Religious Tradition and Culture in Eighteenth Century Northern India contends that the 'decline' in the political scenario of eighteenth century India did not imply an all-round decay and stagnation of society, especially in its religious and cultural realms. The emergence of regional forces, following the disintegration of the Mughal empire, greatly aided the promotion of regional centres which provided the grounds for a religious and cultural efflorescence. Shifting the focus away from the oft-examined political and economic aspects of the eighteenth century transition, the book studies a wide array of primary sources in Persian and in Urdu, to instead bring the study of intellectual and cultural trends to the centre-stage of historiography. It has brought into prominence the vibrant religious-intellectual outpouring, the Shia-Sunni polemics, educational innovations, growth and spread of Urdu and its entanglement with regional sensibilities and regional networks of patronage.

Early modern India—a period extending from the fifteenth to the late eighteenth century—saw dramatic cultural, religious, and political changes as it went from Sultanate to Mughal to early colonial rule. Witness to the rise of multiple literary and devotional traditions, this period was characterized by immense political energy and cultural vibrancy. Text and Tradition in Early Modern North India brings together recent scholarship on the languages, literatures, and religious traditions of northern India. It focuses on the rise of vernacular languages as vehicles for literary expression and historical and religious self-assertion, and particularly attends to ways in which these regional spoken languages connect with each other and their cosmopolitan counterparts. Hindu, Muslim, and Jain idioms emerge in new ways, and the effect of the volume as a whole is to show that they belong to a single complex cultural conversation.

This book explores the contribution of Gauḍīya Vaiṣṇava theology to polity and public engagement during the reign of Jaisingh II in the early eighteenth century in North India. The book analyses specialised treatises produced by the Gauḍīya Vaiṣṇavas which provide theological foundations to endorse and encourage responsible public conduct. Using a two-fold approach, the book offers a close reading and examination of Sanskrit primary sources combined with an exploration of the key themes in these works in light of the wider political context. These works were born in a precise historical context; thus, to fully appreciate these works, this book adopts an approach that smudges the boundaries between history, religion and politics. It provides a historical account of the rise of the Kachvāhā clan to become the chief partners of the Mughal regime, exploring the effects, reign and governance of the celebrated Kachvāhā King Jaisingh II and examines the Gauḍīya Vaiṣṇava community’s trials and tribulations as they entered an intensely political world. A detailed analysis of a fascinating period within Gauḍīa Vaiṣṇva history, this book will be of interest to scholars in the fields of South Asian Studies, Indology, Religious Studies, South Asian History and Hindu Studies.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Locating Pleasure in Indian History is one of the first works on the subject of the 'discourse of pleasure' in Indian history and culture. A rigorous, source-based work, it examines the cultural practices and the underlying philosophic matrix of pleasures, big or small. It recovers the production and consumption of beauty, desire and gratification in the world of pleasure, pleasurable pursuits and pleasant experiences of viewing, performing, thinking, debating, cooking, eating, listening, writing, creating and procreating. The contributions retrieve the discourse of pleasure in visual and literary cultures-in elite and popular spheres, including the public and private domains of the bazaar, the temple, the household, the court and the garden. Further, it is examined in the urbane art of Mathura, Ravana's palace in the art of 7th CE western Deccan, the suratkhana of Rajput royalty or domestic pleasures of women in the labyrinths of the Puranas. With over 40 photographs, it historicises ideological and experiential conundrums thrown up by the idea of pursuing alimentary, carnal and even pious desires in visual and literary cultures. The reflexivity inherent in the work of artists, poets, dramatists and even shastrins is brought out through moments of pleasure and counter-pleasure as revealed through anecdotes, narratives, artefacts and objects of aesthetic gratification.

Looking at the political processes in early modern South Asia as shaped by state formation from below, this work argues that, outside the imperial and trans-regional contexts, the Mughal state subsisted on the mutually-empowering relations with the elites and common people.