As they transition into adulthood, many American boys and young men spend a considerable amount of time engaging in physical sports, playing violent video games, and watching action movies, including war films. In many cases, boys spend more time exposed to media models than they do with their fathers. If, as social learning theorists say, masculinity is learned directly through a system of positive and negative reinforcement, what manly behaviors do war films clearly define and reinforce? And what un-manly behaviors do war films clearly prohibit? In Reel Men at War: Masculinity and the American War Film, authors Ralph Donald and Karen MacDonald consider the influence that war films bring to bear on the socialization of young boys in America. Analyzing nearly 150 American war films and television programs, this book considers such issues as major male stereotypes—both positive and negative—in film, the influence of sports as an alternate to mortal combat, why men admire war and value winning so highly, and how war films define manly courage. Throughout the book the authors comment on the depiction of post-traumatic stress disorder, the stages of grief, and suicide in war films, as well as applying Jungian and Freudian theories to war and soldiering. Reel Men at War will be of interest not only to professors and students of cinema and mass communications but also to scholars of history, gender studies, and sociology.

Set against the shifting social and political backdrop of a nation throwing off the shackles of one war yet faced with the instability of the new world order, Reel Men probes the concept of 1950s masculinity itself, asking what it meant to be an Australian man at this time. Offering a compelling exploration of the Australian fifties, the book challenges the common belief that the fifties was a 'dead' era for Australian filmmaking. Reel Men engages with fourteen Australian feature films made and released between 1949 and 1962, and examines the multiple masculinities in circulation at this time. Dealing with beloved Australian films like Jedda (1955), Smiley (1956), and The Shiralee (1957), and national icons of the silver screen including Chips Rafferty, Charles 'Bud' Tingwell, and Peter Finch, Reel Men delves into our cultural past to dismantle powerful assumptions about film, the fifties, and masculinity in Australia.

A bestseller for over 20 years, I Don’t Want to Talk About It is a groundbreaking and hopeful guide to understanding and destigmatizing male depression, essential not only for men who may be suffering but for the people who love them. Twenty years of experience treating men and their families has convinced psychotherapist Terrence Real that depression is a silent epidemic in men—that men hide their condition from family, friends, and themselves to avoid the stigma of depression’s “un-manliness.” Problems that we think of as typically male—difficulty with intimacy, workaholism, alcoholism, abusive behavior, and rage—are really attempts to escape depression. And these escape attempts only hurt the people men love and pass their condition on to their children. This groundbreaking book is the “pathway out of darkness” that these men and their families seek. Real reveals how men can unearth their pain, heal themselves, restore relationships, and break the legacy of abuse. He mixes penetrating analysis with compelling tales of his patients and even his own experiences with depression as the son of a violent, depressed father and the father of two young sons.

In the 2000s, reality programs showcasing white, working-class men performing hazardous occupations in wilderness settings proliferated on U.S. cable networks. Shannon O’Sullivan argues that this genre represents a reactionary veneration of white, rural, working-class men as “real Americans” amid the Great Recession and current events.

USA TODAY bestselling author Victoria Dahl proves some second chances are tootempting to resist in this sexy reader-favorite story full of secrets andsin… It was meant to be a one-night stand. A single night of passion. Scorching hot. ThenBeth Cantrell and Eric Donovan were supposed to go their separate ways. That's the onlyreason Eric let her think he was really his wild younger brother, hiding his identity asthe conservative Donovan. The “good one.” But passion has its own logic, and Eric finds he can't forget the curvy beauty withwhom he shared a night of lust. When Beth discovers that Eric lied, however, she knows hecan't be trusted. Her mind tells her to forget the intense stranger who brought her somuch pleasure. If only every fiber of her being didn't burn to call him back. Book 3 of Donovan Brothers. A sexy contemporary romance and includes bonus teaser novella “Just One Taste,”featuring Beth and Eric's delicious—and disastrous—first meeting!

In Reel to Real, Hooks enhances our visual experience of movies, enabling us to see in a new way. Her work, like the best films of our time, provokes thought and creates a context for dialogue.