REM are the most influential, prolific and vital American group of the last quarter century. From their humble post-punk beginnings in the college town of Athens, Georgia to their current standing as a global phenomenon, REM have consistently bucked audience expectations and defied music biz rules. This new edition of Tony Fletcher's acclaimed biography brings the band's story right up to date, covering the departure of drummer Bill Berry, Michael Stipe's increasing role as a spokesman for humane causes, Peter Buck's 'air-rage' trial and the group's music right up to their 2001 Reveal album.

R.E.M., the most acclaimed American group of their generation, disbanded in September 2011 with their idealism and dignity intact. In this, the final edition of his best-selling R.E.M. biography, Tony Fletcher brings their story to a conclusion and explains what led this unique group to draw a curtain on their career. This Omnibus Enhanced digital edition of Perfect Circle includes a bonus multimedia discography charting every album and single of R.E.M’s career, presented in chronological order through audio, video and imagery. Drawing on interviews with band members, friends, associates and business partners, the book follows R.E.M.’s upward trajectory from the seminal debut Murmur in 1983 to the 1990s when their albums Out Of Time, Automatic For The People and Monster sold tens of millions, making them one of the world’s biggest groups, to their final years together. Granted access to the group throughout their career, Tony Fletcher delves beyond R.E.M.s renowned humility and social awareness, discussing fame, fortune and sexuality with the same keen eye he casts on the group’s astonishing career and musical catalogue. The result is neither blind fan worship nor jaundiced critical cynicism, but a balanced and thorough telling of one of the most compelling rock stories of our time.

The definitive book about The Smiths, one of the most beloved, respected, and storied indie rock bands in music history. They were, their fans believe, the best band in the world. Hailing from Manchester, England, The Smiths--Morrissey, Johnny Marr, Andy Rourke, and Mike Joyce--were critical and popular favorites throughout their mid-1980s heyday and beyond. To this day, due to their unforgettable songs and lyrics, they are considered one of the greatest British rock groups of all time--up there with the Beatles, the Stones, the Who, and the Clash. Tony Fletcher paints a vivid portrait of the fascinating personalities within the group: Morrissey, the witty, literate lead singer whose loner personality and complex lyrics made him an icon for teenagers who felt forlorn and forgotten; his songwriting partner Marr, the gregarious guitarist who became a rock god for a generation of indie kids; and the talented, good-looking rhythm section duo of bassist Rourke and drummer Joyce. Despite the band's tragic breakup at the height of their success, A Light That Never Goes Out is a celebration: the saga of four working-class kids from a northern English city who come together despite contrasting personalities, find a musical bond, inspire a fanatical following, and leave a legacy that changed the music world--and the lives of their fans.

The updated edition brings the band's story right up to date, covering the departure of drummer Bill Berry, and the group's music right up to their Reveal album. Includes a comprehensive discography.

In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as "alternative," including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.

From The Joshua Tree to Blood Sugar Sex Magik, from Automatic for the People to OK Computer, they produced some of the most memorable rock albums of the post-punk era. Beyond the music, though, the members of U2, R.E.M., Radiohead and the Red Hot Chili Peppers share several common bonds. Having emerged from punk's do-it-yourself ethos, they embody collective creativity over individual artistry. With the exception of the Chili Peppers' revolving-door guitarists, each band's lineup has remained stable while the groups outlasted most of their contemporaries. The twin factors of group-inspired music and long-term collaboration make these four bands important case studies in modern rock and roll. With a focus on creative dynamics, author Mirit Eliraz studies four of the most popular, critically acclaimed, and prolific rock bands of the last quarter century. Introductory chapters offer band bios; reasons for formation; and each group's friends, collaborators and business partners. Middle chapters discuss the governing structures and general relations within the bands; obstacles to unity and survival; how diverse elements are merged into a productive whole; role divisions; the collaborative process; and life on the road. Concluding chapters cover external influences on band dynamics; the evolution of each band's communal life; and challenges to the band paradigm.

Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording