Sara Walsh was born in 1919 in the west of Ireland, in a land of storytellers. In prose that is neither history nor memoir but something larger and brighter than both,Remembering Ahanagrancaptures her memories of her early years in Ireland, her migration to the United States, and her marriage to Harry White, the Harvard-educated son of Russian Jewish emigrants. Her son, eminent historian Richard White, in collaboration with Sara, forces history as it is traditionally written into conversation with personal recollections. Richard Whiteis Margaret Byrne Professor of American History at Stanford University. "Richard White gives us a beautifully rendered account of his mother's life, tracing her journey as a young girl from Ireland toward the new identities she forged for herself in Boston and Chicago. Subtly weaving memory and history to suggest how the two reinforce but also challenge each other,Remembering Ahanagranis a powerful meditation on the immigrant experience in America. It is an absolutely wonderful book." - William Cronon "In this brilliant book, Richard White proves that he is not only one of the finest historians in America but also one of the most eloquent and ambitious. Through a loving but clear-eyed examination of the tales his immigrant mother tells of her early life in Ireland and the United States, he has managed to uncover a host of surprising truths--about his own family, about the complex, often poignant relationship between history and memory, and about what it means to be an American." - Geoffrey C. Ward "Remembering Ahanagranis a rare and remarkable achievement: a book that carries as great a charge in emotional power as it does in intellectual energy. Sara Walsh's 'memory' and Richard White's 'history' travel through terrain from the most urgent American concerns of immigration and intermarriage to the most elemental, universal issues of love and death. This book gives its readers access to the company of two people with extraordinary gifts for life's basic enterprise: taking in experience, and making sense of it." - Patricia Nelson Limerick "With equal and equally tender respect for document, memory, and lore, Richard White recreates and joins his Irish and his Jewish ancestry. An extraordinary book." - Lore Segal

"John Walton never writes predictable books, and Monterey, California, is not a predictable place; the pairing is perfect. Although rooted in Monterey, this book explores how people in general construct historical narratives. Storied Land is as thought-provoking a discussion of public history and what it means to tell stories about the past as anything that I have read."—Richard White, author of Remembering Ahanagran: A History of Stories "With deep research, shrewd analysis, and vivid writing, John Walton reveals how we live in a web of competing stories that connect future and present to a contested past. In recovering the particular riches of Monterey's literally storied past, Walton finds universal experiences of labor, resistance, loss, and silencing. His own masterful storytelling lets us develop a fuller, more humane tie to the people of our past."—Alan Taylor, author of the Pulitzer Prize-winning William Cooper's Town: Power and Persuasion on the Frontier of the Early American Republic "In the borderlands between archived event and public memory, John Walton has found a pathway to understanding the process whereby a community remembers, forgets, denies, affirms, or otherwise structures or re-structures its understanding of itself. Excavating a region and a city important to Native American, Spanish, Mexican, and American California, A Storied Land makes a welcomed contribution to California studies and the larger history and sociology of place."—Kevin Starr, author of Inventing the Dream: California Through the Progressive Era "Once again, John Walton has turned the facts about California into a compelling narrative and a profound meditation on the nature of history and collective memory."—Howard Becker, author of Art Worlds

Remembering the Year of the French is a model of historical achievement, moving deftly between the study of historical events—the failed French invasion of the West of Ireland in 1798—and folkloric representationsof those events. Delving into the folk history found in Ireland’s rich oral traditions, Guy Beiner reveals alternate visions of the Irish past and brings into focus the vernacular histories, folk commemorative practices, and negotiations of memory that have gone largely unnoticed by historians. Beiner analyzes hundreds of hitherto unstudied historical, literary, and ethnographic sources. Though his focus is on 1798, his work is also a comprehensive study of Irish folk history and grass-roots social memory in Ireland. Investigating how communities in the West of Ireland remembered, well into the mid-twentieth century, an episode in the late eighteenth century, this is a “history from below” that gives serious attention to the perspectives of those who have been previously ignored or discounted. Beiner brilliantly captures the stories, ceremonies, and other popular traditions through which local communities narrated, remembered, and commemorated the past. Demonstrating the unique value of folklore as a historical source, Remembering the Year of the French offers a fresh perspective on collective memory and modern Irish history. Winner, Wayland Hand Competition for outstanding publication in folklore and history, American Folklore Society Finalist, award for the best book published about or growing out of public history, National Council on Public History Winner, Michaelis-Jena Ratcliff Prize for the best study of folklore or folk life in Great Britain and Ireland “An important and beautifully produced work. Guy Beiner here shows himself to be a historian of unusual talent.”—Marianne Elliott, Times Literary Supplement “Thoroughly researched and scholarly. . . . Beiner’s work is full of empathy and sympathy for the human remains, memorials, and commemorations of past lives and the multiple ways in which they actually continue to live.”—Stiofán Ó Cadhla, Journal of British Studies “A major contribution to Irish historiography.”—Maureen Murphy, Irish Literary Supplement "A remarkable piece of scholarship . . . . Accessible, full of intriguing detail, and eminently teachable.”?—Ray Casman, New Hibernia Review “The most important monograph on Irish history of the nineteenth and twentieth centuries to be published in recent years.”—Matthew Kelly, English Historical Review “A strikingly ambitious work . . . . Elegantly constructed, lucidly written and inspired, and displaying an inexhaustible capacity for research”—Ciarán Brady, History IRELAND “A closely argued, meticulously detailed and rich analysis . . . . providing such innovative treatment of a wide array of sources, his work will resonate with the concerns of many cultural and historical geographers working on social memory in quite different geographical settings and historical contexts.”—Yvonne Whelan, Journal of Historical Geography

"Pepper Paige is sick and tired of her life. Sick of fighting and emptiness that surround her as a dance-hall girl - and tired of fearing Jordan Beckett, a violent patron who has turned his attentions on her. Pepper gets her chance to escape when a woman injured in a stagecoach wreck dies in her room. Before she dies, the stranger - a refined, educated Christian - informs Pepper that she was on her way west to marry a rancher she knew only through his letters. Pepper decides to assume Suzanne's identity and get a fresh start on life. But unknown to Pepper, her fiancé is not really Zach, the Christian man who'd been corresponding with Suzanne. Zach has been killed by Indians, and a prison escapee named Tap Andrews has decided to pass himself off as the rancher. What happens when the pair meet? Will they end their charade and embrace the truth about each other's past, as well as the truth of God's love for them? Who will be left standing when Jordan tracks down Tap and finds out that he is about to marry Pepper?"--Back cover.

An acclaimed book and widely acknowledged classic, The Middle Ground steps outside the simple stories of Indian-white relations - stories of conquest and assimilation and stories of cultural persistence. It is, instead, about a search for accommodation and common meaning. It tells how Europeans and Indians met, regarding each other as alien, as other, as virtually nonhuman, and how between 1650 and 1815 they constructed a common, mutually comprehensible world in the region around the Great Lakes that the French called pays d'en haut. Here the older worlds of the Algonquians and of various Europeans overlapped, and their mixture created new systems of meaning and of exchange. Finally, the book tells of the breakdown of accommodation and common meanings and the re-creation of the Indians as alien and exotic. First published in 1991, the 20th anniversary edition includes a new preface by the author examining the impact and legacy of this study.

Faces of the Frontier showcases more than 120 photographic portraits of leaders, statesmen, soldiers, laborers, activists, criminals, and others, all posed before the cameras that made their way to nearly every mining shanty-town and frontier outpost on the prairie. Drawing primarily on the collection of the National Portrait Gallery, this book depicts many of the people who helped transform the West between the end of the Mexican War and passage of the Indian Citizenship Act.

This book analyzes five novels, all published between 1989 and 1999, in which the main characters are 'hyphenated people': Americans who are ancestrally joined to, yet realistically separated from, the Irish. Hallissy explores why these characters think of themselves as Irish, though they have know little of Ireland or its people.