'People should not leave looking-glasses hanging in their rooms any more than they should leave open cheque books or letters confessing some hideous crime.' 'If she concealed so much and knew so much one must prize her open with the first tool that came to hand - the imagination.' Virginia Woolf's writing tested the boundaries of modern fiction, exploring the depths of human consciousness and creating a new language of sensation and thought. Sometimes impressionistic, sometimes experimental, sometimes brutally cruel, sometimes surprisingly warm and funny, these five stories describe love lost, friendships formed and lives questioned. This book includes The Lady in the Looking Glass, A Society, The Mark on the Wall, Solid Objects and Lappin and Lapinova.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Classical Archaeologists, art historians and artists consider the Role of the Artist' in the rediscovery of the past.

This is the first full and detailed commentary on the second book of Tibullus' elegies since K.F. Smith's edition of 1913. It takes into account every significant advance in scholarship since then on Tibullus, elegy in general. The book provides an authoritative Latin text, based on the definitive Oxford Classical Text, an Introduction covering such topics as the chronology of Book II, its completeness and construction, and the main characters of the poems; and a comprehensive Commentary discussing all aspects of linguistic and literary interest in the poems: the problems of reference and the interpretation for instance, as well as notes on diction, style, themes, and metre. There are also introductory essays on each poem, discussing the background situation, genre, and main models. A critical appendix looks at all the textual points that substantially affect the understanding and appreciation of the elegies, a structural appendix explores the structure of the individual poems, and there are full indices.

Edited with Introduction and Notes by W. A. Camps

These ardent, even obsessed, poems about erotic passion are among the brightest jewels in the crown of Latin literature. Written by Propertius, Rome's greatest poet of love, who was born around 50 b.c., a contemporary of Ovid, these elegies tell of Propertius' tormented relationship with a woman he calls "Cynthia." Their connection was sometimes blissful, more often agonizing, but as the poet came to recognize, it went beyond pride or shame to become the defining event of his life. Whether or not it was Propertius' explicit intention, these elegies extend our ideas of desire, and of the human condition itself.