The first book to focus on Dorothy Wordsworth’s later life and work and the impact of her disability – allowing her to step out from her brother’s shadow and back into her own life story. Dorothy Wordsworth is well known as the author of the Alfoxden and Grasmere Journals (1798–1803) and as the sister of the English Romantic poet William Wordsworth. She is widely praised for her nature writing and is often remembered as a woman of great physical vitality. Less well known, however, is that Dorothy became seriously ill in 1829 and was mostly housebound for the last twenty years of her life. Her personal letters and unpublished journals from this time paint a portrait of a compassionate and creative woman who made her sickroom into a garden for herself and her pet robin and who finally grew to call herself a poet. They also reveal how vital Dorothy was to her brother’s success, and the closeness they shared as siblings. By re-examining her life through the perspective of her illness, this biography allows Dorothy Wordsworth to step out from her brother’s shadow and back into her own life story.

The story of one woman's unflagging efforts to recover the history of her ancestors, slaves who had lived and worked at Somerset Place plantation.

Dorothy Wordsworth's The Grasmere Journals, begun in May 1800 while at Dove Cottage, and continued for nearly three years until January 1803, is perhaps the best-loved of all journals. Noting the walks and the weather, the friends, country neighbors and beggars on the roads, William Wordsworth's marriage, the composition of poetry, and their concern for Coleridge, her words bring those first years to vivid and intimate life. This edition has been prepared directly from the manuscripts with undeciphered words clarified, first thoughts, later insertions and deletions indicated, and Dorothy's hasty punctuation largely restored. It also offers rich explanatory notes, containing much new detail on friends and family, the scarcely-known people of the Grasmere valley, the books that were read, and the connections with William Wordsworth's poetry.

In this deceptively simple little book, Ms. England has made accessible for both professionals and the general public the theory linking neurochemical science to the behaviors and relational patterns observed in persons with addictions and those who love them. As a professional working with families ravaged by addiction, and as a member of Al-Anon seeking to grow and be a good steward of the life experiences that are mine, I am challenged by this book to seek ways to apply its techniques with clients and my own life...Ms. England's book reminds me in the particularly memorable way of any good story...that there is both danger and delight in this activity of living.

William Wordsworth's creative collaboration with his 'beloved Sister' spanned nearly fifty years, from their first reunion in 1787 until her premature decline in 1835. Rumours of incest have surrounded the siblings since the 19th century, but Lucy Newlyn sees their cohabitation as an expression of deep emotional need, arising from circumstances peculiar to their family history. Born in Cockermouth and parted when Dorothy was six by the death of their mother, the siblings grew up separately and were only reunited four years after their father had died, leaving them destitute. How did their orphaned consciousness shape their understanding of each other? What part did traumatic memories of separation play in their longing for a home? How fully did their re-settlement in the Lake District recompense them for the loss of a shared childhood? Newlyn shows how William and Dorothy's writings — closely intertwined with their regional affiliations — were part of the lifelong work of jointly re-building their family and re-claiming their communal identity. Walking, talking, remembering, and grieving were as important to their companionship as writing; and at every stage of their adult lives they drew nourishment from their immediate surroundings. This is the first book to bring the full range of Dorothy's writings into the foreground alongside her brother's, and to give each sibling the same level of detailed attention. Newlyn explores the symbiotic nature of their creative processes through close reading of journals, letters and poems — sometimes drawing on material that is in manuscript. She uncovers detailed interminglings in their work, approaching these as evidence of their deep affinity. The book offers a spirited rebuttal of the myth that the Romantic writer was a 'solitary genius', and that William Wordsworth was a poet of the 'egotistical sublime' — arguing instead that he was a poet of community, 'carrying everywhere with him relationship and love'. Dorothy is not presented as an undervalued or exploited member of the Wordsworth household, but as the poet's equal in a literary partnership of outstanding importance. Newlyn's book is deeply researched, drawing on a wide range of recent scholarship — not just in Romantic studies, but in psychology, literary theory, anthropology and life-writing. Yet it is a personal book, written with passion by a scholar-poet and intended to be of some practical use and inspirational value to non-specialist readers. Adopting a holistic approach to mental and spiritual health, human relationships, and the environment, Newlyn provides a timely reminder that creativity thrives best in a gift economy.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Recovering Identity examines a critical tension in criminalized women's identity work. Through in-depth qualitative and photo-elicitation interviews, Cesraéa Rumpf shows how formerly incarcerated women engaged recovery and faith-based discourses to craft rehabilitated identities, defined in opposition to past identities as "criminal-addicts." While these discourses made it possible for women to carve out spaces of personal protection, growth, and joy, they also promoted individualistic understandings of criminalization and the violence and dehumanization that followed. Honoring criminalized women's stories of personal transformation, Rumpf nevertheless strongly critiques institutions' promotion of narratives that impose lifelong moral judgment while detracting attention from the structural forces of racism, sexism, and poverty that contribute to women's vulnerability to violence.