The systematic management of records is an important activity for 'information businesses' such as museums and galleries, but is not always recognized as a core function. Record keeping activities are often concentrated on small groups of records, and staff charged with managing them may have limited experience in the field.Records Management for Museums and Galleries offers a comprehensive overview of records management work within the heritage sector and draws on over a decade of experience in applying fundamental principles and practices to the specific circumstances of museums. It introduces readers to the institutional culture, functions, and records common to museums, and examines the legislative and regulatory environments affecting record-keeping practices. The book is comprised of eight chapters, including: a history of records keeping in the UK museum and gallery sector; the basics of records management; making a business case for records management; requirements of legislation for records management; how to conduct a records survey; strategy and action planning; how to develop a file plan, retention schedule and records management programme; and a guide to useful additional resources. - Gives practical and tested solutions to real world issues - Fills a gap in the literature as a handbook in this important sector - Provides an overview of the sector as a whole

This is the essential reference work to the traditions of Maori canoes that voyaged to New Zealand including lists of the waka, names of crew members and vessels, karakia and waiata, and maps. Jeff Evans collects the main information sources about travelling canoes into one volume. A must for lovers of history, students of Maori and nautical enthusiasts.

A comparative study of how museum exhibitions in Britain, Canada and Australia were used to depict the First World War.

"... The aim of the publication has been to present various facets of Rotuma's culture and the changes faced by the Rotuman people today. With three exceptions, the authors are all Rotuman, telling their own tales of Rotuma's uniqueness in depth for the first time. They relate aspects of Rotuma's geography and history as well as the influence of the missions and colonial attempts to govern land tenure. The marriage and mamasa ceremonies are described in detail, and the different dance forms and certain chants. A major section focuses on the network of kinship links which forms the basis of Rotuma's social and political system. Almost all of the authors are concerned indirectly with the process of change affecting Rotuman society, and three chapters describe the physical manifestation of this: the emigration of Rotumans to Fiji, the need for childen to leave the island for higher education, and the communities established away from home ..." -- Foreword p. ix.

A major new history of craft that spans three centuries of making and thinking in Aotearoa New Zealand and the wider Moana (Pacific). Paying attention to Pakeha (European New Zealanders) , Maori, and island nations of the wider Moana, and old and new migrant makers and their works, this book is a history of craft understood as an idea that shifts and changes over time. At the heart of this book lie the relationships between Pakeha, Maori and wider Moana artistic practices that, at different times and for different reasons, have been described by the term craft. It tells the previously untold story of craft in Aotearoa New Zealand, so that the connections, as well as the differences and tensions, can be identified and explored. This book proposes a new idea of craft--one that acknowledges Pakeha, Maori and wider Moana histories of making, as well as diverse community perspectives towards objects and their uses and meanings.

In a city that has forgotten and erased much of its history, there are still places where traces of the past can be found. Deep histories, both natural and human, have been woven together over hundreds of years in places across Tāmaki Makaurau Auckland, forming potent sites of national significance. This stunning book unearths these histories in three iconic landscapes: Pukekawa/Auckland Domain, Maungakiekie/One Tree Hill and the Ōtuataua Stonefields at Ihumātao. Approaching landscapes as an archive, Lucy Mackintosh delves deeply into specific places, allowing us to understand histories that have not been written into books or inscribed upon memorials, but which still resonate through Auckland and beyond. Shifting Grounds provides a rare historical assessment of Tāmaki Makaurau Auckland's past, with findings and stories that deepen understanding of New Zealand history.