This Monograph Surveys Religion At Vijayanagara, Primarily From The Data Available From Its Monuments.The Fifteenth Century Saw The Royal Sponsorship Of The Cults Of Rama And Vithala; The Latter Grew From Strength To Strength, Until In The Last Quarter Century Before The City`S Destruction The Vithala Complex Became The Foremost Religious Centre In The City. The Sixteenth Century Witnessed The Promotion Of The Vaishnava Cults Of Tiruvengalanatha, Ranganatha And Krishna As Well As Intense Temple-Building Activity. Alongside The Different Sanskritic Cults, There Was Also The Worship Of Minor And Folk Deities. Apart From Hindu Sects, Jainism And Islam Were Also Extant At Vijayanagara. Pluralism Characterised The Religious Life And Activities At Vijayanagara, Yet An Undercurrent Of Sectarian Tension Is Also Evident.

An extensive study of self-sacrificial images in Indian art, this book examines concepts such as head-offering, human sacrifice, blood, suicide, valour, self-immolation, and self-giving in the context of religion and politics to explore why these images were produced and how they became paradigms of heroism.

Religious authority and political power have existed in complex relationships throughout India’s history. The centuries of the ‘early modern’ in South Asia saw particularly dynamic developments in this relationship. Regional as well as imperial states of the period expanded their religious patronage, while new sectarian centres of doctrinal and spiritual authority emerged beyond the confines of the state. Royal and merchant patronage stimulated the growth of new classes of mobile intellectuals deeply committed to the reappraisal of many aspects of religious law and doctrine. Supra-regional institutions and networks of many other kinds - sect-based religious maths, pilgrimage centres and their guardians, sants and sufi orders - flourished, offering greater mobility to wider communities of the pious. This was also a period of growing vigour in the development of vernacular religious literatures of different kinds, and often of new genres blending elements of older devotional, juridical and historical literatures. Oral and manuscript literatures too gained more rapid circulation, although the meaning and canonical status of texts frequently changed as they circulated more widely and reached larger lay audiences. Through explorations of these developments, the essays in this collection make a distinctive contribution to a critical formative period in the making of India’s modern religious cultures. This book was published as a special issue of South Asian History and Culture.

The Vijayanagar Empire, which was headquartered in present-day Hampi, Karnataka, is acclaimed in pre-modern history as the most powerful kingdom to arrest the onslaught of Moghul invaders in the South for nearly two centuries. Its rulers were known for their valour in taking on the Sultans from the North. Further, the rulers of Vijayanagara were great patrons of Hindu culture and civilization and were known for their military and administrative acumen. They patronized fine arts, music, dance and temple architecture. Despite their glory, there are conflicting records of the empire’s history, right from the inception of the empire to its collapse. There are some apologists who even contest the fact that Sage Vidyaranya founded the empire to defend Hinduism and its values. Others, foreign tourists who visited the empire, were not wholly appreciative of the rulers and exaggerated their weaknesses if any. Influenced by their religious allegiances, these visitors were often biased and tended to base their narratives on hearsay. Modern historians too have descredited the empire so as to nullify the role of religious bigotry. They came up with theories that do not truly represent the true spirit and culture of this great empire. Which narrative is the most accurate and who has curated the history of the Vijayanagar Empire in the most succinct way? This book only tries to analyse various theories about the Empire and tries to give a perspective on such controversies.

This handbook is a comprehensive study of the archaeology, social history and the cultural landscape of the Hindu temple. Perhaps the most recognizable of the material forms of Hinduism, temples are lived, dynamic spaces. They are significant sites for the creation of cultural heritage, both in the past and in the present. Drawing on historiographical surveys and in-depth case studies, the volume centres the material form of the Hindu temple as an entry point to study its many adaptations and transformations from the early centuries CE to the 20th century. It highlights the vibrancy and dynamism of the shrine in different locales and studies the active participation of the community for its establishment, maintenance and survival. The illustrated handbook takes a unique approach by focusing on the social base of the temple rather than its aesthetics or chronological linear development. It fills a significant gap in the study of Hinduism and will be an indispensable resource for scholars of archaeology, Hinduism, Indian history, religious studies, museum studies, South Asian history and Southeast Asian history. Chapters 1, 4 and 5 of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. They have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

George Michell provides a pioneering and richly illustrated introduction to the architecture, sculpture and painting of Southern India under the Vijayanagara empire and the states that succeeded it. This period, encompassing some four hundred years, from the fourteenth to the eighteenth century, was endowed with an abundance of religious and royal monuments which remain as testimonies to the history and ideology behind their evolution. The author evaluates the legacy of this artistic heritage, describing and illustrating buildings, sculptures and paintings that have never been published before. In a previously neglected area of art history, the author presents an original and much-needed reassessment.

The present book is on Saivism under the Imperial Colas as revealed through their Monuments. The author undertook extensive fieldwork in the entire stretch of the Kaviri delta with her guide. The book is in seven chapters, dealing with the following aspects: Historical Setting of the Colas, beginning with Vijayalaya to Rajaraja III; A Bird’s eye view of the Cola Temples based on the survey made of S.R. Balasubrahmaninan; Iconographic Programme in Cola Temples as under the Early, Middle and Later Colas, pointing out the stages of evolution; The Saivite pantheon as reflected in the Cola monuments, reflecting on the status of Saivism under the Colas. It presents a statistical account of the status of the various iconographical forms of the Hindu gods and goddesses which is most vital part of the book; Ritual orientation of the Siva temples; An examination of Saivism in retrospection; Saivism and its factions such as the Kalamukhas and Kapalikas.