Surnaming: veiled patriarchy -- Floating grandparents: intergenerational exchange -- Intimacy and a third element -- Divorce: broken and unbroken bonds -- Flowering at sunset: remarriage and co-habitation among the elderly.

From civil war to Japanese occupation and communist revolution to market transition, China has undergone and continues to experience enormous economic, political, and social change. In Remaking Families in Contemporary China, Xiaoying Qi explores a number of emerging family practices in China today that result from these ongoing changes. Drawing upon 178 in-depth interviews with young adults, married adults, and grandparents throughout China, she finds that ordinary people are transforming their patterns of behavior and expectations in dealing with a changing world, and in so doing, remaking their families. Filling a gap in the current research, Qi investigates novel aspects of family life, such as the practice of providing a child with its mother's surname rather than its father's in an intriguing exercise of veiled patriarchy. She also identifies a new category of floating grandparents, which consists of rural and small-town grandparents who join their adult children in the massive labor migration that characterizes the modern Chinese workforce in order to provide childcare. In addition, Qi examines other often overlooked topics, including spousal intimacy, divorce, and remarriage and co-habitation in later life. Offering new insights and theoretical developments, Remaking Families in Contemporary China highlights why family-related themes are important to understanding the nature of Chinese society, the forces that underpin social relationships more broadly, and the basis and nature of social change around the world.

In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.

Explores China's new entrepreneurs, uncovering secrets of their business, and the relationships underlying China's economic transformation.

Examines the intersection of politics and intergenerational family relations in China from the Qing period to 1949.

Chinese Families Upside Down offers the first systematic account of how intergenerational dependence is redefining the Chinese family and goes beyond the conventional model of filial piety to explore the rich, nuanced, and often unexpected new intergenerational dynamics.

Women make up the vast majority of Protestant Christians in China—a largely faceless majority, as their stories too often go untold in scholarly research as well as popular media. This book writes Protestant Chinese women into the history of twenty-first-century China. It features the oral histories of over a dozen women, highlighting themes of spiritual transformation, politicized culture, social mobility, urbanization, and family life. Each subject narrates not only her own story, but that of her mother, as well, revealing a deeply personal dimension to the dramatic social change that has occurred in a matter of decades. By uncovering the stories of Christian women in China, Li Ma offers a unique window onto the interactions between femininity and Christianity, and onto the socioeconomic upheavals that mark recent Chinese history.