Leonidas has long led his fellow immortal warriors in battle with quiet, unyielding strength. But when Daphne, Oracle of Delphi, confesses to having loved him from afar, Leo finds his stoic shell breaking away. Just as their love ignites, Daphne's half-brother Ares strips Leonidas of his immortality. Now, it's just a matter of time before Leonidas is taken from her-unless they can find a way to challenge Ares together.

In 1100, King William II died in a tragic accident... or was it murder? In The Death of the Red King, acclaimed historian Paul Doherty investigates the suspicious death of William II in a masterful 'faction' - a mix of both fact and fiction. Concentrating on both old and new evidence, Paul Doherty explores the highly suspicious elements surrounding the death of King William II of England, nicknamed "Rufus the Red King". Through the eyes of the great philosopher Anselm, a secret admirer of the Red King, a far more chilling interpretation of his death is put forward that challenges everything we think we know. What readers are saying about Paul Doherty: 'An interesting look at a little known real-life mystery' 'The book is interesting, well written, fact and fiction coming easily together to form a well-argued case' 'Doherty proves that he is a scholar as well as a writer of novels'

The classic bestselling autobiography of the most successful fighter pilot of the First World War. This is the memoir of the undisputed top gun of World War I’s aerial war, Captain Manfred von Richthofen, who shot down 80 Allied aircraft. Originally published in German in late 1917 as Der Rote Kampfflieger (The Red Air Fighter), it was a runaway bestseller. The English language edition followed in 1918 without any official deal with the German publishers as it was argued that Richthofen’s accounts of combat against the Allied air force aircraft provided valuable intellilgence to use against the enemy. Originally a cavalryman, Manfred transferred to the Imperial German Army Air Service in May 1915 and quickly distinguished himself as a fighter pilot. During 1917 he became leader of Jagdgeschwader 1. It was better known as the “Flying Circus” because of its aircraft’s bright colors and because the squadron moved like a traveling circus, from place to place as a self-contained unit so that it appeared wherever the fighting was the thickest. It would be operating at Verdun one week only to be north of Arras the next. A few days later, it would be down on the Somme. Richthofen was a brilliant tactician, although his modus operandi was as simple as it was deadly. Typically, he would dive from above to attack with the advantage of the sun behind him (the victim would not see him coming, blinded by glare), with other pilots of his flying circus covering his rear and flanks. By 1918, he was regarded as a national hero in Germany and held the country’s highest honor, the “Blue Max.” Richthofen was well-known in the Allied countries and a respected advisor of military aviators. Newly illustrated with twenty-one contemporary images. Includes many of the Red Baron’s eighty combat reports, contemporary interviews with a selection of his surviving victims, and an extra chapter on the death in combat of von Richthofen.

The Pleasures of Structure starts from the premise that the ability to develop a well understood and articulated story structure is the most important skill a screenwriter can develop. For example, good structure requires a great premise and rigorous character development. Without clear character motivations and goals--which are themselves indicative of key structural beats--your story is going exactly nowhere. Using the simple and flexible 'W' model of screenplay structure developed in the prequel Write What You Don't Know, Hoxter sets this out as its starting point. This model is tested against a range of examples which are chosen to explore the flexibility not only of that model but of movie storytelling more generally. Writers and students often worry that they are asked to work 'to formula'. This book will test that formula to breaking point. For example, the first case study will offer the example of a well written, professional, mainstream movie against which our later and more adventurous examples can be compared. So the lessons we learn examining the animated family adventure movie How To Train Your Dragon lead us directly to ask questions of our second case study, the acclaimed Swedish vampire movie Låt den Rätte Komma In (Let The Right One In). Both movies have protagonists with the same basic problem, the same goal, and they use the same basic structure to tell their stories. Of course they are very different films and they work on their audiences in very different ways. Our linked case studies will expose how simple choices, like reversing the order of elements of the protagonist's transformational arc and shifting ownership of key story beats, has an enormous impact on how we respond to a structural model that is otherwise functionally identical.

Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.

Characterized by reddish, bursting blisters and blood oozing from the nose, ears, and mouth, a deadly plague strikes the Borders, two remote northern Bahamian islands. Dubbed the Red Death, this plague kills everything; it does not discriminate. The Borders face economic paralysis as the population-whole families, relatives, and friends- succumbs to this spreading epidemic. Jack Shelby Sloane, an alcoholic ship captain, leaves Florida after a manslaughter conviction. Divorced by his wife and losing custody of his children, he stops drinking and travels to the Borders islands to run a boat yard. Jack marries Ginny and begins a new family and a new life. But his dreams are shattered when the Red Death attacks the Bahamas. Disease and anarchy converge to destroy the islands. To make matters worse, a nearby underwater volcano comes alive to finish the job. Jack must now confront his conscience in a mortal struggle to keep himself and his loved ones alive in a world rapidly collapsing into chaos. He seeks to discover the truth about the Red Death: How does the plague occur in the twenty-first century, and who is responsible for this killer outbreak?

However you try to escape it, horror is always there Outside the abbey’s armoured walls, the common poor are ravaged by a grisly pestilence known as the ‘Red Death’, while within, safe and untroubled, the happy Prince Prospero hosts lavish entertainments. But, in their immodest comfort, the Prince and his guests are not as safe as they hope from the horrors of the outside world ... In ‘The Masque of the Red Death’ and other tales of gothic horror, Edgar Allan Poe writes as no one else ever has of creeping, mounting terrors – of torments of ingenious, malevolent tormentors and of a mind’s own sickening madness.