the magisterial town houses of the Upper East Side to the unassuming brownstones of Bed-Stuy. Restoration Heights is both a page-turning mystery and an in-depth study of the psychological fallout and deep racial tensions that result from economic inequality and unrestricted urban development. In lyrical, addictive prose, Wil Medearis asks the question: In a city that prides itself on its diversity and inclusivity, who has the final say over the future? Is it long-standing residents, recent transplants or whoever happens to have the most money? Timely, thought-provoking and sweeping in vision, Restoration Heights is an exhilarating new entry in the canon of great Brooklyn novels.

A debut novel about a young artist, a missing woman, and the tendrils of wealth and power that link the art scene in Brooklyn to Manhattan's elite, for fans of Jonathan Lethem and Richard Price. Reddick, a young, white artist, lives in Bedford-Stuyvesant, a historically black Brooklyn neighbourhood besieged by gentrification. He makes rent as an art handler, hanging expensive works for Manhattan's one percent, and spends his free time playing basketball at the local Y rather than putting energy into his stagnating career. He is also the last person to see Hannah before she disappears. When Hannah's fiance, scion to an old-money Upper East Side family, refuses to call the police, Reddick sets out to learn for himself what happened to her. The search gives him a sense of purpose, pulling him through a dramatic cross section of the city he never knew existed. The truth of Hannah's fate is buried at the heart of a many-layered mystery that, in its unraveling, shakes Reddick's convictions and lays bare the complicated machinations of money and power that connect the magisterial town houses of the Upper East Side to the unassuming brownstones of Bed-Stuy. Restoration Heights is both a page-turning mystery and an in-depth study of the psychological fallout and deep racial tensions that result from economic inequality and unrestricted urban development. In lyrical, addictive prose, Wil Medearis asks the question: In a city that prides itself on its diversity and inclusivity, who has the final say over the future? Is it long-standing residents, recent transplants or whoever happens to have the most money? Timely, thought-provoking and sweeping in vision, Restoration Heights is an exhilarating new entry in the canon of great Brooklyn novels.

THIS IS NO TIME TO RUN AND HIDE America seems to be crumbling from within. Having abandoned the Judeo-Christian values that are the foundation of its culture, our nation, in the eyes of many, is going the way of the great civilizations of the past. If our 250-year experiment in ordered liberty has really run its course, is it time to recognize the inevitable, pack up our families, and head for the hills, hunkering down through the dark days to come? Or is there hope for an American restoration? Tim Goeglein and Craig Osten, battle-hardened veterans of the culture wars, know as well as anyone that the decadence is undeniable. But they make the case that an American restoration is not only possible, but probable—if we act now. The key is for Christians to engage with the culture, not flee from it, to be the salt and light that will renew it from within. That engagement must take place especially at the local level, where real spiritual and cultural transformation occurs. If America returns to its spiritual foundations, the tumultuous times we live in will be nothing more than a bumpy detour in our nation’s history. This book is a roadmap for the way back. In this clear-eyed but hopeful guide to restoration, Goeglein and Osten explain how patriotic Americans, with God’s help, can renew fifteen critical components of our culture. Government will not provide the solutions we desperately need. The solutions lie in our churches, our communities, and our homes. The light for our path is faith. As that light pierces the darkness, America will experience a reawakening, regeneration, and renewal.

‘The revolutions of 1989’ remains the standard term used to describe the onset of post-communist transformations more than thirty years ago. Zenonas Norkus proposes a completely new perspective, theorising them as the next wave of modern social restorations, starting with the post-Napoleonic restorations in 1815. A comparison of the 1789 French and 1917 Russian revolutions was seminal for the rise of comparative historical and sociological research on modern revolutions. The book extends and supplements the sociology of modern revolutions by the first systematic outline of the sociology of modern social restorations grounded in a comparison of post-Napoleonic and post-communist restorations.