"A supernatural mystery—part Stranger Things, part Enola Homes, but very much itself... This book is way, way over the top—and is sure to delight its intended audience." -- firstCLUE Stranger Things meets the Golden Age of Detective fiction in a rollicking supernatural detective thriller that introduces Artie Quick, a sales assistant at Filene’s in Boston, who moonlights as an amateur detective. The year is 1909, and Artie Quick—an ambitious, unorthodox and inquisitive young Bostonian—wants to learn about crime. By day she holds down a job as a salesgirl in women’s accessories at Filene’s; by night she disguises herself as a man to pursue studies in Criminal Investigation at the YMCA's Evening Institute for Younger Men. Eager to put theory into practice, Artie sets out in search of something to investigate. She's joined by her pal Theodore, an upper-crust young bachelor whose interest in Boston's occult counterculture has drawn him into the study of magic. Together, their journey into mystery begins on Boston Common—where the tramps and the groundskeepers swap rumors about unearthly screams and other unsettling anomalies—but soon Artie and Theodore uncover a series of violent abductions that take them on an adventure from the highest corridors of power to the depths of an abandoned mass transit tunnel, its excavation suspiciously never completed. Will Theodore ever manage to pull off a successful spell? Is Artie really wearing that men's suit just for disguise or is there something more to it? And what chance do two mixed-up young people stand up against the greatest horror Boston has ever known, an ancient, deranged evil that feeds on society's most vulnerable?

"A supernatural mystery—part Stranger Things, part Enola Homes, but very much itself... This book is way, way over the top—and is sure to delight its intended audience." -- firstCLUE Stranger Things meets the Golden Age of Detective fiction in a rollicking supernatural detective thriller that introduces Artie Quick, a sales assistant at Filene’s in Boston, who moonlights as an amateur detective. The year is 1909, and Artie Quick—an ambitious, unorthodox and inquisitive young Bostonian—wants to learn about crime. By day she holds down a job as a salesgirl in women’s accessories at Filene’s; by night she disguises herself as a man to pursue studies in Criminal Investigation at the YMCA's Evening Institute for Younger Men. Eager to put theory into practice, Artie sets out in search of something to investigate. She's joined by her pal Theodore, an upper-crust young bachelor whose interest in Boston's occult counterculture has drawn him into the study of magic. Together, their journey into mystery begins on Boston Common—where the tramps and the groundskeepers swap rumors about unearthly screams and other unsettling anomalies—but soon Artie and Theodore uncover a series of violent abductions that take them on an adventure from the highest corridors of power to the depths of an abandoned mass transit tunnel, its excavation suspiciously never completed. Will Theodore ever manage to pull off a successful spell? Is Artie really wearing that men's suit just for disguise or is there something more to it? And what chance do two mixed-up young people stand up against the greatest horror Boston has ever known, an ancient, deranged evil that feeds on society's most vulnerable?

A series of essays about the meaning and career of photographs.

Australia's film industry was amongst the earliest and most innovative in the world -- and women contributed substantially to this. Over forty contributors have made this book a fascinating and definitive record of independent women's filmmaking in Australia. The book contains essays and statements by film theorists and film makers.

In Developing Mission, Joseph W. Ho offers a transnational cultural history of US and Chinese communities framed by missionary lenses through time and space—tracing the lives and afterlives of images, cameras, and visual imaginations from before the Second Sino-Japanese War through the first years of the People's Republic of China. When American Protestant and Catholic missionaries entered interwar China, they did so with cameras in hand. Missions principally aimed at the conversion of souls and the modernization of East Asia, became, by virtue of the still and moving images recorded, quasi-anthropological ventures that shaped popular understandings of and formal foreign policy toward China. Portable photographic technologies changed the very nature of missionary experience, while images that missionaries circulated between China and the United States affected cross-cultural encounters in times of peace and war. Ho illuminates the centrality of visual practices in the American missionary enterprise in modern China, even as intersecting modernities and changing Sino-US relations radically transformed lives behind and in front of those lenses. In doing so, Developing Mission reconstructs the almost-lost histories of transnational image makers, subjects, and viewers across twentieth-century China and the United States.

This edited collection brings together an introduction and 13 original scholarly essays on AMC's The Walking Dead. The essays in the first section address the pervasive bloodletting of the series: What are the consequences of the series' unremitting violence? Essays explore violence committed in self-defense, racist violence, mass lawlessness, the violence of law enforcement, the violence of mourning, and the violence of history. The essays in the second section explore an equally urgent question: What does it mean to be human? Several argue that notions of the human must acknowledge the centrality of the body--the fact that we share a "blind corporeality" with the zombie. Others address how the human is closely aligned with language and time, the disappearance of which are represented by the aphasic, timeless zombie. Underlying each essay are the game-changing words of The Walking Dead's protagonist Rick Grimes to the other survivors: "We're all infected." The violence of the zombie is also our violence; their blind drives are also ours. The human characters of The Walking Dead may try to define themselves against the zombies but in the end their bodies harbor the zombie virus: they are the walking dead. Instructors considering this book for use in a course may request an examination copy here.

A New York Times Notable Book A Miami Herald Best Book of the Year In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis. BONUS MATERIAL: This edition includes an excerpt from Edwidge Danticat's Claire of the Sea Light.