Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.

Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.

From the author of A Prayer for Owen Meany and The World According to Garp comes "his most daringly political, sexually transgressive, and moving novel in well over a decade" (Vanity Fair). A New York Times bestselling novel of desire, secrecy, and sexual identity, In One Person is a story of unfulfilled love—tormented, funny, and affecting—and an impassioned embrace of our sexual differences. Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp. In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile."

From "a master of slow-burn suspense" (Shelf Awareness), a simmering family drama about a father and daughter who embark on a road trip through the American South -- but what they're leaving behind is as important as what lies ahead. When we first meet seven-year-old Dolly, she immediately grabs us with a voice that is both precocious and effervescent. It has been a while since her dad has spent time with her, just the two of them, and so when he scoops her up and promises to take her on the adventure of a lifetime, Dolly is thrilled. The first days on the road are incredibly exciting. Every pit stop promises a new delight for Dolly and her favourite plastic horse, Clemesta, who she's brought along for the adventure. There are milkshakes, shopping sprees, a theme park, and all the junk food she isn't allowed to eat under her mother's watchful eye. And, for the first time, she has her father's attention all to herself. But as they travel farther south, into a country Dolly no longer recognizes, her dad's behavior grows increasingly erratic. He becomes paranoid and irresponsible, even a little scary. The adventure isn't fun anymore, but home is ever further away. And Dolly isn't sure if she'll ever get back. A compulsively readable work of psychological suspense from the first mile to the last, All the Lost Things introduces a remarkable young heroine who leaps off the page, charts a life-changing journey, and ultimately reveals the sometimes heartbreaking intersections of love, truth, and memory.

In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity

Evil is state of mind. Alan, Tommy, Rick, Donald and Bernard were inseparable best friends living in the small coastal Massachusetts town of Potter’s Cove. A circle of five, their world was simple and happy until the day Tommy was struck by a car and killed. Nothing was ever the same. They were never the same. Years later, as the four survivors—all unhappy, unsuccessful and marking time—approach their fortieth birthdays, Bernard suddenly commits suicide. Within weeks of Bernard’s death, one by one, the mutilated bodies of murder victims are found in town, and as the three remaining friends attempt to solve the riddle of Bernard’s suicide, they come to realize that he may not have been who or what they thought he was. His entire life may have been a lie, and rather than the sad, lonely and harmless person they believed him to be, he very well may have been a savage ritual killer, a bleeder of young women who conjured evil to fulfill his own demented dreams. To find the truth, not only about Bernard, but themselves, they must delve into the darkness and those who inhabit it, a darkness that cradles an unspeakable evil so terrifying it could forever trap them in the shadows of the damned and shatter the very concept of their existence. Greg F. Gifune’s THE BLEEDING SEASON, originally published in 2003, has been hailed as a classic in the horror genre and is considered to be one of the best horror/thriller novels of the decade.