Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.

This is the largest selection, in any language, of the writings of Erik Satie. Although he was dismissed as an eccentric by many, Satie has come to be seen as a key influence on modern music. The appeal of his writings, however, go far beyond their musical value. He is revealed as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear, but with a strong streak of Dadaism (a movement with which he collaborated).

The fate of a king is not always glorious... The dramatic events of Edward II's death are told with masterful skill by acclaimed writer, Paul Doherty, in The Death of a King. Perfect for fans of Michael Jecks and Ellis Peters. England's Edward II so angered his wife, her lover, and his subjects that they revolted, deposed him, and made him prisoner. History records that Edward II was eventually murdered in Berkeley Castle and buried publicly in Gloucester cathedral. But was he? The heir, Edward III, charges Chancery Clerk Edmund Beche with uncovering the truth of the matter. Beche's investigation is torturous, blocked by hidden records, outright lies, unexpected confessions, double crosses, and a high body count. Grave digging, burglary, and soldiering at the bloody battle of Crécy await him. But Edward is a most determined man... What readers are saying about Paul Doherty: 'Doherty writes well and paints a very believable picture' 'Mr. Doherty's research is only topped by his imagination' 'The intrigue! The intrigue! What can I say? Read it... NOW!'

[This title] operates on the radical premise that neither child nor parent must dominate. -- Review.

Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.

Acquaintances, friends, fellow artists, and even antagonists share their recollections of the acknowledged leader of the French musical avant-garde. HARDCOVER.

Elmer and Wilbur visit their Aunt Zelda. She may be getting old and deaf, but she is fun and has lots of interesting things to show the two young elephants. A warm and funny Elmer adventure extolling the virtues of cross-generational relationships.