Award-Winning Wall Street Journal bestselling author Kennedy Ryan launches a brand-new series with a Hollywood tale of wild ambition, artistic obsession, and unrelenting love. One moment in the spotlight . . . For months I stood by, an understudy waiting in the wings, preparing for my time to shine. I never imagined he would watch in the audience that night. Canon Holt. Famous film director. Fascinating. Talented. Fine Before I could catch my breath, everything changed. I went from backstage Broadway to center stage Hollywood. From being unknown, to my name, Neevah Saint, on everyone’s lips. Canon casts me in a star-studded Harlem Renaissance biopic, catapulting me into another stratosphere. But stars shine brightest in the dead of night. Forbidden attraction, scandal and circumstances beyond my control jeopardize my dream. Could this one shot—the role of a lifetime, the love of a lifetime—cost me everything?

Latinx representation in the popular imagination has infuriated and befuddled the Latinx community for decades. These misrepresentations and stereotypes soon became as American as apple pie. But these cardboard cutouts and examples of lazy storytelling could never embody the rich traditions and histories of Latinx peoples. Not seeing real Latinxs on TV and film reels as kids inspired the authors to dive deep into the world of mainstream television and film to uncover examples of representation, good and bad. The result: a riveting ride through televisual and celluloid reels that make up mainstream culture. As pop culture experts Frederick Luis Aldama and Christopher González show, the way Latinx peoples have appeared and are still represented in mainstream TV and film narratives is as frustrating as it is illuminating. Stereotypes such as drug lords, petty criminals, buffoons, and sexed-up lovers have filled both small and silver screens—and the minds of the public. Aldama and González blaze new paths through Latinx cultural phenomena that disrupt stereotypes, breathing complexity into real Latinx subjectivities and experiences. In this grand sleuthing sweep of Latinx representation in mainstream TV and film that continues to shape the imagination of U.S. society, these two Latinx pop culture authorities call us all to scholarly action.

Americans have had a long-standing love affair with the wilderness. As cities grew and frontiers disappeared, film emerged to feed an insatiable curiosity about wildlife. The camera promised to bring us into contact with the animal world, undetected and unarmed. Yet the camera's penetration of this world has inevitably brought human artifice and technology into the picture as well. In the first major analysis of American nature films in the twentieth century, Gregg Mitman shows how our cultural values, scientific needs, and new technologies produced the images that have shaped our contemporary view of wildlife. Like the museum and the zoo, the nature film sought to recreate the experience of unspoiled nature while appealing to a popular audience, through a blend of scientific research and commercial promotion, education and entertainment, authenticity and artifice. Travelogue-expedition films, like Teddy Roosevelt's African safari, catered to upper- and middle-class patrons who were intrigued by the exotic and entertained by the thrill of big-game hunting and collecting. The proliferation of nature movies and television shows in the 1950s, such as Disney's True-Life Adventures and Marlin Perkins's Wild Kingdom, made nature familiar and accessible to America's baby-boom generation, fostering the environmental activism of the latter part of the twentieth century. Reel Nature reveals the shifting conventions of nature films and their enormous impact on our perceptions of, and politics about, the environment. Whether crafted to elicit thrills or to educate audiences about the real-life drama of threatened wildlife, nature films then and now reveal much about the yearnings of Americans to be both close to nature and yet distinctly apart.

A naked girl gets swept downstream and is fished out by four women fly fishers. Tales of adventure, as well as stories of renewal, discovery, and tragedy follow the five women as they find each other (and themselves) through the sport of fly fishing. Through the tales of each character, The Reel Sisters fosters the notion that fly fishing has the potential to transcend age, gender, culture, and even socioeconomic barriers, and can occasionally be the glue that binds us. The Reel Sisters is a story about the power of women friendships, and how we learn a little bit about ourselves each time we step into the river. By the end of the book, you'll want to start planning your own Reel Sisters adventures.

What was Takako Konishi really doing in North Dakota, and why did she end up dead? Did she get lost and freeze to death, as the police concluded, while searching for the fictional treasure buried in a snowbank at the end of the Coen Brothers’ film Fargo? Or was it something else that brought her there: unrequited love, ritual suicide, a meteor shower, a far-flung search for purpose? The seed of an obsession took root in struggling film student Jana Larson when she chanced upon a news bulletin about the case. Over the years and across continents, the material Jana gathered in her search for the real Takako outgrew multiple attempts at screenplays and became this remarkable, genre-bending essay that leans into the space between fact and fiction, life and death, author and subject, reality and delusion.

It is a fly fishing book based on 20 years of guiding clients on the river.

The Sons of the Republic of Texas tells the story of the Republic of Texas beginning with its birth on April 21, 1836. Includes a brief history of the Sons of the Republic of Texas from 1893 to the present. The text is complemented by over 100 pages of family and ancestral biographies of members of the Sons of the Republic of Texas past and present. Indexed