Between the slum clearances of the early twentieth century and debates about the post-Olympic city, the drive to 'regenerate' London has intensified. Yet today, with a focus on increasing land values, regeneration schemes purporting to foster diverse and creative new neighbourhoods typically displace precisely the qualities, activities and communities they claim to support. In Remaking London Ben Campkin provides a lucid and stimulating historical account of urban regeneration, exploring how decline and renewal have been imagined and realised at different scales. Focussing on present-day regeneration areas that have been key to the capital's modern identity, Campkin explores how these places have been stigmatised through identification with material degradation, and spatial and social disorder. Drawing on diverse sources - including journalism, photography, cinema, theatre, architectural design, advertising and television - he illuminates how ideas of decline drive urban change. Richly illustrated and engagingly written, Remaking London is both a compelling account of contested sites from the capital's recent history and a powerful critique of the contradictions of contemporary regeneration.

Drawing upon historical, cultural, economic and socio-demographic perspectives, this book examines the role of a sporting mega-event in promoting urban regeneration and social renewal. Comparing cities that have or will be hosting the event, it explores the political economy of the games and the changing role of the state in creating post-industrial metropolitan spaces. It evaluates the changing perceptions of the Olympic Games and the role of sport in the global media age in general and assesses the implication of 'mega-event' regeneration policies for local communities and their cultural, social and economic identities, with specific reference to east London and the Thames Gateway.

Symbolizing both commerce and culture, London has always been a magnet for the ambitions of the middle classes. However, the past three decades have witnessed a dramatic fragmentation in inner-city Londons social map. New and highly distinctive middle-class neighbourhoods have sprung up where embattled workers seek to combat the deleterious effects of long working hours, travel, and stress on traditional family values. This book is the first to explore the powerful impact of globalization on Londons economy and those who are caught up in it. More and more people are responding to the negative effects of working life as well as the lack of structure in their lives and particularly those of their children. The gentrification of certain areas and the differences among them directly reflects this desire to impose cultural values and structure on urban surroundings. How do these areas reflect middle-class values, ideologies, lifestyles, social backgrounds and occupational choices, and how have old neighbourhoods been refashioned and made amenable to middle-class life? In what ways has family life been affected by this new emphasis on values, structure and security, and what does the future hold? This fascinating book provides the first sustained analysis of the profound effects of globalization on city dwellers. Its original account of the relationship between urban space and cultural reproduction will inspire new research for years to come.

From the inception of cinema to today’s franchise era, remaking has always been a motor of ongoing film production. Hollywood Remaking challenges the categorical dismissal in film criticism of remakes, sequels, and franchises by probing what these formats really do when they revisit familiar stories. Kathleen Loock argues that movies from Hollywood’s large-scale system of remaking use serial repetition and variation to constantly negotiate past and present, explore stability and change, and actively shape how the film industry, cinema, and audiences imagine themselves. Far from a simple profit-making exercise, remaking is an inherently dynamic practice situated between the film industry’s economic logic and the cultural imagination. Although remaking developed as a business practice in the United States, this book shows that it also shapes cinematic aesthetics and cultural debates, fosters film-historical knowledge, and promotes feelings of generational belonging among audiences.

Breaking the country-specific boundaries of traditional housing policy books, Remaking Housing Policy is the first introductory housing policy textbook designed to be used by students all around the world. Starting from first principles, readers are guided through the objectives behind government housing policy interventions, the tools and mechanisms deployed and the outcomes of the policy decisions. A range of international case studies from Europe, Asia, Africa and the Americas illustrate the book’s general principles and demonstrate how different regimes influence policy. The rise of the neo-classical discourse of market primacy in housing has left many countries with an inappropriate mix of state and market processes with major interventions that do not achieve what they were intended to do. Remaking Housing Policy goes back to basics to show what works and what doesn’t and how policy can be improved for the future. Remaking Housing Policy provides readers with a comprehensive introduction to the objectives and mechanisms of social housing. This innovative international textbook will be suitable for academics, housing students and those on related courses across geography, planning, property and urban studies.

In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.