The material which served as the basis for the rhymes in this book came from real-life experiences and observations in an environment which well-represents the stereotype of those we often refer to as rednecks. Their behaviors, interests, beliefs, and accomplishments are not always seen by the general population as typical, but for them, their beliefs and actions are quite reasonable and completely understood and respected by their peers, as it is their way of life.

Buy this here hilarious Bathroom Book - If You Like These Here Rhymes You Gotta Be A Southern Redneck - Backwoods rib ticklers and down home Belly laughs, snickered at by them northern ski bums and chortled at by us southern hillbillies. Each poem is short enough for one sitting. Hang it on the outhouse wall and sample the humor that appeals to everyone from mansion type bluebloods to trailer park riffraff. Read it aloud to your friends (If you have any) and become the funniest guy in your neck of the woods, if you ain't already. Tickle their funny bones with some of these knee slappin' rhymes. They's a whole bunch rat-cheer, with titles like: North Is Where It Ain't At - The Southern Redneck - The 911 Call - Necks At The Trailer Park - Our Billy Is Up In Harvard - This Crazy Woman - A Toast To All My Redneck Birds, and a lot more to chuckle at. Don't just sit there, buy this here book right now. You want to be funny don't-ch?

In this collection of poems, farmers, fathers, poverty-stricken pioneers, and people blackened by the grist of the sugar mills are exposed to the blazing midday sun of Murray's linguistic powers. Richly inventive, tenderly perceptive, and fiercely honest, these poems surprise and bare the human in all of us.

Florida Man Stan presents his first in a series of redneck nursery rhymes. Jack and Jill.

Complementing a burgeoning area of interest and academic study, Roc the Mic Right explores the central role of language within the Hip Hop Nation (HHN). With its status convincingly argued as the best means by which to read Hip Hop culture, H. Samy Alim then focuses on discursive practices, such as narrative sequencing and ciphers, or lyrical circles of rhymers. Often a marginalized phenomenon, the complexity and creativity of Hip Hop lyrical production is emphasised, whilst Alim works towards the creation of a schema by which to understand its aesthetic. Using his own ethnographic research, Alim shows how Hip Hop language could be used in an educational context and presents a new approach to the study of the language and culture of the Hip Hop Nation: 'Hiphopography'. The final section of the book, which includes real conversational narratives from Hip Hop artists such as The Wu-Tang Clan and Chuck D, focuses on direct engagement with the language. A highly accessible and lively work on the most studied and read about language variety in the United States, this book will appeal not only to language and linguistics researchers and students, but holds a genuine appeal to anyone interested in Hip Hop or Black African Language.

Views of the modern Southern woman which never underestimate the influence of two hundred years of traditions about what it means to be a woman, a Southerner, and, most specially, a Southern woman.