This book explores cathedrals, past and present, as spaces for religious but also wider cultural practices. Contributors from history, anthropology, sociology, and religious studies trace major continuities and shifts in the location of cathedrals within religious, civic, urban, and economic landscapes of pre- and post-Reformation Christianity. While much of the focus is on England, other European and global contexts are referenced as authors explore ways in which cathedrals have been, and remain, distinctive spaces of adjacent ritual, political and social activity, capable of taking on lives of their own as sites of worship, pilgrimage, and governance. A major theme of the book is that of replication, pointing to the ways in which cathedrals echo each other materially and ritually in processes of mutual borrowing and competition, while a cathedral can also provide a reference point for smaller constituencies of religious practice such as a diocese or parish. As this volume demonstrates, the contemporary resurgence of interest in pilgrimage, the impact of ‘Caminoisation’, and the (re)presentation of cathedrals as cultural heritage further add to the attractions, popularity, and complexities of cathedrals in the 21st century. The chapters in this book were originally published as a special issue of the journal, Religion.

Between 1650 and 1750, four Catholic churches were the best solar observatories in the world. Built to fix an unquestionable date for Easter, they also housed instruments that threw light on the disputed geometry of the solar system, and so, within sight of the altar, subverted Church doctrine about the order of the universe. A tale of politically canny astronomers and cardinals with a taste for mathematics, "The Sun in the Church" tells how these observatories came to be, how they worked, and what they accomplished. It describes Galileo's political overreaching, his subsequent trial for heresy, and his slow and steady rehabilitation in the eyes of the Catholic Church. And it offers an enlightening perspective on astronomy, Church history, and religious architecture, as well as an analysis of measurements testing the limits of attainable accuracy, undertaken with rudimentary means and extraordinary zeal. Above all, the book illuminates the niches protected and financed by the Catholic Church in which science and mathematics thrived. Superbly written, "The Sun in the Church" provides a magnificent corrective to long-standing oversimplified accounts of the hostility between science and religion.

"A brilliant breakthrough in pilgrimage studies. An exemplary study that shows how to bring together different academic and institutional interests in a common cause – understanding the relationship between pilgrimage and English cathedrals over time. A publication that will, hopefully, inspire similar collaborative studies around the globe." - John Eade, Professor of Sociology and Anthropology, University of Roehampton, UK "People who oversee, minister, lead worship, guide, welcome, manage, market, promote and maintain cathedrals will find this book an indispensable treasure. It is aware of the awesome complexity inherent in cathedral life but it doesn’t duck the issues: its clear-eyed focus is on the way people experience cathedrals and how these extraordinary holy places can speak and connect with all the diversity represented by the people who come to them. In a spiritually-hungry age, this book shows us how to recognise and meet that hunger. This book will be required reading for all us “insiders” trying to invite and signpost access to holy ground." - The Very Reverend Adrian Dorber, Dean of Lichfield, Chair of the Association of English Cathedrals This book looks at England's cathedrals and their relationship with pilgrimage throughout history and in the present day. The volume brings together historians, social scientists, and cathedral practitioners to provide groundbreaking work, comprising a historical overview of the topic, thematic studies, and individual views from prominent clergy discussing how they see pilgrimage as part of the contemporary cathedral experience.

In the past decade, cathedrals have blossomed as signs of growth for the Anglican Church in England and Wales. They have opened their doors to growing congregations, to widening participation at the major Christian festivals, and to visitors, pilgrims, and tourists on a changing quest for religious experience and for spiritual fulfilment. In this thought-provoking volume Leslie J. Francis' research group presents ten focused empirical studies that illuminate what is really going on in these cathedrals.

Who is depicted in that stained glass window? What is the significance of those geometric figures? Why are there fierce-looking beasts carved amidst all that beauty? Is there a deeper purpose behind the play of light and space in the nave? Why is there a pelican on the lectern and ornate foliage on the pillars? The largely illiterate medieval audience could read the symbols of churches and cathedrals and recognise the meanings and stories deliberately encoded into them. For worshippers these were places of religious education and an awe-inspiring feast that satisfied both the senses and the soul. Today, in an age less attuned to iconography, such places of worship are often seen merely as magnificent works of architecture. This book restores the lost spiritual meaning of these fine and fascinating buildings. The Secret Language of Churches & Cathedrals provides a three-part illustrated key by which modern visitors can understand the layout, fabric and decorative symbolism of Christian sacred structures - thereby bringing back to life their original atmosphere of awe and sanctity. Part One is an analysis of structural features, outside and in, from spires and domes to clerestories and brasses. Part Two is a theme-by-theme guide, which identifies significant figures, scenes, stories, animals, flowers, and the use of numbers, letters and patterns in paintings, carvings and sculpture. Part Three is a historical decoder, revealing the evolution of styles - from basilicas through Byzantine, Romanesque, Gothic and beyond. For all those who seek to know more about Christian art and architecture, this richly illustrated book will instruct and delight in equal measure.

Millions of tourists visit cathedrals every year, but most do not recognize the figures before them. Medieval cathedrals portray stories of the Bible through art. They were built for an illiterate community. Biblical figures and Christian martyrs each hold or wear something that identifies them to the faithful. Horns of light rest on Moses' head, David grips the decapitated head of Goliath, keys rest in the hands of Peter, and scalloped shells cover the garments of James the Greater. The purpose of this book is to guide visitors, enabling them to recognize Christian figures and understand the language portrayed in the gothic art that adorns medieval cathedrals.