I hope readers will enjoy creating Reckless Dreaming as a movie in their mind. That is ahead of any possible theatrical production. - Nick David, Screenwriter ENLIGHTENMENT, LOVE, AND A STING ARE JUST AROUND THE CORNER AND YET SO FAR AWAY. WELCOME TO THE WORLD OF RECKLESS DREAMING! Imagine a game of Strip Chess surrounded everywhere you turn by strip the soul! Michael and Tara use everything including their wits for weapons! Meanwhile, no knowledge of chess will be needed to determine who is winning as their match progresses. Chess masters Tara, 33, and Michael, 34, stage a high stakes match in San Francisco that their chess rival fathers never got a chance to play. Michael is an intense “win at any cost” player with his own obsessions. Tara is an embattled singer and Eastern Religion buff. As a reformed alcoholic, she leaves a Buddhist monastery on a quest for enlightenment and love. Tara keeps one vital secret from Michael: She has a brain tumor which could kill her at any time! Not knowing her condition, Michael hires Destiny, a possible girlfriend who is into the occult, to play mind games on Tara. However, Destiny plans much more than just mental harm. In a class, Destiny receives a device that helps her enter other people’s dreams. Then, as Destiny remarks, “What could they charge me with, reckless dreaming?” Meanwhile, psychotic “fellow-dreamer” Dwayne pursues a Tarot card riddle which doesn’t bode well for Tara! A female artist influences events in unique ways. Additional obstacles stack the deck against our heroine. More conflict brews in the subplot. It reveals that Tara, Michael, and the rest of the cast are pitted against the unscrupulous producer Wesley. It’s all yours to find out if a sting causes the plot and subplot to merge into multiple twist climaxes! Comments from 3 Professional Script Consultants: Paul Young’s clients have included Academy Award Nominees for Best Picture and Best Original Screenplay as well as the Grand Jury Prize at the Cannes Film Festival. Paul wrote that “Reckless Dreaming has plausibility, substance, focus, resonance, appeal, and emotional power, which helps to create a single film with its own inner layers and complexities.” - Literary & Screenplay Consultants Woodland Hills, CA “All in all, you’ve succeeded in writing an interesting erotic film which has intellectual appeal.” - Caroline Blair San Francisco, CA “You have drawn a very creative visual treatment for moving into and out of dream-space and time.” - Constance Richardson Mill Valley, CA Front Cover Photo: “Evidence” by Nick David www.nickdavid.photoshelter.com www.recklessdreaming.com

A lustful desireBecomes a reckless dreamBetween star-crossed lovers comes a tale like no other.Aurora Moretti:They say opposites attract, but what if we're on opposite sides of the law?Can it become what we dream it to be?I cross my heart and hope like hell we don't die.I dream of being his and him being mine.A reckless dream.Our dream.Cade Edwards:All relationships have obstacles.Some end, unable to overcome them.Some surpass all expectations, fighting whatever comes their way.She kept a secret.Hers not to tell.She's a Princess, but not the glass-slipper fairytale.The kind, my choice of career, stops me from getting her.She's my own personal forbidden fruit, and I've already had my taste.This is Book One of the Moretti Family Series.It's a full length novel that can be read as a standalone.Reckless Dream is a forbidden romance with mafia aspects giving readers an introduction into the Moretti Crime Family.This book is for an audience of 18 years or older!

This is a collection of thirty-one beautifully written and wonderfully moving sermon-length reflections that read more like stories from Lake Wobegone. Wood weaves together history, legends, and references to popular culture seamlessly with biblical passages to create reflections that are both inspirational and educational. "A modern Scheherezade, this gifted United Methodist preacher unspools a series of compelling stroies as he seeks to draw out the presence of God in the historical, the legendary, the ordinary, and the bizarre events of human life. . . . This debut collection has the potential to be a book for all seasons." --Publisher's Weekly

The history of our attitudes toward the possibilities of tomorrow:“A fascinating trek through American future visions from the 1920s to the present.” —Lori C. Walters, Ph.D., University of Central Florida The future is not a fixed idea but a highly variable one that reflects the values of those who are imagining it. By studying the ways that visionaries imagined the future—particularly that of America—in the past century, much can be learned about the cultural dynamics of the times. In this social history, Lawrence R. Samuel examines the future visions of intellectuals, artists, scientists, businesspeople, and others to tell a chronological story about the history of the future in the past century. He defines six separate eras of future narratives from 1920 to the present day, and argues that the milestones reached during these years—especially related to air and space travel, atomic and nuclear weapons, the women’s and civil rights movements, and the advent of biological and genetic engineering—sparked the possibilities of tomorrow in the public’s imagination, and helped make the twentieth century the first century to be significantly more about the future than the past. The idea of the future grew both in volume and importance as it rode the technological wave into the new millennium, and the author tracks the process by which most people, to some degree, have now become futurists as the need to anticipate tomorrow accelerates.

GOLD, GIRLS, and EGYPTIAN GODS await WWII American POW Harold Barton as he unwittingly enters the bizarre world of Nazi chemical warfare experiment Project Brainfire . The project’s aim--to conquer England by exploding V-2 rockets filled with mind-altering Reichedelics over London. Harold's secret nightly chemical tests, courtesy Gestapo heavy Doctor Meister, catapult him out of his body, where he encounters Egyptian god Horus, who enlists him to reclaim the gold the Nazis stole from him. Three sisters arrive at the Bavarian villa hosting Project Brainfire and soon Harold and Lisa, the elder sister, join forces in both love and mystery. Why does she seem to know everything about him? What is the secret of Project Brainfire? Their world expands when all enter Harold's netherworld, where some visit Past Life data banks of the Nephthys Academy of Polychronic Science, and new RAF friends rack up freeplays on the Lancaster Gunner game at the Andromeda Arcade. A handful of Earthlings, an Egyptian god, a trio of RAF flyboys, and a threesome of gorgeous female Bots from Khepera II join fates to save England and overcome the perils of Project Brainfire

Winner of the William Sanders Scarborough Prize “This trenchant work of literary criticism examines the complex ways...African American authors have written about animals. In Bennett’s analysis, Richard Wright, Toni Morrison, Jesmyn Ward, and others subvert the racist comparisons that have ‘been used against them as a tool of derision and denigration.’...An intense and illuminating reevaluation of black literature and Western thought.” —Ron Charles, Washington Post For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal—the rat, the cock, the mule, the dog, the shark—in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people—all place Black and animal life in fraught proximity. Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene. “A gripping work...Bennett’s lyrical lilt in his sharp analyses makes for a thorough yet accessible read.” —LSE Review of Books “These absorbing, deeply moving pages bring to life a newly reclaimed ethics.” —Colin Dayan, author of The Law Is a White Dog “Tremendously illuminating...Refreshing and field-defining.” —Salamishah Tillet, author of Sites of Slavery