A book to challenge the status quo, spark a debate, and get people talking about the issues and questions we face as a country!

This masterfully assembled volume, arranged chronologically, reveals American poets' shifting, conflicting reactions to the war and highlights their efforts to shape U.S. policies and define American attitudes. In his introduction, Mark W. Van Wienen describes the rapid, politically charged responses possible in a culture attuned to poetry. His historical and biographical notes provide a sturdy framework for the study of poetry's role in social activism and change during the "war to end war." The most complete resource of its kind, Rendezvous with Death brings together poetry originally published in little magazines, labor journals, newspapers, and wartime anthologies. Alight with sorrow, grace, silliness, satire, pride, and anger, works by IWW members, sock poets, pacifists, and protestors take their places next to those by Edith Wharton, Alan Seeger, Wallace Stevens, James Weldon Johnson, Amy Lowell, and Claude McKay.

WAR POET is a biography of American poet, Alan Seeger, killed at the battle of the Somme in July 1916 and author of "I Have a Rendezvous with Death," the favorite poem of President John F. Kennedy and one of the most powerful and memorable war poems of all time. When first published in the fall of 1916, Seeger became an instant hero in America and, in Europe, many compared him to the martyred British poet Rupert Brooke. His death was seen by many as "one of the most romantic incidents of the war" and declared his poetry "the authentic voice of ... war's ennobling glory." Theodore Roosevelt called Seeger a "gallant, gifted young man ... A dreamer of dreams, whose deeds made his death nobly good." Even after the Great War ended the memory of Seeger and his poem did not die, with literary allusions to his work and his "rendezvous with death" making their way into the works of such writers as F. Scott Fitzgerald and Ernest Hemingway. With a single poem, Alan Seeger entered the pantheon of history's greatest war poets. Even now, over one hundred years later, it is a work of power and magic which still resonates through generation after generation of Americans. Drawing on new and important archival material, Michael Hill, author of "Elihu Washburne: Diary and Letters of America's Minister to France During the Siege and Commune of Paris", paints a noble and poignant portrait of this little known but fascinating American poet.

HISTORICAL MYSTERIES. A man's body is hauled from the Thames dressed like a commoner but with the face of a gentleman, yet no one has come forward to claim the body. Blackstone enters the world of the aristocracy and tramps the dangerous streets of London's Little Russia- both where English law and order are not welcome.

When reporter, Shelley Jackson, discovers the body of her friend and informant in an alley, she teams up with the dead man's brother, architect, Jason Mallory, to solve the crime. But two more murders, a couple of arsons, and whispers of unsafe building practices tell them the deaths are connected to city corruption being investigated by Shelley's newspaper. Their relationship heats up to nights of hot sex, while their search for the truth has buildings crumbling around them. But the killer is watching from the shadows of respectability and planning for the couple's demise. Can they reveal the killer before they become tomorrow’s headline?

One of the most devastating periods in twentieth-century history was the rule of Pol Pot and the Khmer Rouge over Cambodia. From April 1975 to the beginning of the Vietnamese occupation in late December 1978, the country underwent perhaps the most violent and far-reaching of all modern revolutions. These six essays search for what can be explained in the ultimately inexplicable evils perpetrated by the Khmer Rouge. Accompanying them is a photo essay that provides shocking visual evidence of the tragedy of Cambodia's autogenocide. "The most important examination of the subject so far.... Without in any way denying the horror and brutality of the Khmers Rouges, the essays adopt a principle of detached analysis which makes their conclusion far more significant and convincing than the superficial images emanating from the television or cinema screen." --Ralph Smith, The Times Literary Supplement "A book that belongs on the shelf of every scholar interested in Cambodia, revolution, or communism.... Answers to questions such as `What effect did Khmer society have on the reign of the Khmer Rouge?' focus on understanding, rather than merely describing." --Randall Scott Clemons, Perspectives on Political Science