After ten years living with Charles Carstairs and Charles’ maid, Winifred, in the penthouse of Belvedere Mansions Knightsbridge, eleven-year-old dachshund, Reggie, is in a reflective mood. He’s endured a rocky relationship with Winifred, (who doesn’t like dogs), and successfully plots to replace her with Zsa Zsa, a luscious (dog-loving) Hungarian maid. Finally freed from Winifred’s close supervision, Charles and Reggie climb aboard an emotional roller coaster and bond over shared experiences: the highs and lows of life. Canine philosopher, Reggie, thinks back on his relationship with Winifred and is wracked with guilt. Did he behave badly? Throughout the story, Reggie’s observations on the similarities and differences between man and dog are humorous and, at times, heartachingly poignant.

Over the years, readers of Golf magazine have come to know and love Major General (Ret.) Sir Richard Gussett, the raucous imaginary uncle featured in David Feherty's column "Sidespin." In this first volume of his misadventures, Gussett sets his sights on the most prestigious prize in golf, the petrified middle finger of St. Andrew, patron saint of Scotland. Presiding over the world's most cantankerous golf club, Gussett must motivate his members through battles with incontinence, single malt Scotch, and a litany of other unmentionable afflictions in a "friendly" competition with their ancient rivals, the notorious McGregor clan. Anyone who loves the game or knows someone who does will be unable to resist Feherty's hilarious storytelling and golfing gravitas.

Film is an important source of social history, as well as having been a popular art form from the early twentieth century. This study shows how a society, consciously or unconsciously, is mirrored in its cinema. It considers the role of the cinema in dramatizing popular beliefs and myths, and takes three case studies – American populism, British imperialism, German Nazism – to explain how a nation’s pressures, tensions and hopes come through in its films. Examining the American cinema is accomplished by analysing the careers of three great directors, John Ford, Frank Capra and Leo McCarey, while the British and German cinemas are studied by theme. The analysis of the British Empire as seen in film broke exciting new ground with a pioneering account of ‘the cinema of Empire’ when it was first published in 1973. With full filmographies and a carefully selected bibliography it is an outstanding work of reference and its lively approach makes it a delight to read. Reviews of the original edition: ‘A work of considerable force and considerable wit.’ – Clive James, Observer ‘...a work that is original, mentally stimulating and most pleasurable to read.’ – Focus on Film

“The interactions between Ana and the mysterious Amadeus are delightful. The ending will leave readers longing for more stories about this captivating heroine and her gifted half-siblings.” - Romance Times Book Reviews Call her a petite princess or a paranoid neurotic, either way, Anastasia Devlin has the instincts of a chameleon. She can disappear into the woodwork, share tea with a queen, or flatten a thug with one swift kick, but what she really wants is to provide her dysfunctional younger siblings with the security of the home she’s been denied. Instead, she discovers her grandfather has died without the family being notified, his mansion has been usurped by a stranger who never leaves the third floor, and her grandfather’s executor has absconded to the Caribbean with the proceeds of their inheritance. If murder hasn’t already been committed, she might perpetrate one herself—starting with the annoying spy in the attic. To avoid murder, she makes a pact with the devil who apparently now owns the home she is determined to win back. While she searches for the absconding lawyer and the real murderer of the senator’s aide, she will help their landlord locate a mysterious Cambodian—until oddly, the threads of all three mysteries begin to twine together, and someone is intent on cutting the cord before Ana comes too close to finding the answers.