Reframing Drag provides a critical survey of French and Anglo-American queer and feminist theorizations of drag performance, placing these approaches in a dialogue with contemporary drag practice and the representation of drag in three literary texts. Challenging pervasive assumptions circulating in existing queer and feminist analyses of drag performance, the author identifi es and questions three recurring ideas which have shaped the landscape of drag research: the argument that drag performances either uphold or subvert oppressive gender norms, the assumption that drag involves performing as the ‘opposite sex’, and the belief that drag can shed light on gender performativity. Informed by a range of gender and queer theory, this work contends that an intersectional, transfeminist approach to drag performance can provide richer, more nuanced understandings of drag and, unlike the ‘opposite sex’ narrative, acknowledges the gender diversity at work in current drag scenes.

"A must-read for anyone interested in the history of drag performance."--​Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.

In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.

*NATIONAL BESTSELLER* *A STONEWALL AWARD HONOR BOOK* *The Millions Most Anticipated List of 2023* *A Vogue Best LGBTQ+ Book of 2023* From journalist and drag historian Elyssa Maxx Goodman, an intimate, evocative history of drag in New York City exploring its dynamic role, from the Jazz Age to Drag Race, in queer liberation and urban life From the lush feather boas that adorned early female impersonators to the sequined lip syncs of barroom queens to the drag kings that have us laughing in stitches, drag has played a vital role in the creative life of New York City. But the evolution of drag in the city—as an art form, a community and a mode of liberation—has never before been fully chronicled. Now, for the first time, Elyssa Goodman unearths the dramatic, provocative untold story of drag in New York City in all its glistening glory. Glitter and Concrete ducks beneath the velvet ropes of Harlem Renaissance balls, examines drag’s crucial role in the Stonewall Uprising, traces drag's influence on disco and punk rock as well as its unifying power during the AIDS crisis and 9/11, and culminates with the modern-day drag queen in the era of RuPaul’s Drag Race. Including original interviews with high-profile performers, as well as glamorous color photos from exclusive sources and the author herself, Glitter and Concrete is a significant contribution to queer history and an essential read for anyone curious about the story that echoes beneath the heels. "Deeply researched and featuring a cast of characters who can truly be described as fabulous, Glitter and Concrete is urban history on fire." —Thomas Dyja, author of New York, New York, New York

We are in the middle of a process of complex cultural transformation, but to what extent is this matched by the transformation in the way we see ourselves? This book covers a wide-ranging discussion on the interaction between Art, Science and Technology, and goes on to challenge assumptions about 'reality'. Loosely themed around four key elements of Mind, Body, Art and Values, the editor leads the investigation through the familiar territories of interactive media and artificial life, combining them with new and ancient ideas about creativity and personal identity. The contributing authors numb.

For three decades, award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women’s stories to the screen. Analyzing Haynes’s films including Safe (1995), Velvet Goldmine (1998), Far from Heaven (2002), and Carol (2015), as well as his unauthorized Karen Carpenter biopic, Superstar (1987), and the television miniseries Mildred Pierce (2011), the contributors to Reframing Todd Haynes reassess his work in light of his long-standing feminist commitments and his exceptional career as a director of women’s films. They present multiple perspectives on Haynes’s film and television work and on his role as an artist-activist who draws on academic theorizations of gender and cinema. The volume illustrates the influence of feminist theory on Haynes’s aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman’s film. The contributors contend that no consideration of Haynes’s work can afford to ignore the crucial place of feminism within it. Contributors. Danielle Bouchard, Nick Davis, Jigna Desai, Mary R. Desjardins, Patrick Flanery, Theresa L. Geller, Rebecca M. Gordon, Jess Issacharoff, Lynne Joyrich, Bridget Kies, Julia Leyda, David E. Maynard, Noah A. Tsika, Patricia White, Sharon Willis

This book explores the ‘material-discursive entanglement’ of how we both make the world with our words and how the materiality of the world forces us to put words on it. Beginning with the conundrum of how the things that make up our world are both shaped by and shape the ways in which we talk about, engage with and think about them, the author accepts the entanglement and then works backwards, using the metaphor of refraction to help articulate the structures, values and norms that discursively shape our world and our selves in it. Through a series of empirical examples taken from work on medical technologies and the body, Refracting through Technologies shows how researchers and designers can use material things – technologies – to refract discourses and articulate the concerns and voices producing them. Refraction as a metaphor is thus revealed to be an important concept, enabling scholars to apply analytical work to political concerns about the technological world. As such, it will appeal to scholars of sociology, science and technology studies, philosophy and design with interests in technoscience, feminist thought and social theory.