The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives. The Handbook provides a dynamic and richly layered collection of stories and critical questions for anyone engaged or interested in repatriation or archival work. Repatriation often is overtly guided by an ethical mandate to "return" something to where it belongs, by such means as working to provide reconnection and Indigenous control and access to cultural materials. Essential as these mandates can be, this remarkable volume reveals dimensions to repatriation beyond those which can be understood as simple acts of "giving back" or returning an archive to its "homeland." Musical repatriation can entail subjective negotiations involving living subjects, intangible elements of cultural heritage, and complex histories, situated in intersecting webs of power relations and manifold other contexts. The forty-eight expert authors of this book's thirty-eight chapters engage with multifaceted aspects of musical repatriation, situating it as a concept encompassing widely ranging modes of cultural work that can be both profoundly interdisciplinary and embedded at the core of ethnographic and historical scholarship. These authors explore a rich variety of these processes' many streams, making the volume a compelling space for critical analysis of musical repatriation and its wider significance. The Handbook presents these chapters in a way that offers numerous emergent perspectives, depending on one's chosen trajectory through the volume. From retracing the paths of archived collections to exploring memory, performance, research goals, institutional power, curation, preservation, pedagogy and method, media and transmission, digital rights and access, policy and privilege, intellectual property, ideology, and the evolving institutional norms that have marked the preservation and ownership of musical archives-The Oxford Handbook of Musical Repatriation addresses these key topics and more in a deep, richly detailed, and diverse exploration.

How does religion shape the modern battlefield? Ron E. Hassner proposes that religion acts as a force multiplier, both enabling and constraining military operations. This is true not only for religiously radicalized fighters but also for professional soldiers. In the last century, religion has influenced modern militaries in the timing of attacks, the selection of targets for assault, the zeal with which units execute their mission, and the ability of individual soldiers to face the challenge of war. Religious ideas have not provided the reasons why conventional militaries fight, but religious practices have influenced their ability to do so effectively.In Religion on the Battlefield, Hassner focuses on the everyday practice of religion in a military context: the prayers, rituals, fasts, and feasts of the religious practitioners who make up the bulk of the adversaries in, bystanders to, and observers of armed conflicts. To show that religious practices have influenced battlefield decision making, Hassner draws most of his examples from major wars involving Western militaries. They include British soldiers in the trenches of World War I, U.S. pilots in World War II, and U.S. Marines in Iraq and Afghanistan. Hassner shows that even modern, rational, and bureaucratized military organizations have taken—and must take—religious practice into account in the conduct of war.

In Bibliophiles and Bibliothieves, Opritsa Popa has documented what might justifiably be described as the most celebrated case of looting of two German cultural treasures by a member of the U.S. Army at the end of World War II and their subsequent odyssey across both an ocean and a continent: the pilfering from a cellar in Bad Wildungen of the ninth-century Liber Sapientiae, containing the two leaves of the oldest extant German heroic poem, the Old High German Hildebrandslied, along with the fourteenth-century illuminated Willehalm codex, both of which had been removed from the State Library in Kassel for protection from bombing raids.