Red Bird, Red Power tells the story of one of the most influential—and controversial—American Indian activists of the twentieth century. Zitkala-Ša (1876–1938), also known as Gertrude Simmons Bonnin, was a highly gifted writer, editor, and musician who dedicated her life to achieving justice for Native peoples. Here, Tadeusz Lewandowski offers the first full-scale biography of the woman whose passionate commitment to improving the lives of her people propelled her to the forefront of Progressive-era reform movements. Lewandowski draws on a vast array of sources, including previously unpublished letters and diaries, to recount Zitkala-Ša’s unique life journey. Her story begins on the Dakota plains, where she was born to a Yankton Sioux mother and a white father. Zitkala-Ša, whose name translates as “Red Bird” in English, left home at age eight to attend a Quaker boarding school, eventually working as a teacher at Carlisle Indian Industrial School. By her early twenties, she was the toast of East Coast literary society. Her short stories for the Atlantic Monthly (1900) are, to this day, the focus of scholarly analysis and debate. In collaboration with William F. Hanson, she wrote the libretto and songs for the innovative Sun Dance Opera (1913). And yet, as Lewandowski demonstrates, Zitkala-Ša’s successes could not fill the void of her lost cultural heritage, nor dampen her fury toward the Euro-American establishment that had robbed her people of their land. In 1926, she founded the National Council of American Indians with the aim of redressing American Indian grievances. Zitkala-Ša’s complex identity has made her an intriguing—if elusive—subject for scholars. In Lewandowski’s sensitive interpretation, she emerges as a multifaceted human being whose work entailed constant negotiation. In the end, Lewandowski argues, Zitkala-Ša’s achievements distinguish her as a forerunner of the Red Power movement and an important agent of change.

Red Bird, Red Power tells the story of one of the most influential—and controversial—American Indian activists of the twentieth century. Zitkala-Ša (1876–1938), also known as Gertrude Simmons Bonnin, was a highly gifted writer, editor, and musician who dedicated her life to achieving justice for Native peoples. Here, Tadeusz Lewandowski offers the first full-scale biography of the woman whose passionate commitment to improving the lives of her people propelled her to the forefront of Progressive-era reform movements. Lewandowski draws on a vast array of sources, including previously unpublished letters and diaries, to recount Zitkala-Ša’s unique life journey. Her story begins on the Dakota plains, where she was born to a Yankton Sioux mother and a white father. Zitkala-Ša, whose name translates as “Red Bird” in English, left home at age eight to attend a Quaker boarding school, eventually working as a teacher at Carlisle Indian Industrial School. By her early twenties, she was the toast of East Coast literary society. Her short stories for the Atlantic Monthly (1900) are, to this day, the focus of scholarly analysis and debate. In collaboration with William F. Hanson, she wrote the libretto and songs for the innovative Sun Dance Opera (1913). And yet, as Lewandowski demonstrates, Zitkala-Ša’s successes could not fill the void of her lost cultural heritage, nor dampen her fury toward the Euro-American establishment that had robbed her people of their land. In 1926, she founded the National Council of American Indians with the aim of redressing American Indian grievances. Zitkala-Ša’s complex identity has made her an intriguing—if elusive—subject for scholars. In Lewandowski’s sensitive interpretation, she emerges as a multifaceted human being whose work entailed constant negotiation. In the end, Lewandowski argues, Zitkala-Ša’s achievements distinguish her as a forerunner of the Red Power movement and an important agent of change.

"I remember the day I lost my spirit." So begins the story of Gertrude Simmons, also known as Zitkala-Ša, which means Red Bird. Born in 1876 on the Yankton Sioux reservation in South Dakota, Zitkala-Ša willingly left her home at age eight to go to a boarding school in Indiana. But she soon found herself caught between two worlds—white and Native American. At school she missed her mother and her traditional life, but Zitkala-Ša found joy in music classes. "My wounded spirit soared like a bird as I practiced the piano and violin," she wrote. Her talent grew, and when she graduated, she became a music teacher, composer, and performer. Zitkala-Ša found she could also "sing" to help her people by writing stories and giving speeches. As an adult, she worked as an activist for Native American rights, seeking to build a bridge between cultures. The coauthors tell Zitkala-Ša’s life by weaving together pieces from her own stories. The artist's acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Ša, a frightened child whose spirit "would rise again, stronger and wiser for the wounds it had suffered."

Red bird came all winter / firing up the landscape / as nothing else could. So begins Mary Oliver's twelfth book of poetry, and the image of that fiery bird stays with the reader, appearing in unexpected forms and guises until, in a postscript, he explains himself: "For truly the body needs / a song, a spirit, a soul. And no less, to make this work, / the soul has need of a body, / and I am both of the earth and I am of the inexplicable / beauty of heaven / where I fly so easily, so welcome, yes, / and this is why I have been sent, to teach this to your heart." This collection of sixty-one new poems, the most ever in a single volume of Oliver's work, includes an entirely new direction in the poet's work: a cycle of eleven linked love poems-a dazzling achievement. As in all of Mary Oliver's work, the pages overflow with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog, Percy. But here, too, the poet's attention turns with ferocity to the degradation of the Earth and the denigration of the peoples of the world by those who love power. Red Bird is unquestionably Mary Oliver's most wide-ranging volume to date.

Subtitle on cover: The story of a divine encounter.

Taken from her family on the Yankton Sioux Reservation at the age of eight and sent to a school far from home, Gertrude is forced to become "civilized"--to give up her moccasins, her long hair, and her language, and to renounce her Sioux heritage. As an adult, she renames herself Zitkala-¬Sa, which means "Red Bird," and devotes her life to fighting for justice for Native Americans. Her powerful and memorable story, told in her own words from letters and diaries, will inspire anyone who has ever dreamed of making a difference.

In Native American culture, the Red Bird is a 'seer' or messenger from another realm. In Christianity, when a cardinal appears, angels are near. In BA Crisp's remarkable first novel, a Red Bird means redemption; for your sins, for anyone you've loved and lost, or from a secret you hope to keep. It's 1984 and Samantha Ryan Blake--human trafficking victim, unruly foster child--sees things: murder, crime...and sometimes...otherworldly 'beings'. She doesn't have a family. Not since her mother was institutionalized and her father went missing ten years ago in Vietnam. What she does have is a secret. Now she's been made an offer--to receive 'special tutoring' by a British couple-- on the grounds of a heavily guarded American nuclear reactor testing facility. Two facts seem certain: She faces prison if she refuses the offer--and she needs help. Sam's court file paints her as a promiscuous teenage thief with a high IQ--until Bennie, a very strange boy also living behind the gates, tells her she's not the "person" she thinks she is. To save herself and Earth, she's forced to embark on a personal and perilous journey that uncovers long-buried secrets about the world she thought she knew--secrets that stretch across generations and the universe, all the way to Ninmah's Portal, home of the Astral Weavers. Confronting her losses, Sam will be forced to relearn everything she thought she knew about herself, her family and this world. From rural Midwest Ohio to the upper echelons of government controlled "unacknowledged special access projects" and beyond, Red Bird explores--with sharp insight and fierce humor--the resilience of the human spirit, even during times of political chaos.