"'Red ball of a sun slipping down' speaks of remembrance and change, of struggle and privation, of loving and loss, of things that came to pass in the Arkansas Delta long years ago and the way it is now."--Front jacket flap.

Eugene Richards first came to the southeastern part of Arkansas--the so-called Delta--in 1968 as a VISTA volunteer. After nearly two years in that organization working to set up a daycare center and recreation programs, he and some of his associates in it left to found RESPECT Inc., a private social-action program providing paralegal services, publishing a community newspaper, and distributing food and clothing in West Memphis (across the Mississippi River from Memphis, Tennessee).As he lived and became increasingly involved in the black community, Richards, a skilled photographer, began to use his camera to record what he observed--not only the poverty and suffering of these people but also their laughter, contemplation, and triumphs. His subjects range from children at play to an African-style wedding to scenes of work and home life. Death, religion, and imprisonment are major elements of Delta existence, and so of these photos.The 110 photographs collected here express the quality of life in a part of the South where 60 percent of the black families barely earn $2000 a year, and 70 percent of the dwellings are deteriorated and without plumbing. Richards' camera catches the cotton compresses, the cement mill, the broken fields and small cafes, Logan the mortician, the two blind brothers Willy and Isaiah McCowan, and the Reverend Ezra Greer at the state capitol in Little Rock, while his few but carefully chosen words complement these images. Together they hold the people and the place in a world that Richards feels "slipping by, while I merely observed its disappearance."I feared being only eyes, only a cameraman," he says, but through his camera his eyes become ours, and the power of his feelings, ours too.

A diaristic photographic portrait of the memory-laden Mississippi Delta of Arkansas Fifty years ago, New York-based photographer Eugene Richards (born 1944) worked as a VISTA Volunteer and then as a reporter in the Arkansas Delta. Even after the newspaper he helped found closed its doors, Richards kept revisiting the region. In early 2019 he returned to the small town of Earle, Arkansas, where, on a September night in 1970, peaceful protesters were attacked by a crowd of white men and women brandishing sticks and firing guns. Crossing the tracks from what had been the Black side of the town into the white side of the town, Richards happened upon an old appliance store. On the shadowy and cracked walls of the building were painted the faces of Jesus, Malcolm X, H. Rap Brown, Angela Davis, Dr. Martin Luther King and John Brown--the faces of revolution, reconciliation, change. In the months that followed, the old store became for Richards a kind of portal, a doorway into the region's volatile history and into the lives of those who lived, struggled, raised families, grew old and died there. The Day I Was Born interweaves full-bleed images of Earle with deeply personal narratives in the words of people who live there.

Award-winning photographer Eugene Richards was asked by a magazine to report on what happens inside a typical emergency room. Once inside, he took photograps, talked with doctors and nurses and made friends with paramedics. He discovered a world he never knew existed. The Knife And Gun Club is the fascinating account of his exploration of emergency room medicine. Serial in LIFE magazine.

DigiCat presents to you this meticulously edited and formatted collection of the greatest works by Grace Livingston Hill: Marcia Schuyler Phoebe Deane Miranda A Daily Rate According to the Pattern Aunt Crete's Emancipation Cloudy Jewel The City of Fire Dawn of the Morning Exit Betty Lo, Michael! The Mystery of Mary The Search The Witness An Unwilling Guest The Red Signal The Story of a Whim The Tryst The Big Blue Soldier April Gold A New Name A Girl to Come Home To Blue Ruin Ariel Custer Duskin Crimson Mountain Coming Through the Rye The Chance of a Lifetime By the Way of the Silverthorns Bright Arrows Astra Beauty for Ashes The Patch of Blue Through These Fires All Through the Night More Than Conqueror Found Treasure Crimson Roses Head of the House A Chautauqua Idyl A Sevenfold Trouble Boy From Thyatira A Journey of Discovery Beginning at Jerusalem Hazel Cunningham's Denial Because of Stephen The Girl From Montana The Man of the Desert A Voice in the Wilderness The Enchanted Barn The War Romance of the Salvation Army Kerry Brentwood

"Steppping Through the Ashes" is a photographic elegy to those who died on September 11, and a portrait of how people are coping in the wake of the terrorist attack on New York. Many photographers have recorded the devastation, but Eugene Richards transcends description to offer instead a way of coming to terms with this tragedy. Interviews with survivors and victims' relatives complement Richards' beautiful and poignant images. It may be the best photo book yet on those hard days. --"Albuquerque Journal" Richards is arguably the most empathetic photographer working when it comes to showing the hard parts of people's lives... Once again, Richards has wrought a personal elegy for those who are just learning to cope with what has happened to them. --"New Yorker"