Las aproximaciones iniciales al estudio de los procesos cognitivos han postulado una fuerte relación entre el lenguaje y la construcción conceptual. Desde algunas perspectivas, el lenguaje es considerado una herramienta a través de la cual las estructuras cognitivas se complejizan y a su vez, como un reflejo de procesos cognitivos vinculados a aspectos sociales del individuo. Actualmente, diversas perspectivas sostienen que el lenguaje moldea los procesos de pensamiento y aportan evidencia empírica en diversas áreas que demuestran una estrecha relación entre la cognición y el lenguaje. Este estudio exploró la existencia de una relación entre la forma del lenguaje y un proceso de conceptualización de la realidad de carácter social, conocido como intersubjetividad en textos narrativos. Se examinó la posible medición de contenidos léxico-gramaticales y de niveles de intersubjetividad en textos de tipo narrativo. Se recolectaron 36 narrativas de niños entre 10 y 11 años de la ciudad de Bogotá. Se calcularon índices de madurez sintáctica como medida de la complejidad gramatical, medidas de complejidad léxica y de intersubjetividad en los textos. Los resultados mostraron una tendencia de asociación entre niveles altos de intersubjetividad y alta complejidad léxico gramatical que, en algunos casos, es estadísticamente significativa. Específicamente, se encontraron indicios para suponer la existencia de una relación entre la frecuencia de incrustación clausal y componentes particulares de intersubjetividad, que podría estar explicada por un mecanismo común de recursión.

A consideration of several regional scenarios based on actual, prolonged, outlying climatic events that have occurred recently in North America. No index. The companion volume to On Meaning (Minnesota, 1987), which focused on semiotic theory. These previously published (in French) texts provide a theoretical and methodological framework for studying discourses in the social sciences. Greimas is professor of general semantics at the Ecole des Hautes Etudes in Sciences Sociales in Paris. Annotation copyrighted by Book News, Inc., Portland, OR

In one of the first attempts to bring an integral dimension to sociology, Ken Wilber introduces a system of reliable methods by which to make testable judgments of the authenticity of any religious movement. A Sociable God is a concise work based on Wilber's "spectrum of consciousness" theory, which views individual and cultural development as an evolutionary continuum. Here he focuses primarily on worldviews (archaic, magic, mythic, mental, psychic, subtle, causal, nondual) and evaluates various cultural and religious movements on a scale ranging from egocentric to ethnocentric to worldcentric to Kosmic. By using this integral view, Wilber hopes, society would be able to discriminate between dangerous cults and authentic spiritual paths. In addition, he points out why these distinctions are crucial in understanding spiritual experiences and altered states of consciousness. In a lengthy new introduction, the author brings the reader up to date on his latest integral thinking and concludes that, for the succinct and elegant way it argues for a sociology of depth, A Sociable God remains a clarion call for a greater sociology.

From the acclaimed author of "The Dark Bride" comes a new novella published in a bilingual English/Spanish edition.

Poetry. Latinx Studies. Translated by Laura Cesarco Eglin. If life is no more than a prolonged flirtation with death, then Hilda Hilst's OF DEATH. MINIMAL ODES is the true account of a lifelong seduction. It is at once both a reverie and reliquary, as the poet imagines and reimagines that most paradoxical moment of disintegration--the corporeal flesh fusing with death's own dark corpus. With a visceral-mystical poetic voice that is as teasingly unrestrained as it is intellectually sublime, Hilst's odes enact a baroque danse macabre, where the poet revels in the incongruities of simultaneously seeking the sacred and profane. Translating the first collection of Hilda Hilst's significant body of poetry to appear in English, Laura Cescarco Eglin renders the imagery and philosophical complexity of these minimal odes with brio, while preserving the playful tone and lush melodies that mark OF DEATH. MINIMAL ODES as uniquely Hilstian. "The spare but ornate poems in this collection are startling the way a menagerie of creatures can be startling when the creatures themselves are composed of animal bits: claw, fur, 'brain and hooves / in the pitch dark.' Each minimal ode addresses death who becomes at times a lover, a sister, a slow-moving and wild mammal ever arriving. Hilst builds 'passageways' for death with each line--corridors which are 'Intricate. In knots.' The reader cannot help but join the poet in calling out the various names for death: 'Amber / Bundle of flutes / Gutter / Light.' And these are rendered stunningly in English by Laura Cesarco Eglin, who carries over every verse with clarity and care as though she were holding up pieces of glass to sunlight."--Carolina Ebeid "Before gaining notoriety for her highly original, experimental, and provocative works of fiction, Hilda Hilst engraved her name in Brazilian literary circles as a poet. OF DEATH. MINIMAL ODES, newly and assuredly translated by Laura Cesarco Eglin, shows Hilst the poet at her distilled best. As much a multimedia conversation with poetry as with life, death, and herself, Hilst poses essential questions whose answers lie at the core of these poems."--John Keene "In OF DEATH. MINIMAL ODES by Brazilian writer Hilda Hilst, death and poetry are lifelong bedfellows. In fact, they engage in a natural partnership, or, to borrow from the poet herself, a sisterhood-in-dialogue that is at once serious and seductive, playful, perilous, and habitual. Hilst's creative wordplays and tonal spectrum, by contrast, are extraordinary, and Laura Cesarco Eglin's translation matches her inventiveness with equal illumination. Hilst's verses affirm the common ground that exists between life and death, and carry with them a vibrant, volatile charge that accompanies this complicit union."--Marguerite Itamar Harrison, Associate Professor of Portuguese and Brazilian Studies, Smith College "The poetry of Hilda Hilst is fundamental--in every sense. Thanks to Laura Cesarco Eglin, who has accepted the challenge of translating these verses brimming with sensuality and music, a little more of Hilst's work is made known to the world. I welcome this partnership."--Adriana Lisboa

Since its inception, anthropology's authority has been based on the assumption that it is a unified discipline emanating from the West. In an age of heightened globalization, anthropologists have failed to discuss consistently the current status of their practice and its mutations across the globe. World Anthropologies is the first book to provoke this conversation from various regions of the world in order to assess the diversity of relations between regional or national anthropologies and a contested, power-laden Western discourse. Can a planetary anthropology cope with both the 'provincial cosmopolitanism' of alternative anthropologies and the 'metropolitan provincialism' of hegemonic schools? How might the resulting 'world anthropologies' challenge the current panorama in which certain allegedly national anthropological traditions have more paradigmatic weight - and hence more power - than others? Critically examining the international dissemination of anthropology within and across national power fields, contributors address these questions and provide the outline for a veritable world anthropologies project.