This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking. Agnès Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy. The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.

"Sensuous, voluptuous, provocative--the female form has inspired artists for centuries, making it perhaps the most popular subject in the history of painting. Since Venetian painter Giorgione's Sleeping Venus, the first notable female nude in Western painting, painters have focused their talents on the infinite possibilities of the representation of the female body. Featuring lush, full-page illustrations of masterpieces of the genre, Reclining Nude is a feast for the senses. From Titian's alluring Venus of Urbino to Manet's guileless Olympia, Reclining Nude provides a fascinating tour of the ever-changing visions of beauty and repose." -- Provided by publisher

This engrossing volume takes us on a fascinating visual journey through the most groundbreaking and avant-garde art of the early 20th century to the present. Stunning, high-quality photographs of major artworks accompany illuminating discussions of the masters of modern and contemporary painting, sculpture, architecture, and conceptual art. Here are giants of invention such as Picasso and Matisse, the German expressionists, Dadaists, constructivists, surrealists, abstract expressionists, minimalists, pop artists, and today’s cutting-edge creators. They’re all carefully placed in cultural context, with ideas, movements, events, artists, and works beautifully examined. Scholars, art aficionados, students, gallery owners, and art historians will all find this mainstream, accessible guide appealing.

Don: Centre for Human Rights, Pretoria.

Though he died young in relative obscurity, the works of Amedeo Modigliani are now regarded as some of the most important canvases of the twentieth century. Modigliani’s innovative portraits and nudes are characterised by their asymmetrical compositions, elongated figures and monumental use of line. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Modigliani’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Amedeo Modigliani — over 350 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Modigliani’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Includes a selection of Modigliani's drawings and sculptures - explore the artist’s varied works * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights PORTRAIT OF PEDRO THE HORSEWOMAN HEAD, 1911 CARYATID PIERROT BEATRICE HASTINGS CESLO LAGAR JUAN GRIS JEAN COCTEAU CHAIM SOUTINE SEATED NUDE, 1916 NUDE SITTING ON A DIVAN MADAME ZBOROWSKA RECLINING NUDE WITH BLUE CUSHION LEOPOLD ZBOROWSKI SEATED BOY WITH CAP JEANNE HÉBUTERNE, WITH A DOOR IN THE BACKGROUND The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS Other Artworks LIST OF DRAWINGS AND SCULPTURES Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set

The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.

The fourth volume in the Essays by Leo Steinberg series, focusing on the artist Pablo Picasso. Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to modern art, he combined scholarly erudition with eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. Steinberg’s perceptions evolved from long, hard looking at his objects of study. Almost everything he wrote included passages of formal analysis but always put into the service of interpretation. This volume brings together Steinberg’s essays on Pablo Picasso, many of which have been studied and debated for decades, such as “The Philosophical Brothel,” as well as unpublished lectures, including “The Intelligence of Picasso,” a wide-ranging look at Picasso’s enduring ambition to stretch the agenda of representation, from childhood drawings to his last self-portrait. An introduction by art historian Richard Shiff contextualizes these works and illuminates Steinberg’s lifelong dedication to refining the expository, interpretive, and rhetorical features of his writing. Picasso is the fourth volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.