This Book Covers The Following Topics: What is “Repetition of Words”? Structure (1) ---- Word + and + Word Structure (2) ---- Comparative + and + Comparative Structure (3) ---- Word + after + Word Structure (4) ---- Word + by + Word Structure (5) ---- Word + to + Word Structure (6) ---- Word + on/upon + Word Structure (7) ---- Word + against/of/for/in/with + Word Structure (8) ---- The more, less, etc…, the more, less, etc… Structure (9) ---- Combination of the Same Words Structure (10) ---- Repetition of Various Words Structure (11) ---- Repetition of Words More than Once Structure (12) ---- Repetition of ‘Group of Words’ Structure (13) ---- Repetition of ‘Two Different Words’ Structure (14) ---- Miscellaneous Patterns Exercises: 1(A) and 1(B) Exercises: 2(A) and 2(B) What is “Repetition of Words”? Repetition in the English Language is the repeating of a word, within a sentence in order to PROVIDE EMPHASIS. ‘Repetition of words’ could be classified into many groups based on the placement of the words in a sentence. Different terms have been devised to denote different kinds of repetitions. Some of these terms are as follows: Adnominatio, Conduplicatio, Diacope, Epistrophe, Mesodiplosis, Palilogia, Polyptoton, Symploce, etc. Not going into the details of these ‘hard-to-pronounce’ terms, I have covered only the most popular patterns of ‘Repetition of words’ in this book. Structure (1) ---- Word + and + Word This pattern is generally used to show ‘continuation or repetition of an activity, or ‘presence of many things or people of the same kind’. 1. -- She asked and asked about the money. 2a. -- Stars, planets, and galaxies emerged and evolved billions and billions of years ago. 2b. -- They have got billions and billions of dollars lying around in vaults. 3. -- There has been campaign and campaign against us for a very long time. 4. -- Wastage of water must be discouraged and discouraged. 5. -- Workers dug and dug the road. 6. -- We have eras and eras coming. 7. -- He called after her, “Where are you going?” She went further and further. 8a. -- His confidence grew and grew. 8b. -- Once he started telling family about his challenge, the support just grew and grew. 9a. -- ‘How long did the match last?’ ‘Oh, hours and hours’ 9b. -- Oats are a complex carbohydrate which means they will fuel your body for hours and hours. 10. -- Merit and merit alone can be criteria. 11. -- The road went on for miles and miles. 12. -- My travel plan was mired and mired in utter confusion. 13. -- He has nurtured and nurtured his reputation as a master tactician. 14. -- They played and played cards all night. NOTE: (A). ‘Again and again’ [meaning -- many times] She was wiping her tears again and again. Many people do not repeat their mistakes again and again. (B). ‘By and by’ [meaning -- after a short period; before long; soon | eventually] By and by you will make your deficiency. The hours just kept on going by and by. (C). ‘Half and half’ [meaning -- in equal parts] We are lucky that it is affordable rent, and sharing half and half helps (D). ‘Less and less’ [meaning -- continuing to become smaller] We are having less and less snow each year. Old people seem to sleep less and less actually. (E). ‘More and more’ [meaning -- continuing to become larger in amount or number] You always ask for more and more. More and more girls are giving priority to their careers. (F). ‘Neck and neck’ [meaning -- level with somebody in competition] Democrats and Republicans were neck and neck on 50 seats. These two candidates are neck and neck in recent polls. NOTE: Great Stress— Word + And + Word + And + Word 1a. -- He just smacked him with a ruler again and again and again. 1b. -- If at first, you don't succeed, try again and again and again. 2. -- Their pain and the anger grew and grew and grew, 3. -- They are paying him millions and millions, and more millions. 4. -- There is a huge problem in this town and it has been going on and on and on.

A Shepherd to Fools is the second of Drew Mendelson’s trilogy of Vietnam War novels that began with Song Ba To and will conclude with Poke the Dragon. Shepherd: It is the ragged end of the Vietnam war. With the debacle of a failing South Vietnamese invasion of Northern Laos as background, A Shepherd to Fools tells the harrowing tale of a covert Hatchet Team of US soldiers and Montagnard mercenaries. They are ordered to find and capture or kill a band of American deserters, called Longshadows, before the world learns of their paralyzing rebellion. An earlier attempt to capture them failed disastrously, the facts of it buried. Captain Hugh Englander commands the Hatchet Team. He is a humorless bastard, sneering and discourteous to every regular army soldier. He cares little for the welfare of his own men and nothing for the lives of the deserters. The conflict between him and Captain David Weisman, the artillery officer assigned to the mission for artillery support, threatens to tear the team apart. Deep in the Laotian jungle, the team is caught in a final, horrific battle facing an enemy armed with Sarin nerve gas, the “worst of the worst” of the war’s clandestine weapons.

Since the publication of his groundbreaking books Writing Without Teachers and Writing with Power, Peter Elbow has revolutionized how people think about writing. Now, in Vernacular Eloquence, he makes a vital new contribution to both practice and theory. The core idea is simple: we can enlist virtues from the language activity most people find easiest-speaking-for the language activity most people find hardest-writing. Speech, with its spontaneity, naturalness of expression, and fluidity of thought, has many overlooked linguistic and rhetorical merits. Through several easy to employ techniques, writers can marshal this "wisdom of the tongue" to produce stronger, clearer, more natural writing.This simple idea, it turns out, has deep repercussions. Our culture of literacy, Elbow argues, functions as though it were a plot against the spoken voice, the human body, vernacular language, and those without privilege-making it harder than necessary to write with comfort or power. Giving speech a central role in writing overturns many empty preconceptions. It causes readers to think critically about the relationship between speech, writing, and our notion of literacy. Developing the political implications behind Elbow's previous books, Vernacular Eloquence makes a compelling case that strengthening writing and democratizing it go hand in hand.

"A magical tale unlike anything you've read before." —Bustle "[A] richly imagined 19th-century historical fantasy." —EW, A- The thrilling first book in a YA fantasy trilogy for fans of Red Queen. In a world where social prestige derives from a trifecta of blood, money, and magic, one girl has the ability to break the spell that holds the social order in place. Sixteen-year-old Anna Arden is barred from society by a defect of blood. Though her family is part of the Luminate, powerful users of magic, she is Barren, unable to perform the simplest spells. Anna would do anything to belong. But her fate takes another course when, after inadvertently breaking her sister’s debutante spell—an important chance for a highborn young woman to show her prowess with magic—Anna finds herself exiled to her family’s once powerful but now crumbling native Hungary. Her life might well be over. In Hungary, Anna discovers that nothing is quite as it seems. Not the people around her, from her aloof cousin Noémi to the fierce and handsome Romani Gábor. Not the society she’s known all her life, for discontent with the Luminate is sweeping the land. And not her lack of magic. Isolated from the only world she cares about, Anna still can’t seem to stop herself from breaking spells. As rebellion spreads across the region, Anna’s unique ability becomes the catalyst everyone is seeking. In the company of nobles, revolutionaries, and Romani, Anna must choose: deny her unique power and cling to the life she’s always wanted, or embrace her ability and change that world forever. “A fast-paced historical fantasy full of magic, romance, and adventure!”—JESSICA DAY GEORGE, New York Times bestselling author of Silver in the Blood

"A collection of ten short stories that all take place in the same day about kids walking home from school"--

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

Borderline, Narcissistic, and Schizoid Adaptations demystifies the diagnosis and treatment of personality disorders. It offers clear and practical advice on how to differentiate and treat clients who have made Borderline, Narcissistic, or Schizoid adaptations. Elinor Greenberg begins with an overview of the topic of personality disorders, reframes these disorders as adaptations, and then explains the treatment interventions that work best for each type of adaptation. Later chapters describe how to do specific interventions that deal with commonly encountered treatment issues such as: such as: "How to undo a Narcissistic shame-based self-hating depression," "How to judge a Schizoid client's sense of interpersonal safety from their dreams," and "How to help Borderline clients reach their goals." Each type of intervention is explained in detail, ample clinical examples are given, as is how and when to utilize the method in the client's treatment. Both beginning therapists and experienced clinicians alike will find this book a useful resource that will expand their understanding and effectiveness with this often challenging group of clients.