This work is the first academic biography of North Carolina poet laureate James Larkin Pearson (1879-1981). Using material from Pearson’s personal archive in Wilkes County, from the North Carolina Collection and the Southern Historical Collection at the University of North Carolina at Chapel Hill, and from contemporary examinations of his life and work, this study offers deeply personal insights into his life and provides extensive examinations of his hopes, joys, fears, pains, and sorrows. The work also includes lengthy studies of his poetry and his journalistic efforts and examines their place within the larger cultural milieu. In the process, the book addresses two themes that become apparent in Pearson’s life and work: his Tar Heel spirit and his individualism. He was a fighter who overcame poverty, a poor education, personal tragedies, and professional neglect to achieve great success. He also abided by his own set of religious, artistic, and political values regardless of the consequences. This work thus offers the first personal and professional examination of James Larkin Pearson, provides insights on North Carolina and its people, and examines the benefits and drawbacks of following one’s own path.

One of Janet Maslin’s Favorite Books of 2018, The New York Times One of John Warner’s Favorite Books of 2018, Chicago Tribune Named one of the “Best Civil War Books of 2018” by the Civil War Monitor “A fascinating and important new historical study.” —Janet Maslin, The New York Times “A stunning contribution to the historiography of Civil War memory studies.” —Civil War Times The stunning, groundbreaking account of "the ways in which our nation has tried to come to grips with its original sin" (Providence Journal) Hailed by the New York Times as a "fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most," Denmark Vesey's Garden "maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country" (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, "Kytle and Roberts's combination of encyclopedic knowledge of Charleston's history and empathy with its inhabitants' past and present struggles make them ideal guides to this troubled history" (Publishers Weekly, starred review). A work the Civil War Times called "a stunning contribution, " Denmark Vesey's Garden exposes a hidden dimension of America's deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery's enduring legacy in the United States.

This book interleaves the history of post-Independence archaeology in India with the life and times of Madhukar Narhar Deshpande (1920-2008), a leading Indian archaeologist who went on to become the director-general of the Archaeological Survey of India. Spanning nearly a century, this is a tale told through a main character—Deshpande himself—some of whose writings have been included in the volume. We explore the circumstances which brought men like Deshpande to this career path; what it was like to grow up in a family devoted to India's freedom; the watershed moment that created a large cohort that was trained by Mortimer Wheeler, the doyen of British archaeology; the unknown conservation stories around the Gol Gumbad in Bijapur and the Qutb Minar in Delhi; the forgotten story of how the fabric of a historic Hindu shrine, the Badrinath temple, was saved; the chemistry shared by the prime minister, Jawaharlal Nehru, and the archaeologist, Deshpande, at the Ajanta and Ellora cave shrines, and; the political and administrative challenges faced by director generals of archaeology. The book is a must read for anyone interested in India's past in general and the history of Indian archaeology in particular.

This companion volume to Revisiting 1759 examines how the Conquest of Canada has been remembered, commemorated, interpreted, and reinterpreted by groups in Canada, France, Great Britain, the United States, and most of all, in Quebec. It focuses particularly on how the public memory of the Conquest has been used for a variety of cultural, political, and intellectual purposes. The essays contained in this volume investigate topics such as the legacy of 1759 in twentieth-century Quebec; the memorialization of General James Wolfe in a variety of national contexts; and the re-imagination of the Plains of Abraham as a tourist destination. Combined with Revisiting 1759, this collection provides readers with the most comprehensive, wide-ranging assessment to date of the lasting effects of the Conquest of Canada.