The first volume of the Library of America's definitive two-volume selection of the nonfiction writings of our greatest living advocate for sustainable culture. Writing with elegance and clarity, Wendell Berry is a compassionate and compelling voice for our time of political and cultural distrust and division, whether expounding the joys and wisdom of nonindustrial agriculture, relishing the pleasure of eating food produced locally by people you know, or giving voice to a righteous contempt for hollow innovation. He is our most important writer on the cultural crisis posed by industrialization and mass consumerism, and the vital role of rural, sustainable farming in preserving the planet as well as our national character. Now, in celebration of Berry's extraordinary six-decade-long career, Library of America presents a two-volume selection of his nonfiction writings prepared in close consultation with the author. This first volume collects thirty-three essays from nine different books, including his first, The Long-Legged House (1969), What are People For? (1990), with its still provocative essay "Why I am Not Going to Buy a Computer," and the complete text of his now classic The Unsettling of America (1975), whose argument about the enormous ecological, economic, and human costs of industrial agriculture has, as the author notes, "not had the happy fate of being proved wrong." Berry's essays remain timely, even urgent today, and will resonate with anyone interested in our relationship to the natural world and especially with a younger, politically engaged generation invested in the future welfare of the planet. INCLUDES: The Unsettling of America AND SELECTIONS FROM The Long-Legged House The Hidden Wound A Continuous Harmony Recollected Essays The Gift of Good Land Standing by Words Home Economics What Are People For? LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In 1930, a group of southern intellectuals led by John Crowe Ransom, Allen Tate, Donald Davidson, and Robert Penn Warren published I'll Take My Stand: The South and the Agrarian Tradition. A stark attack on industrial capitalism and a defiant celebration of southern culture, the book has raised the hackles of critics and provoked passionate defenses from southern loyalists ever since. As Paul Murphy shows, its effects on the evolution of American conservatism have been enduring as well. Tracing the Agrarian tradition from its origins in the 1920s through the present day, Murphy shows how what began as a radical conservative movement eventually became, alternately, a critique of twentieth-century American liberalism, a defense of the Western tradition and Christian humanism, and a form of southern traditionalism--which could include a defense of racial segregation. Although Agrarianism failed as a practical reform movement, its intellectual influence was wide-ranging, Murphy says. This influence expanded as Ransom, Tate, and Warren gained reputations as leaders of the New Criticism. More notably, such "neo-Agrarians" as Richard M. Weaver and M. E. Bradford transformed Agrarianism into a form of social and moral traditionalism that has had a significant impact on the emerging conservative movement since World War II.

The most comprehensive―and only author-authorized―Wendell Berry reader, "America's greatest philosopher on sustainable life and living" (Chicago Tribune). In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his fifty-year campaign on behalf of American lands and communities. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress and in defense of local landscapes, essays that celebrate our cultural heritage, our history, and our home. With grace and conviction, Wendell Berry shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy―the natural world will not allow it. Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbors, and ourselves with respect and care. As Berry urges, we must abandon arrogance and stand in awe.

A portrait of the realities of agricultural life in today’s world, based on interviews with more than forty farm families. In this book, dozens of farm families from America’s heartland detail the practices and values that relate to their land, work, and communities. Their stories reveal that those who make their living in agriculture—despite stereotypes of provincialism perpetuated by the media—are savvy to the influence of world politics on local issues. Gary Holthaus demonstrates how outside economic, governmental, legal, and business developments play an increasingly influential, if not controlling, role in every farmer’s life. The swift approval of genetically modified crops by the federal government, the formation of huge agricultural conglomerates, and the devastating environmental effects of chemical fertilizers, pesticides, and herbicides are just a few issues buffeting family farms. From the Farm to the Table explores farmers’ experiences to offer a deeper understanding of how we can create sustainable and vibrant land-based communities by adhering to fundamental agrarian values. “Tells the story of modern agriculture through engaging interviews with men and women who make a living farming in southeastern Minnesota. In a tone reminiscent of Wendell Berry’s A Place on Earth, he examines the far-reaching effects of genetically modified organisms, free-trade agreements that nurture ‘transnational corporate profit,’ dependence on fossil fuel-derived chemicals, and the toll all this has taken on the land and farmers.” —Library Journal

"In Literature of Place Melanie Simo looks beyond crowded malls and boarded-up storefronts on Main Street to our collective memory, finding answers to these questions in stories, novels, memoirs, poetry, essays, diaries, travel writing, and nature writing that range in origin from New England and the Southern Highlands to Hawaii and in subject from little gardens to lost or reinhabited places in cities, mill towns, deserts, and woodlands. In her consideration of selected American works from 1890 to 1970 - years that mark the closing of the Western frontier and later openings in space exploration, environmental protection, genetic engineering, and cyberspace - Simo uncovers a literature of place and the often-surprising relationship of place to our daily lives."--BOOK JACKET.

For more than four hundred years, the personal essay has been one of the richest and most vibrant of all literary forms. Distinguished from the detached formal essay by its friendly, conversational tone, its loose structure, and its drive toward candor and self-disclosure, the personal essay seizes on the minutiae of daily life-vanities, fashions, foibles, oddballs, seasonal rituals, love and disappointment, the pleasures of solitude, reading, taking a walk -- to offer insight into the human condition and the great social and political issues of the day. The Art of the Personal Essay is the first anthology to celebrate this fertile genre. By presenting more than seventy-five personal essays, including influential forerunners from ancient Greece, Rome, and the Far East, masterpieces from the dawn of the personal essay in the sixteenth century, and a wealth of the finest personal essays from the last four centuries, editor Phillip Lopate, himself an acclaimed essayist, displays the tradition of the personal essay in all its historical grandeur, depth, and diversity.