Yuri and Rusafa, now prisoners of Ramses, arrive in Egypt to word that Kail has fallen ill. Making good on a promise to Yuri to find out how this information was obtained, Ramses discovers that the Egyptian end of the intelligence conduit involves Queen Nefertiti. Rusafa tries to escape and warn Kail that one of his aides is a spy. If he makes it, he'll have grave news to share with Kail. Will this news render Kail, already disheartened by military failure, incapable of regrouping and heading off the Egyptian threat to the Hittite Empire? -- VIZ Media

Charged with treason, Nakia is interrogated by the Hittite council of ministers. Nakia denies her guilt and, despite being confined, uses her magic to free her henchman Urhi, who is then suspected of launching a campaign of murderous retaliation against Kail and Yuri. Nakia, however, seems to have made one mistake that could undo all her schemes--overlooking the devastating effect all the intrigue and treachery has had on Juda, her son and intended heir to the Hittite throne! -- VIZ Media

Yuri, a modern-day teen, is trapped in the palace of an ancient Prince of Darkness! She waits there for Prince Kail, her savior and the only one who can send her back to modern-day Japan. While Yuri attends to the prisoners taken by the Dark Prince's armies, hoping they can rise up and fight again, Prince Kail and his brother, Zannzana, journey into enemy territory. If they misstep, the consequences will be great--for both the future of the Hittite empire and Yuri and Kail's relationship! -- VIZ Media

During the ceremony to install her as tawananna, Yuri tells Kail she's pregnant. Then, in a glimpse into the near future, Kikkuri recounts a day in his life as the chief trainer for the kingdom's horses, and Yuri gets herself into a bit of a fix while visiting Cappadocia. And in the concluding tale, love finds its own road in the events leading up to the marriage of Ramses, now the Pharoah of Egypt, and Kail and Yuri's granddaughter Naptera. -- VIZ Media

Nakia's henchman Urhi has arranged to sabotage the ship on which Yuri and her aides are sailing to Karkemish, and in the resulting chaos Yuri and her deputy Rusafa are cast adrift. Kail, overcome by anguish, mishandles his campaign against the Egyptians, allowing their forces to cross the Orontes River and enter Ugarit. Yuri and Rusafa, meanwhile, have been rescued by a passing ship and must hide their identities from a group of Egyptian soldiers on board. The two castaways are then faced with a complication that could cost Yuri her life! -- VIZ Media

One Book, One Minnesota Selection for Summer 2021 Introducing Cash Blackbear, a young Ojibwe woman whose visions and grit help solve a brutal murder in this award-winning debut. 1970s, Red River Valley between North Dakota and Minnesota: Renee “Cash” Blackbear is 19 years old and tough as nails. She lives in Fargo, North Dakota, where she drives truck for local farmers, drinks beer, plays pool, and helps solve criminal investigations through the power of her visions. She has one friend, Sheriff Wheaton, her guardian, who helped her out of the broken foster care system. One Saturday morning, Sheriff Wheaton is called to investigate a pile of rags in a field and finds the body of an Indian man. When Cash dreams about the dead man’s weathered house on the Red Lake Reservation, she knows that’s the place to start looking for answers. Together, Cash and Wheaton work to solve a murder that stretches across cultures in a rural community traumatized by racism, genocide, and oppression.

This final volume of Shelby Foote’s masterful narrative history of the Civil War brings to life the military endgame, the surrender at Appomattox, and the tragic dénouement of the war—the assassination of President Lincoln. Features maps throughout. "An unparalleled achievement, an American Iliad, a unique work uniting the scholarship of the historian and the high readability of the first-class novelist." —Walker Percy “To read this chronicle is an awesome and moving experience. History and literature are rarely so thoroughly combined as here; one finishes this volume convinced that no one need undertake this particular enterprise again.” —Newsweek “In objectivity, in range, in mastery of detail, in beauty of language and feeling for the people involved, this work surpasses anything else on the subject. . . . Written in the tradition of the great historian-artists—Gibbon, Prescott, Napier, Freeman—it stands alongside the work of the best of them.” —The New Republic “The most written-about war in history has, with this completion of Shelby Foote’s trilogy, been given the epic treatment it deserves.” —Providence Journal