Christianity in Latin America provides a complete overview of over 500 years of the history of Christianity in the ‘New World’. The inclusion of German research in this book is an important asset to the Anglo-American research area, in disclosing information that was hitherto not available in English. This work will present the reader with a very good survey into the history of Christianity on the South American continent, based on a tremendous breadth of literature.

The story of two generations of scientific explorers in South America—Richard Evans Schultes and his protégé Wade Davis—an epic tale of adventure and a compelling work of natural history. In 1941, Professor Richard Evan Schultes took a leave from Harvard and disappeared into the Amazon, where he spent the next twelve years mapping uncharted rivers and living among dozens of Indian tribes. In the 1970s, he sent two prize students, Tim Plowman and Wade Davis, to follow in his footsteps and unveil the botanical secrets of coca, the notorious source of cocaine, a sacred plant known to the Inca as the Divine Leaf of Immortality. A stunning account of adventure and discovery, betrayal and destruction, One River is a story of two generations of explorers drawn together by the transcendent knowledge of Indian peoples, the visionary realms of the shaman, and the extraordinary plants that sustain all life in a forest that once stood immense and inviolable.

A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.

Rafael Guillen's poems are infused with the land and the people of Andalusia. He lays before us all the harshness and beauty of his country - the calm seashore and the violent revolutions, the wheat fields and the famine, the children and the laborers suffering through days like hot coals. In light of this history, Guillen gives his words sharp edges tinged with a certain tender grief. A quiet force builds up behind the complex imagery and compact language as Guillen reflects on coming of age in Civil War Spain and situations of love, life, death, and faith in modern-day Granada, Paris, and the United States. Sandy McKinney, working closely with Guillen, accurately captures the unusual syntax and emotional tone of the work of this important Spanish poet. Included here is McKinney's interview with the poet where Guillen explains his connection to the tradition of Andalusian poetry, a proud literary tradition filled with a sensual delight in the beauty of particular words, in their sound as well as their significance.