Provides a comprehensive inventory of all English translations of the 'Consolatio' of Boethius and supplies basic information on the salient features that interested readers will need in initial phases of research on the large and complex English translation tradition.00This volume is a reference work, organized chronologically in its sections, with a separate entry for each translator?s work. The sections are defined by the type of translations they comprise, whether complete, partial, meters only, etc. The plan of the book is encyclopedic in nature: some biographical material is provided for each translator; the translations are described briefly, as are their linguistic peculiarities, their implied audiences, their links with other translations, and their general reception. Sample passages from the translations are provided, and where possible these are two of the most well-known moments in the 'Consolatio': the appearance of Lady Philosophy, narrated by the Prisoner, and the cosmological hymn to the 'Deus' of the work, sung by Lady Philosophy.

Provides a comprehensive inventory of all English translations of the 'Consolatio' of Boethius and supplies basic information on the salient features that interested readers will need in initial phases of research on the large and complex English translation tradition. This volume is a reference work, organized chronologically in its sections, with a separate entry for each translator's work. The sections are defined by the type of translations they comprise, whether complete, partial, meters only, etc. The plan of the book is encyclopedic in nature: some biographical material is provided for each translator; the translations are described briefly, as are their linguistic peculiarities, their implied audiences, their links with other translations, and their general reception. Sample passages from the translations are provided, and where possible these are two of the most well-known moments in the 'Consolatio': the appearance of Lady Philosophy, narrated by the Prisoner, and the cosmological hymn to the 'Deus' of the work, sung by Lady Philosophy.

The first collection of philosophical essays devoted exclusively to Boethius's Consolation of Philosophy by scholars of late antiquity and medieval philosophy.

Serendipitously, at around the same time as Boccaccio published his famous Decameron (1350), the Swiss-German Dominican Ulrich Bonerius published his highly popular collection of fables, The Gemstone. Both authors pursued very similar goals, instructing their audiences about vices and virtues, Boccaccio by telling entertaining, often erotic tales, Bonerius by relating didactic tales, mostly based on animals as the active characters. This book provides the first English translation of all one hundred fables authored by Bonerius. Bonerius drew mostly from the classical Aesopian tradition, and his Gemstone in turn became the crucial source for vast fable collections in the late Middle Ages, and again in the eighteenth and nineteenth centuries. In fact, the famous Grimm brothers included some of his narratives in their fairy tale collection of The Gemstone 1812. Not only was Bonerius an excellent poet, he also understood the depth of human nature exceedingly well, warning about many of people’s shortcomings and failures.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy. Volume 47 showcases a variety of transnational and translingual perspectives, analyzing the works of humanist authors from across Europe, and how language can affect the interpretation of the literature. It expands beyond the Eurocentric appraisal of medieval works and takes into consideration a broader response.

Contrary to common assumptions, medieval and early modern writers and poets often addressed the high value of freedom, whether we think of such fable authors as Marie de France or Ulrich Bonerius. Similarly, medieval history knows of numerous struggles by various peoples to maintain their own freedom or political independence. Nevertheless, as this study illustrates, throughout the pre-modern period, the loss of freedom could happen quite easily, affecting high and low (including kings and princes) and there are many literary texts and historical documents that address the problems of imprisonment and even enslavement (Georgius of Hungary, Johann Schiltberger, Hans Ulrich Krafft, etc.). Simultaneously, philosophers and theologians discussed intensively the fundamental question regarding free will (e.g., Augustine) and political freedom (e.g., John of Salisbury). Moreover, quite a large number of major pre-modern poets spent a long time in prison where they composed some of their major works (Boethius, Marco Polo, Charles d'Orléans, Thomas Malory, etc.). This book brings to light a vast range of relevant sources that confirm the existence of this fundamental and impactful discourse on freedom, imprisonment, and enslavement.

This collection makes a new, profound and far-reaching intervention into the rich yet little-explored terrain between Latin scholastic theory and vernacular literature. Written by a multidisciplinary team of leading international authors, the chapters honour and advance Alastair Minnis's field-defining scholarship. A wealth of expert essays refract the nuances of theory through the medium of authoritative Latin and vernacular medieval texts, providing fresh interpretative treatment to known canonical works while also bringing unknown materials to light.