In this novel/allegory the narrator/author sets sail in the yacht Impossible to search for Mount Analogue, the geographically located, albeit hidden, peak that reaches inexorably toward heaven.

The French poet and author of Mount Analogue shares a satirical allegory of the absurdities of intellectual society. As in Rene Daumal’s cult classic Mount Analogue, A Night of Serious Drinking concerns an autobiographical protagonist on a mind-expanding journey. But rather than seeking enlightenment, the anonymous narrator recounts an evening getting drunk with a group of friends. As the party becomes intoxicated and exuberant, the narrator’s wandering lead him from seeming paradises to the depths of pure hell. The characters our hero encounters go by absurd titles, such as Anthographers, Fabricators of useless objects, Scienters, Nibblists, and Clarificators. Yet the inhabitants of these strange realms are only too familiar: scientists dissecting an animal in their laboratory, a wise man surrounded by his devotees, politicians angling for influence, and poets expounding their rhetoric. Their hilarious antics and intellectual games reveal incisive social commentary that combines poetic imagination and philosophical depth.

You've Always Been Wrong is a collection of prose and poetic works by the French writer Reni Daumal (1908-1944). A fitful interloper among the Surrealists, Daumal rejected all forms of dogmatic thought, whether religious, philosophical, aesthetic, or political. Much like the Surrealists (and French theorists of more recent decades), Daumal saw in the strict forms and certainties of traditional metaphysics a type of thought that enslaves people even as it pretends to liberate them. These "cadavers of thought, " Daumal wrote with youthful bravado, "must be met with storms of doubt, blasphemes, and kerosene for the temples." Daumal tied Surrealism with mystical traditions. A devoted student of Eastern religions, philosophy, and literature, he combined his skepticism about Western metaphysics with a mystic's effort to maintain intense wakefulness to the present moment and to the irreducible particularity of all objects and experience. Such wakefulness, according to Daumal, leads inevitably to an overwhelming (and redemptive) "vision of the absurd." Daumal's important place in French culture of the late 1920s and 1930s has been assured by both his writings and his role as cofounder of the avant-garde journal Le Grand Jeu. Written between 1928 and 1930, You've Always Been Wrong reveals Daumal's thought as it was coalescing around the rejection of Western metaphysics and the countervailing allure of Eastern mysticism. Thomas Vosteen's nuanced translation provides English-language readers with a provocative introduction to this iconoclastic author. Thomas Vosteen has taught French language and literature for over twenty-five years, during which time he has also served as a freelance interpreterfor the U.S. Department of State. He is currently an assistant professor of French at Eastern Michigan University.

Pataphysics: the science of imaginary solutions, of laws governing exceptions and of the laws describing the universe supplementary to this one. Alfred Jarry's posthumous novel, Exploits and Opinions of Dr. Faustroll, Pataphysician, first appeared in 1911, and over the next 100 years, his pataphysical supersession of metaphysics would influence everyone from Marcel Duchamp and Boris Vian to Umberto Eco and Jean Baudrillard. In 1948 in Paris, a group of writers and thinkers would found the College of 'Pataphysics, still going strong today. The iconoclastic René Daumal was the first to elaborate upon Jarry's unique and humorous philosophy. Though Daumal is better known for his unfinished novel Mount Analogue and his refusal to be adopted by the Surrealist movement, this newly translated volume of writings offers a glimpse of often overlooked Daumal: Daumal the pataphysician. Pataphysical Essays collects Daumal's overtly pataphysical writings from 1929 to 1941, from his landmark exposition on pataphysics and laughter to his late essay, "The Pataphysics of Ghosts." Daumal's "Treatise on Patagrams" offers the reader everything from a recipe for the disintegration of a photographer to instructions on how to drill a fount of knowledge in a public urinal. This volume also includes Daumal's column for the Nouvelle Revue Française, "Pataphysics This Month." Reading like a deranged encyclopedia, "Pataphysics This Month" describes a new mythology for the field of science, and amply demonstrates that the twentieth century had been a distinctly pataphysical era.

Demonstrates how Rene Daumal, author of Mount Analogue, (a study of Hindu philosophy and poetics) and the teaching of G. I. Gurdjieff combined with Daumal's early surrealist tendencies in determining the quality of his writing.

Since his death in 1944, Rene Daumal has come to be recognized as one of the original minds of the twentieth century French letters. Poet, essayist, philosopher and translator, Sanscrit scholar and pupil of Gurdjieff, Daumal was a founder of the...

René Daumal (b. 1908) is best known for his novel Mt. Analogue, unfinished at his death, in 1944 (other works in English include A Night of Serious Drinking and The Power of the Word). Daumal was an autodidact, ie. a non-academic, Sanskritist. Following youthful explorations, with poet Gilbert Le Conte (Black Mirror) and initial instruction in Sanskrit from René Guernon, he embarked on a solitary study, surpassed his teacher and eventually formulated his own Sanskrit dictionary. He translated essential texts on Sanskrit composition, poetry in Sanskrit, including the famous hymn concerning SOMA and the first chapter of the Bharatya Natya Sastra, the world's first treatise on the dramatic arts written circa 4th century. Writing numerous essays on Sanskrit poetics his deeply felt intention was to present these texts and the spiritual etymology of the sub-continent in a form accessible to the 'common man', the artists and new societies of the 20th century. As secretary to Uday Shankar, he wrote the first reviews of Indian music and dance in the West (Paris, circa 1935) and accompanied Uday Shankar's troupe, which included Ravi Shankar as a 12 year old dancer to NYC. During the 2nd. World War, exiled in the South of France, with his wife Vera who was Jewish, he furthered his literary work, completing essays, translations, reviews while maintaining, with others so exiled. a profound epistolary exchange (see Letters 1930-1944), until his death from tuberculosis, shortly before the alien landing. RASA, a 'cult classic' edited by Claudio Rugafori, secretary of the Daumal archives and translated by American poet and musician, Louise Landes Levi, has earned its reputation.This is its 3rd. edition, prior editions being New Directions, 1982 and Shivastan 2003 and 2006.